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INDEX OF FIRST LINES

A Bishop, by his neighbors hated, 119.
A gold watch found on cinder whore, 132.
A pleasing Form, a firm, yet cautious Mind,
133.

A shepherd's boy (he seeks no better name), 23.
A soul as full of worth as void of Pride, 115.

A Wood!' quoth Lewis, and with that, 102.
Achilles' wrath, to Greece the direful spring.
261.

Again? new tumults in my breast? 217.

Ah, friend! 'tis true- - this truth you lovers
know, 116.

All hail, once pleasing, once inspiring shade.

130.

All night the Chiefs before their vessels lay

364.

And now Olympus' shining gates unfoid, 295.
And now to Xanthus' gliding stream they
drove, 486.

And Pallas now. to aise the rivals' fires, 612.
As some fond virgin, whom her mother's care,
102.

As when that hero, who in each campaign, 125.
At length, my Friend (while Time, with still
career, 104.

At length we reach'd Eolia's sea-girt shore,
568.

Aurora now, fair Daughter of the Dawn, 341.
Authors are judged by strange capricious rules,
108.

Authors the world and their dull brains have
traced, 131.

Awake, my St. John! leave all meaner things,
138.

Begone, ye Critics, and restrain your spite, 2.
Behold! ambitious of the British bays, 133.
Behold the woes of matrimonial life, 46.
Beneath the shade a spreading beech displays,

24.

But anxious cares the pensive nymph opprest,
95.

But he, deep-musing, o'er the mountains stray'd,
585.

But in her temple's last recess inclosed, 237.
But nor the genial feast, nor flowing bowl, 412.
But Pallas now Tydides' soul inspires, 306.

Celia, we know, is sixty-five, 125.

Close by those meads, for ever crown'd with
flowers, 92.

Close to the best known author Umbra sits,
119.

Come, fill the South Sea goblet full, 115.

Come, gentle air! th' Æolian shepherd said,
16.

Cyllenius now to Pluto's dreary reign, 626.

Dear Colonel. Copham's and your country's
friend. 197

Dear damr'd, distracting town, farewell! 103.
Descend ye Nine, descend and sing, 78.

Did Milton's prose, O Charles, thy death de-
fend? 132.

Dorset, the Grace of Courts, the Muses' Pride,
133.

Fain would my Muse the flowery treasures
sing,

Fair Charmer, cease! nor make your voice's
prize 75.

Father of all! in ev'ry age, 175.

Few words are best; I wish you well, 116.
First in these fields I try the sylvan strains, 21.
Flutt'ring spread thy purple Pinions, 126.
Fraternal rage, the guilty Thebes' alarms, 3.

Goddess of woods, tremendous in the chase,
109.

Go! fair example of untainted youth, 134.
Great G[eorge], such servants since thou well
canst lack, 133.

Grown old in rhyme, 't were barb'rous to dis-
card, 107.

Happy the man whose wish and care, 1.

He ceas'd; but left so pleasing on their ear,

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Here, Withers! rest; thou bravest, gentlest
mind, 135.

Heroes and Kings! your distance keep, 136.
High on a gorgeous seat, that far outshone, 230.
How much, egregious Moore ! are we, 119.

I am his Highness' dog at Kew, 131.

I know the thing that 's most uncommon, 118.
I've often wish'd that I had clear, 214.

I was brought from Chelsea last year, 127.
If modest Youth, with cool Reflection crown'd,
136.

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Now had Minerva reach'd those ample plains,
594.

Now Heav'n forsakes the fight; th' immortals
yield, 322.

Now in swift flight they pass the trench pro-
found, 421.

O Happiness! our being's end and aim! 150.
O wretched B[ritain], jealous now of all, 128.
Of all the causes which conspire to blind, 70.
Of gentle Philips will I ever sing, 121.

Of Manners gentle, of Affections mild, 135.
Oh, be thou blest with all that Heav'n can
send, 118.

On the cold earth divine Patroclus spread, 449.
Once in his life M[oo]re judges_right, 132.
Once (says an author, where I need not say),
130.

Ozell, at Sanger's call, invoked his Muse, 80.

Pallas grew vaponrish once and odd, 121.
Parson, these things in thy possessing, 18.
Peace, flatt'ring Bishop lying Dean! 131.
Phryne had talents for mankind, 18.
Prodigious this! the Frail-one of our play, 100.

Resign'd to live, prepared to die, 128.

St. John, whose love indulged my labours past,
187.

