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Rule the second for vocalists, is equally to the purpose. Certain tragic performers, too, might profit by it.

Sense, poetry, and feeling-what are they?
Your true musician's key-note is display.
Hear Madame, in the intervals of song,
Lug in cadenzas, twenty minutes long;
See Signor, gaping in an endless swell,
To shew us that his lungs are like a bell;
Copy them, Kean. It cannot be a sin
In Hamlet's pauses to play harlequin ;
Or, if the gods above thy fencing clap,
Embrace th' occasion-thou art up to trap,
And when thy foil Laertes shall subdue,
Tip 'em some more on't-pink Horatio too.

Our author's indignation next turns upon the absurdity which, in truth, is glaring enough, of people becoming composers upon the strength of their being performers, as if a quick hand argued a nimble wit, or a strong finger a powerful imagination.

Now novelty is in such high demand,

That every tasteless dabbler tries his hand;
Each pence-paid scraper must the public dare;
Each opera-singer must contrive an air;

To few, or none, the favouring heavens have lent
Voice to perform and genius to invent ;
Yet see how one the gaping town invades
With pining "Ellens" and "Bewilder'd Maids,"
And many a maudlin mawkish strain, that we,
For lack of better, call a melody,

Just as the flow'ret which at Christmas blows,
Scentless and poor of hue, is term'd a Rose.

-Oh! potent reasoners, never to be shaken,
Unmatch'd from Aristotle down to Bacon.
Yes; with the chaplet be their logic graced,
Who from a windpipe argue to a taste.
Let "Nelson," murder'd, in your gizzard stick,
Or the "Bewilder'd Maiden" make you
sick.
This is the clencher of the world polite,
The Jew can sing, and therefore he can write.
Contented not with praises justly due
For warbling airs, unless he makes them too.
He, with a wisdom somewhat of the frail,

Seeks both "the cod's head and the salmon's tail."

Thus false ambition cheats each class; the man

Who executes the work must also plan.

Play'rs will write dramas; druggists fix the dose;
Masons be architects, and B-m compose.

The stupid indifference of composers to the quality of the words they set, has been often exposed. Singers are just as bad. Burns and Moore have each written words for the air of Robin Adair, yet mark the trash which you still hear appended to it in public. However, hear Simeon Sharp, Esq.

If mid some goldsmiths gewgaws you behold
A brooch or bracelet glittering o'er with gold,
Would ye not startle to find nothing in't,
But some vile shard or despicable flint?
Surely but two conclusions could remain-
'Tis tinsell'd copper, or the man's insane.

Give Breve a peg to hang his notes upon,
And be it brick or ruby, 'tis all one;

The muse of Shakespeare, or the Bellman's stuff;
Give Breve but syllables, and that's enough-

-Say, gentle reader, and oblige the muse,
Which horn of the dilemma would you choose?

The good musician is lastly summed up, something after the spirit of the "True-born Englishman." It is rather too savage-absolutely shocking; and would, we think, startle Dr Johnson himself, even upon his own definition of "a good hater."

Of men, if there's one class above the rest
That from mine inmost nature I detest;
One fellow-trav'ller on this common road,
Whose company I loathe, above a toad :
If from the herd one coxcomb I must pick,
At whom my gorge heaves and my soul grows
Were I compell'd to doom him to perdition,
That one should surely be "a good musician."
Without a fancy, where shall we appeal?
Without an eye to note, a heart to feel;
Without or soul or sense to understand,
Without-with nothing but a nimble hand!
Since him his stars have not a tailor made,
The pickpocket's were sure a better trade

sick;

Than thus, sans passion, feeling, mind, or heart,

To murder nature and dishonour art.

Let us take breath!" A little civet, good apothecary." Marry

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Thank Heaven! the next page is of a milder character, and we hasten to quote it. To those who have ever had their hearts warmed, or the tears brought into their eyes, by the stirring and pathetic old melodies of Scotland or Ireland, we think it will give pleasure. We confess we ourselves like it well enough to wish there were more such in the book.

