Lectures on Rhetoric and Belles LettresKay & Troutman, 1849 - 557 páginas |
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Página 12
... considerable errors . All that regards the study of eloquence and composition , merits the higher attention upon this account , that it is intimately connect- ed with the improvement of our intellectual powers . For I must be allowed to ...
... considerable errors . All that regards the study of eloquence and composition , merits the higher attention upon this account , that it is intimately connect- ed with the improvement of our intellectual powers . For I must be allowed to ...
Página 29
... considerable degree of taste in poetry , cloquence , or any of the fine arts , who has little or hardly any genius for composition or execution in any of these arts : but genius cannot be found without including taste also . Genius ...
... considerable degree of taste in poetry , cloquence , or any of the fine arts , who has little or hardly any genius for composition or execution in any of these arts : but genius cannot be found without including taste also . Genius ...
Página 31
... considerable ; though some ingenious writers have pursued the sub- ject . This is owing , doubtless , to that thinness and subtilty which are found to be properties of all the feelings of taste . They are engaging objects ; but when we ...
... considerable ; though some ingenious writers have pursued the sub- ject . This is owing , doubtless , to that thinness and subtilty which are found to be properties of all the feelings of taste . They are engaging objects ; but when we ...
Página 37
... considerable advances been criticism commonly proceed ? How made since his time , in this part of does it appear that this is not true ? philosophical criticism ? What is a very How is this illustrated ? Why will the difficult task ...
... considerable advances been criticism commonly proceed ? How made since his time , in this part of does it appear that this is not true ? philosophical criticism ? What is a very How is this illustrated ? Why will the difficult task ...
Página 38
... considerable length . He points out five sources of the sublime . The first is boldness or grandeur in the thoughts ; the second is , the pathetic ; the third , the proper application of figures ; the fourth , the use of tropes and ...
... considerable length . He points out five sources of the sublime . The first is boldness or grandeur in the thoughts ; the second is , the pathetic ; the third , the proper application of figures ; the fourth , the use of tropes and ...
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Términos y frases comunes
action advantage Æneid agreeable ancient appear Aristotle attention beauty character chiefly Cicero circumstances comedy composition connexion considered critics Dean Swift degree Demosthenes dignity discourse distinct distinguished effect elegant eloquence employed English English language epic epic poem epic poetry expression fancy figures French genius give given grace Greek guage hearers Hence Homer ideas Iliad illustrated imagination imitation instance introduced Isocrates ject kind language lecture manner means ment metaphor mind modern moral narration nature never objects observed occasion orator ornament particular passage passion peculiar persons perspicuity pleasure poem poet poetical poetry principles proper propriety prose public speaking Quintilian racters reason remark follows render Roman rule scene sense sensible sentence sentiments sermons simplicity Sophocles sort sound speaker species speech style sublime syllables Tacitus taste tence thing thought Thucydides tion tragedy tropes unity verse Virgil Voltaire whole words writing
Pasajes populares
Página 168 - Thou hast brought a vine out of Egypt : Thou hast cast out the heathen, and planted it. Thou preparedst room before it, And didst cause it to take deep root, And it filled the land. The hills were covered with the shadow of it, And the boughs thereof were like the goodly cedars. She sent out her boughs unto the sea, And her branches unto the river.
Página 179 - How art thou fallen from Heaven, O Lucifer, son of the morning ! how art thou cut down to the ground, which didst weaken the nations...
Página 452 - Gently o'er the accustomed oak. Sweet bird, that shunn'st the noise of folly, Most musical, most melancholy! Thee, chauntress, oft the woods among I woo, to hear thy even-song; And missing thee, I walk unseen On the dry smooth-shaven green. To behold the wandering moon, Riding near her highest noon. Like one that had been led astray Through the heaven's wide pathless way, And oft, as if her head she bowed, Stooping through a fleecy cloud.
Página 461 - And the parched ground shall become a pool, and the thirsty land springs of water : in the habitation of dragons where each lay, shall be grass with reeds and rushes.
Página 452 - Swinging slow with sullen roar; Or if the air will not permit, Some still removed place will fit, Where glowing embers through the room Teach light to counterfeit a gloom, Far from all resort of mirth, Save the cricket on the hearth, Or the bellman's drowsy charm To bless the doors from nightly harm.
Página 459 - Give unto the LORD the glory due unto his name : bring an offering, and come into his courts. O worship the LORD in the beauty of holiness : fear before him, all the earth.
Página 44 - Arch-Angel ruin'd, and the excess Of glory obscured : as when the sun, new risen, Looks through the horizontal misty air Shorn of his beams; or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Página 40 - And he rode upon a cherub, and did fly: yea, he did fly upon the wings of the wind. He made darkness his secret place: his pavilion round about him were dark waters and thick clouds of the skies.
Página 459 - Who shall ascend into the hill of the Lord? and who shall stand in his holy place? He that hath clean hands, and a pure heart; who hath not lifted up his soul unto vanity, nor sworn deceitfully.
Página 217 - It is this sense which furnishes the imagination with its ideas, so that by the pleasures of the imagination or fancy (which I shall use promiscuously) I here mean such as arise from visible objects, either when we have them actually in our view, or when we call up their ideas into our minds by paintings, statues, descriptions, or any the like occasion.