Say, lovely Youth, that dost my heart command,
60.

See, Sir, here's the grand approach, 101.

See the wild waste of all-devouring years! 174.
She said, and for her lost Galanthis sighs, 63.
She said the pitying audience melt in tears, 79.
Should Denni)s print, how once you robb'd
your brother, 132.

'Shut, shut the door, good John!' fatigued, I
said, 176.

Silence! coeval with Eternity, 17.

Since my old friend has grown so great, 115.
So bright is thy beauty, so charming thy song,

80.

So spoke the Guardian of the Trojan state, 332.
So warr'd both armies on th' ensanguin'd shore,

433.

Soon as Aurora, Daughter of the Dawn, 602.
Soon as Aurora heav'd her orient head, 471.
Soon as Glumdalclitch miss'd her pleasing care,
122.

Speak, Gracious Lord, oh, speak; thy servant
hears, 1.

Statesman, yet Friend to Truth! of Soul sin-
cere, 134.

Such were the notes thy once-lov'd Poet sung,
116.

Tell, if you can, which did the worse, 132.
The Basset-Table spread, the Tallier come, 103.
The fair Pomona flourish'd in his reign, 65.
The Mighty Mother, and her son who brings,

226.

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Then fierce the Hero o'er the threshold strode,
618.

Then thus Ulysses: Thou whom first in sway,
559.

There are (I scarce can think it, but am told),
182.

There liv'd in Lombardy, as authors write, 35.
This modest stone, what few vain marbles can,
135.

This verse be thine, my friend, nor thou refuse,
82.

Tho' Artemisia talks by fits, 18.

Tho' sprightly Sappho force our love and praise,
130.

Thou who shalt stop where Thames' translucent
wave, 127.

Thus by their leader's care each martial band,
287.

Thus humbled in the dust the pensive train,
505.

Thus joyful Troy maintain'd the watch of night,

352.

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What makes you write at this odd rate? 132.
What's Fame with men, by custom of the
nation, 101.

When Eastern lovers feed the Funeral Fire,
136.

When now the Thund'rer on the sea-beat coast,

396.

When other fair ones to the shades go down,
125.

When simple Macer, now of high renown, 102.
When wise Ulysses from his native coast, 79.
Whence deathless Kit-cat' took its name, 106.
While Celia's tears make sorrow bright, 17.
While thus the hero's pious cares attend, 388.
While you, great Patron of Mankind! sustain,
192.

Who shall decide when doctors disagree, 165,
With no poetic ardour fired, 126.

With scornful mien, and various toss of air,
107.

Women ben full of ragerie, 15.

Ye Lords and Commons, men of wit, 120.
Ye Nymphs of Solyma! begin the song, 85.
Ye shades, where sacred truth is sought, 117.
Yes, I beheld th' Athenian Queen, 127.
Yes, thank my stars! as early as I knew, 202.
Yes, 't is the time (I cried), impose the chain,

128.

Yes, we have liv'd-One pang and then we
part! 135.

Yes, you despise the man to books confin'd, 157.
Yet, yet a moment, one dim ray of light, 242.
You beat your Pate, and fancy Wit will come,
121.

INDEX OF TITLES

[The titles of major works and general divisions are set in SMALL CAPITALS.]

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Anonymous, A Question by, 132.

Epilogue to the Satires, 208.

Epistle to Dr. Arbuthnot, 176.
Epistle to James Craggs, Esq., 115.

Answer to the following Question of Mrs. Howe, Epistle to Miss Blount with the works of Voi-

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ture, 80.

Epistle to Mr. Addison, 173.

Epistle to Mr. Jervas, 82.

Epistle to Mrs. Teresa Blount, 102.

Epistle to Robert, Earl of Oxford and Morti-

mer, 116.

EPITAPHS, 133.

Epitaphs, 121, 132, 136.

ESSAY ON CRITICISM, AN, 67.

ESSAY ON MAN, AN, 137.

Europe, The Balance of, 79.

Extemporaneous Lines on a Portrait of Lady
Mary Wortley Montagu, painted by Kneller,
109.

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ILIAD, THE, 251.

IMITATIONS OF ENGLISH POETS, 14.
Imitation of Chaucer, 15.
Imitation of Cowley, 16.
Imitation of Dr. Swift, 18.
Imitation of Martial, 104.
Imitation of Spenser, 15.

Imitation of the Earl of Dorset, 18.

Imitation of the Earl of Rochester, 17.
Imitation of Tibullus, 104.
Imitation of Waller, 196.