O! I have lived in many a snatch of song,
Old as the mountains, as their breezes strong;
In many a stirring, many a mournful lay,

Of times gone by, preserved through many a day,
Which, heard but once, the heart will ever keep,
O'er which our grandsires wept-our sons shall weep,
And felt them fall and soothe, when ill at ease,
Like scatter'd oil upon the ruffled seas,

Till all my nature bow'd to their control,

And the sweet sounds dissolved my very soul.

Who were the minstrels? How perverse their lot,

Their lays surviving, and their names forgot;

Unlike the sires of many a ponderous strain,

Whose scores have moulder'd, but whose names remain.
Where are the tomes of many to be found

Who heretofore have fill'd the world with sound?
Destroy'd, forgotten, heeded not-Oh, shame!
Hath noisy counterpoint but deafen'd fame?
Methinks I see th' indignant shade of Gluck,
Piccini, still inclined to win a muck;

And Frenchman Lulli, with his arms a-kimbo;
Where are they now?-Forgotten-gone-in limbo ;

Each in his day a star that never sets;

Where are their works?" With all the Capulets.

Our author can be in a good humour when he pleases.
"Stephens, no doubt, is sweet, but you may hear
In many a theatre a voice as clear;

And for her science, why, sir, I will stake

A sovereign, Hallande makes a better shake."-
"A sovereign! nay, bet something."-" Sir, content ye,
If you think one too little, make 'em twenty.

And then, for flexibility of throats,

Let Stephens run the scale in quarter-notes!
No; Catalani's is the pipe for power,

I do believe she'd 'hold' a good half hour.

Ballads are Stephens' forte:-I can't endure a
Mere ballad-singer straining at bravura."-

66

Sir, very probably; and, with submission,

I'll take the converse of your proposition.

Still there's one gift, one charm, beyond all these”-
"A charm indeed, pray, name it, if you please."-
“Ay, sir, one grace beyond the reach of art.”-
"And what is that, in God's name?"

66 Sir, a heart;
That spell, that periapt, that master-zest,
Which, like Aladdin's lamp, dims all the rest.”

Again, take his sketch of a modern concert.

The flippant leader seats him in the middle;
The tenor grave, and pompous the great fiddle;
The hautboy at his solo squints with pride;
The simpering flute sits with his head aside;
They tune; the books are oped; the master's bow
Lets fall the well-known tap, and off they go!

Think ye, yond fashionables shall endure
To sit mumchance through a whole overture?
No; chitchat to the Aria lends a grace,
And whisper'd scandals help the thorough bass,
Till suddenly, perhaps, they're ta’en aback,
Caught by some "pause" in the full tide of clack.
Another crash-bows, elbows jerk amain,
And tongues and fans are at their work again.
Strange exhibition!—and is this the goal;
The feast of sound; the rapture of the soul;
The treat where none can sympathy refuse,
The heights of art, and triumph of the muse?

But we must have done; and shall conclude with the following encomiastic passage, being addressed to certain bibliopoles, for whom (as Odoherty says) 66 we have a particular regard." We are sure our good friends, Messrs Boosey, Monzani, Goulding, &c. will take it as a compliment.

Farewell!-yet ere my wearied quill I raise,
Take from the satirist one drop of praise;
I laud ye—if ye'll swallow laud of mine,
For never making your fine things too fine.
In sooth, your mystery would soon be past,
If these fine things were fine enough to last;
If every finest did not meet with finer;
And every major dwindle to a minor;
And 'tis the ne-plus-ultra of the art,
That still Rossini overcrows Mozart.

