Rockin Las Americas: The Global Politics Of Rock In Latin/o AmericaDeborah Pacini Hernandez, Eric Zolov, Héctor Fernández L'Hoeste University of Pittsburgh Press, 2011 M12 12 - 432 páginas Every nation in the Americas—from indigenous Peru to revolutionary Cuba—has been touched by the cultural and musical impact of rock. Rockin’ Las Américas is the first book to explore the production, dissemination, and consumption of rock music throughout the Caribbean, Mexico, Central America, Brazil, the Andes, and the Southern Cone as well as among Latinos in the United States. The contributors include experts in music, history, literature, culture, sociology, and anthropology, as well as practicing rockeros and rockeras. The multidisciplinary, transnational, and comparative perspectives they bring to the topic serve to address a broad range of fundamental questions about rock in Latin and Latino America, including: Why did rock become such a controversial cultural force in the region? In what ways has rock served as a medium for expressing national identities? How are unique questions of race, class, and gender inscribed in Latin American rock? What makes Latin American rock Latin American? Rockin’ Las Américas is an essential book for anyone who hopes to understand the complexities of Latin American culture today. |
Contenido
| 1 | |
| 22 | |
Negotiating Rock in Revolutionary Cuba 19601980 Deborah Pacini Hernandez and Reebee Garofalo | 43 |
Uncovering the History of Brazilian Soul Bryan McCann | 68 |
Puerto Rican by Necessity Jorge Arevalo Mateus | 91 |
The Politics and AntiPolitics of Uruguayan Rock Abril Trigo | 115 |
A History of Women Rockers in Mexico Julia Palacios and Tere Estrada | 142 |
Sexuality Translocality and Punk in Los Angeles and Beyond Michelle HabellPallan | 160 |
Neoliberalism and Rock in the Popular Sectors of Contemporary Argentina Pablo Seman Pablo Vila and Cecilia Benedetti | 261 |
Memory and Mourning in Chilean PostAuthoritarian Rock Walescka PinoOjeda | 290 |
Border Traditions and Electronica in Tijuana Susana Asensio | 312 |
Manu Chao and the Music of Globalization Josh Kun | 332 |
A Changeable Template of Rock in Las Américas George Yudice | 347 |
Rock in Latin America 19402000 | 357 |
Notes | 363 |
Selected Bibliography | 395 |
The Predicament of Colombian Rock in the US Market Hector D Fernandez LHoeste | 179 |
Learning to Listen to Brazilian Rock Martha Tupinamba de Ulhoa | 200 |
A NonLatin American Latin American Rock Group? Paulo Alvarado | 220 |
Rock and la Bandas Forced Survival Opposite the Mexican State Hector Castillo Berthier | 241 |
Contributors | 405 |
| 409 | |
Otras ediciones - Ver todas
Rockin' Las Américas: The Global Politics of Rock in Latin/o America Deborah Pacini Hernandez,Héctor D. Fernández l'Hoeste,Eric Zolov Sin vista previa disponible - 2004 |
Términos y frases comunes
aesthetic album Alux Nahual Argentina artists audience Avándaro band's banda Beatles Bloque Bogotá border Boricua Brazil Brazilian rock Carlos chavos Chicana Chile Chilean Clandestino Colombian concerts countercultural criticism Cuba Cuban dance drums Electronica English essay example expression fans festival film forms genre global González Guatemala guitar hybrid Ibid identity ideological important interview José Jovem Guarda La Renga listen Maia Maia's marginalized Menéndez Mexican rock Mexico City middle-class movement música musicians Nortec nueva canción Pablo Paulo performed played political Popular Culture popular music Press production Puerto Rican punk racial radio record repression revolutionary rhythms Rico rock bands rock chabón rock en español rock group rock music rock nacional rock's rockers Rodríguez roll salsa samba São Paulo scene sectors singer singing social song soul sound Spanish style Tijuana Tim Maia tion traditional transnational Tropicália United University urban women young youth
