Harpsichord Technique: A Guide to ExpressivityMusica Dulce, 1998 - 115 páginas "Divided into two parts, the book combines Touch at the harpsichord, in part one, with Rhetoric at the keyboard (or, performance practice) in part two. The book is spiral bound and designed for use at the keyboard, with or without a teacher. It features 30 teaching pieces from the Bach/Ricci "Methode ou Receuil de Connaissances elementaires pour le piano forte ou clavecin" of 1786. Also featured are pieces to play by Louis & Francois Couperin, J. S. Bach and Georg Bohm. An appendix of recommended starting pieces follows. If you take the trouble to work with this book at a harpsichord, (especially if you use the recordings) your touch and knowledge of Baroque performance will improve."--Publisher's description. |
Contenido
Figure 1 ARCHED HAND POSITION | 3 |
ADDING THE THUMB | 10 |
CHAPTER TWO | 16 |
Derechos de autor | |
Otras 12 secciones no mostradas
Otras ediciones - Ver todas
Harpsichord Technique: A Guide to Expressivity : Featuring Music from ... Nancy Metzger Sin vista previa disponible - 1990 |
Términos y frases comunes
8th notes accent affect Allemande alternating Appendix appoggiaturas arpeggiated articulation Bach's bar lines Baroque music bass beat beginning cadenza century changes Chapter chord communicate complete composer consists contains Courante dance described determining discussed dotted Double duration Edited Example expressive feel Figure final fingers follow Francois Couperin French fugue Georg gesture Gigue hand harmonic rhythm harpsichord History Hold important improvised indicated interpretation Invention J. S. Bach Johann keyboard less listener Little Little Prelude manner Mattheson measure meter Minor Minuetto motive movement moving notated note lengths note values occur organ ornamental performance phrases piece places playing practice Prelude prose release repeated rhythmic Ricci rotation short shortened silences slow sound strong structure style Suite super legato takes tempo tender throughout toccata tones touch translated triplets University Press unmeasured prelude upbeats varied verse voice weak writing written wrote York