Rockin Las Americas: The Global Politics Of Rock In Latin/o America

Portada
Deborah Pacini Hernandez, Eric Zolov, Héctor Fernández L'Hoeste
University of Pittsburgh Press, 2011 M12 12 - 432 páginas
Every nation in the Americas—from indigenous Peru to revolutionary Cuba—has been touched by the cultural and musical impact of rock. Rockin’ Las Américas is the first book to explore the production, dissemination, and consumption of rock music throughout the Caribbean, Mexico, Central America, Brazil, the Andes, and the Southern Cone as well as among Latinos in the United States.


The contributors include experts in music, history, literature, culture, sociology, and anthropology, as well as practicing rockeros and rockeras. The multidisciplinary, transnational, and comparative perspectives they bring to the topic serve to address a broad range of fundamental questions about rock in Latin and Latino America, including: Why did rock become such a controversial cultural force in the region? In what ways has rock served as a medium for expressing national identities? How are unique questions of race, class, and gender inscribed in Latin American rock? What makes Latin American rock Latin American? Rockin’ Las Américas is an essential book for anyone who hopes to understand the complexities of Latin American culture today.
 

Contenido

Mapping Rock Music Cultures across the Americas Deborah Pacini Hernandez Hector Fernandez LHoeste and Eric Zolov
1
Mexicos Forgotten Rock Counterculture Eric Zolov
22
Negotiating Rock in Revolutionary Cuba 19601980 Deborah Pacini Hernandez and Reebee Garofalo
43
Uncovering the History of Brazilian Soul Bryan McCann
68
Puerto Rican by Necessity Jorge Arevalo Mateus
91
The Politics and AntiPolitics of Uruguayan Rock Abril Trigo
115
A History of Women Rockers in Mexico Julia Palacios and Tere Estrada
142
Sexuality Translocality and Punk in Los Angeles and Beyond Michelle HabellPallan
160
Neoliberalism and Rock in the Popular Sectors of Contemporary Argentina Pablo Seman Pablo Vila and Cecilia Benedetti
261
Memory and Mourning in Chilean PostAuthoritarian Rock Walescka PinoOjeda
290
Border Traditions and Electronica in Tijuana Susana Asensio
312
Manu Chao and the Music of Globalization Josh Kun
332
A Changeable Template of Rock in Las Américas George Yudice
347
Rock in Latin America 19402000
357
Notes
363
Selected Bibliography
395

The Predicament of Colombian Rock in the US Market Hector D Fernandez LHoeste
179
Learning to Listen to Brazilian Rock Martha Tupinamba de Ulhoa
200
A NonLatin American Latin American Rock Group? Paulo Alvarado
220
Rock and la Bandas Forced Survival Opposite the Mexican State Hector Castillo Berthier
241
Contributors
405
Index
409
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Acerca del autor (2011)

Deborah Pacini Hernandez, associate professor of anthropology at Tufts University, is the author of Bachata: A Social History of a Dominican Popular Music.

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