An Individual Note: of Music, Sound and Electronics

3rd and 5th 5th harmonics able aleatoric Alexander Pope allow amplifier amplitude analogy areas of resonance aspects become capacitor CELE celetal Chapter colours composer composition computer music Daphne Oram difference frequencies digital computer music distorted duration echoes ELEC Electronic Music energy excited feedback circuits filter formant control freehand fundamental Gesang der Jünglinge give gradually harmonic series Hertz human brain HUMANISING impedances individuality instructions intermodulation Koenig listener loudspeaker machine magnetic memory mental waveband modulating Montaigne musing notation observer Oramics oscillation outlets overloaded overtones parameter pattern pendulum perhaps personal formants personal wavepattern Philips physical band pitch plates playback volume produce random number rationalising department recipe result rhythm ring modulator scan seems shape signal sine wave spark square wave sum and difference tape recorder tension thought timbre tone transducing tuned circuits vibration visualise volume knob white noise wonder words