Impromptu to Lady Winchilsea, 83.

Inscription on a Grotto, the Work of Nine La-
dies, 131.

Inscription upon a Punch-Bowl, An, 115.

Jane Shore, Epilogue to Mr. Rowe's, 100.
January and May; or, The Merchant's Tale,

35.

Jervas, Mr., Epistle to, 82.

Kit-cat Club, Epigram on the Toasts of the,
106.

Kneller, Sir Godfrey, On, 134.

Lamentation of Glumdalclitch for the Loss of
Grildrig, The, 122.
LATER POEMS, 125.

Lines occasioned by Some Verses of His Grace,
the Duke of Buckingham, 103.
Lines on Swift's Ancestors, 130.
Lines to Lord Bathurst, 102.

Lines written in Evelyn's Book of Coins, 131.
Lines written in Windsor Forest, 130.

London, A Farewell to, 103.

Looking-Glass, The, 107.

Macer, 102.

Martial, Imitation of, 104.

Men, Of the Knowledge and Characters of, 157.
Messiah, 84.

Montagu, Lady Mary Wortley, To, 109.
Monument of the Hon. R. Digby and of His
Sister Mary, On the, 134.

MORAL ESSAYS, 156.
More, Mr. John, To, 119.

Nature and State of Man, with respect to Hap-
piness, Of the, 150.

Nature and State of Man, with respect to Him-
self as an Individual, Of the, 141.
Nature and State of Man, with respect to So-
ciety, Of the, 145.

Nature and State of Man, with respect to the
Universe, Of the, 137.

Newton, Sir Isaac, Intended for, 135.

Ode for Music on St. Cecilia's Day, 78.
Ode on Solitude, 1.

Ode to Quinbus Flestrin, 121.
ODYSSEY, THE, 535.

On a Certain Lady at Court, 118.
On a Fan of the Author's Design, 16.
On a Lady singing to her Lute, 16.
On a Picture of Queen Caroline, 131.
On a Portrait of Lady Mary Wortley Montagu,
painted by Kneller, 109.

On Beaufort House Gate at Chiswick, 127.
On Certain Ladies, 125.

On Charles, Earl of Dorset, 133.

On Dr. Francis Atterbury, 135.

On Drawings of the Statues of Apollo, Venus,
and Hercules, 116.

On Edmund, Duke of Buckingham, 136.

On General Henry Withers, 135.

On his Grotto at Twickenham, 127.
On James Craggs, Esq., 134.

On Mr. Elijah Fenton, 135.
On Mr. Gay, 135.

On Mr. Rowe, 134.

On Mrs. Corbet, 134.

On Mrs. Tofts, a Famous Opera-Singer, 80.
On receiving from the Right Hon. the Lady
Frances Shirley a Standish and Two Pens,
127.

On seeing the Ladies at Crux Easton walk in
the Woods by the Grotto, 131.
On Silence, 17.

On Sir Godfrey Kneller, 134.

On Sir William Trumbull, 133.

On the Countess of Burlington cutting Paper,
121.

On the Hon. Simon Harcourt, 133.

On the Monument of the Hon. R. Digby and of
his Sister Mary, 134.

On Two Lovers struck Dead by Lightning,
136.

Oxford and Mortimer, Epistle to Robert, Earl
of, 116.

Oxford, Right Hon. the Earl of, To the, 131.

Paraphrase, A (On Thomas à Kempis, 1. iii. c. 2),1.
PARAPHRASES FROM CHAUCER, 35.

Pastoral Poetry, Discourse on, 19.
PASTORALS, 19.

Phryne, 18.

POEMS OF UNCERTAIN DATE, 130.
POEMS SUGGESTED by GULLIVER, 121.

POEMS WRITTEN BETWEEN 1708 AND 1712, 78.

POEMS WRITTEN BETWEEN 1713 AND 1717, 100.
Prayer, Universal, 175.

Prayer of Brutus, 108.

Prologue, designed for Mr. D'Urfey's Last
Play, 107.

Prologue (to a play for Mr. Dennis's Benefit),

125.

Prologue to Mr. Addison's Cato, 100.

Prologue to the Three Hours after Marriage,'
108.

Queen Caroline, On a Picture of, 131.
Question by Anonymous, A, 132.
Quinbus Flestrin, Ode to, 121.

RAPE OF THE LOCK, THE, 88.
Riches, Of the Use of, 165, 170.
Rochester, Earl of, Imitation of, 17.
Rowe, Mr., On, 134.

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