Philosophy Looks at the Arts: Contemporary Readings in AestheticsJoseph Margolis Temple University Press, 1987 - 605 páginas The first edition of this widely used anthology offered a needed introduction to a new analytic aesthetics which has in the intervening years become even more influential. This new, revised and expanded edition has been designed by one of the leaders of the field to help define the structure of current aesthetics. Of the 24 articles included more than half are new to this edition. The new edition emphasizes opposing currents in aesthetics with contributions from the most active and influential writers in the field. It is a basic book for any library and is designed to provide both undergraduate and graduate students with a professional orientation in aesthetics. Author note: Joseph Margolis is Professor of Philosophy at Temple University. He is the author or editor of twelve other books as well as numerous articles. |
Dentro del libro
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Contenido
Part One Aesthetic Interests and Aesthetic Qualities | 1 |
2 | 18 |
Aesthetic Concepts | 29 |
3 | 45 |
Categories of | 53 |
4 | 77 |
5 | 85 |
The Myth of the Aesthetic Attitude | 100 |
Representation as Expression Peter Kivy | 319 |
Puzzles of Pictorial Representation Joseph Margolis | 338 |
358 | |
The Intentional Fallacy | 367 |
Intention and Interpretation in Criticism Frank Cioffi | 381 |
Expressive Properties of Art Guy Sircello | 400 |
A Critique Alan Tormey | 421 |
Gadamers Theory of Interpretation E D Hirsch Jr | 438 |
6 | 115 |
7 | 131 |
The Role of Theory in Aesthetics | 143 |
The Artworld | 154 |
9 | 168 |
Remarks on a Proposal | 186 |
200 | |
Art and Its Objects | 208 |
Nicholas Wolterstorff | 229 |
The Ontological Peculiarity of Works of | 253 |
Nelson Goodman | 261 |
Part Four Representation in Art | 279 |
Picturing and Representing Marx W Wartofsky | 307 |
455 | |
The Testability of an Interpretation Monroe C Beardsley | 466 |
Robust Relativism Joseph Margolis | 484 |
Hermeneutical Experience H G Gadamer | 499 |
From Work to Text Roland Barthes | 518 |
525 | |
Metaphor Max Black | 535 |
The End of the Book and the Beginning of Writing | 553 |
Metaphor and the Central Problem of Hermeneutics | 577 |
Bibliography | 593 |
601 | |
Términos y frases comunes
aesthetic attitude aesthetic point aesthetic properties aesthetic qualities aesthetic terms aesthetic value anthropomorphic appreciation argue argument artifact artistic acts artwork artworld Beardsley Beethoven called catachresis color concept construed context contra-standard correct created creative culture definition depends Der Rosenkavalier determine Dickie discourse distinction Duchamp E. H. Gombrich emotion example experience expression fact Frank Sibley Gadamer George Dickie Guernica hermeneutic human illocution illocutionary act instance intention interpretation Joseph Margolis Journal of Aesthetics judgments kind language literal literary logical look Max Black meaning merely metaphor Monroe Beardsley musical expression nature Nelson Goodman nonaesthetic notion ontological painting particular perceived perception performance perlocution person Philosophy physical objects pictorial picture poem possible predicates problem produced question reason reference relevant represent representation resemblance seems sense sentence signifier simply someone sort speak suggest suppose theory thesis things tion tokens true truth understanding visual word writing
Pasajes populares
Página 550 - Metaphor consists in giving the thing a name that belongs to something else; the transference being either from genus to species, or from species to genus, or from species to species, or on grounds of analogy.
Referencias a este libro
Soft Boundaries: Re-Visioning the Arts and Aesthetics in American Education Claire Janice Detels,Ralph Alexander Smith Sin vista previa disponible - 1999 |
Thinking about Music: An Introduction to the Philosophy of Music Lewis Eugene Rowell,Lewis Rowell Sin vista previa disponible - 1984 |