F

Oh! 'twere a grief for modern sons of song,
If their huge tomes of crotchets lived too long;
For who would be at charge to buy him new,
With five score ancient folios to play through;
Or who, that had immortals by the score,
Could make him room for fifty folios more?
Full many a sheet would due admirers lack,
Did aught remain of Lulli, Bull, or Bach,
And music-sellers feel a gap in nature,
If great musicians did not yield to greater.
If German fiddlers deathless rondeaus made,
Why, what the vengeance would become of trade?
This be your motto, be what will your crest,

"What's best is newest, and what's newest best!"

"A perilous shot out of an elder-gun." Go thy ways, old Simeon.-Thou runnest, we conceit, no little risk of getting thy head broken with a Cremona, which, if it improved the harmony of thy verses, were a consummation to be wished. We think we could guess at thee through thy nomme de guerre,but we refrain. Vive la Bagatelle! we believe we owed thee something of a review, and we are glad of so good an opportunity of quitting old scores.

MISS LANDON'S POETRY.*

As you travel from the great western boundary of the city of Westminster-namely Hyde Park Corner-and proceed gingerly and genteelly towards that divarication of the road which takes you off in one direction through Brompton, Fulham, Putney, Richmond, and thence into the country far away; and on the other, by Knightsbridge, where the Baron of Waithman Urged his courser on, Without stop or stay, Down the powdery way,

That leads to Kensingtonand thence to Hammersmith, and the village, the way to which is famous in the History of Punning, as the remedy for pens suffering under the yellowness of antiquity.

If you travel towards this fork, we say, you leave on your right hand the Cannon Brewery, and on the left, the youngest of the Hans towns. Concerning the Cannon Brewery, it is not our intention here to speak, save to say, that its porter is not equal by any means to champagne, and it is generally allowed to be the cause why so many eminent poets who live in that neighbourhood, and are from dire necessity compelled to drink it, have not that beautiful appearance which we see depictured in the countenances of the

Apollo Belvidere, and other illustrious lumps of marble. The physiological reasons for this would lead us too much into detail at the present moment, and would, besides, trench in upon an eminent work on porter drinking in general, which has been for several months engaging the pen of one of the first theologians in the country.

We therefore leave the Cannon Brewery to the right, and luff to the lar board. Here you find yourself at the debouchement of a wide street, flanked by a pair of gas lamps, at the base of one of which is an inscription in comely capitals, informing you that you are in one of the Hans towns; and, looking up, you will read-for thou can'st read, as Gray says, else you would not be perusing this articlethat you have to walk down Sloane Street. If you be an antiquarian repository, you will then begin to think that you are in a region denominated after that illustrious native of the county of Down, in the province of Ulster, who founded the British Museum; or if you be not, in which case we shall think the better of you, you may proceed along, not troubling yourself with such reflections, but on the contrary whistling, like Dryden's Cymon, as you go, for want of thought,

The Improvisatrice; and other Poems. By L. E. L. with embellishments. London: Printed for Hurst, Robinson and Co. 90, Cheapside, and 8, Pall-Mall, London; and Archibald Constable and Co., Edinburgh.

or flourishing your bamboo in the manner of Corporal Trim, when his master went courting the widow. Marching through this street, right shoulders forward, and we know nothing to stop you, except the Cadogan coffeehouse in the middle of the way, where, if you have taken nothing to signify since breakfast, you may stop for a whet, as nothing is so bad as suffering the body to pine for want of nutriment you come into Sloane Square, which does not in any respect resemble the squares of Grosvenor or Russell. Through this you may, if you like, meander again townward through the Park, through streets of a raffish description, and emerging (for instance) at the Horse Guards, you may, if you have nothing better to do, go look at the new house Mr Murray of Albemarle Street has just taken in that quarter of the world; but if you do, you will decidedly have made a cursed round for nothing.

Good heaven! somebody will say, what is the meaning of this rigmarole cock-and-a-bull sort of nonsense? Do you take us for Peripatetics? By no means, my good friends, but there is no need for hurry. The day is young. Hooly and fairly goes far. Take the world easy. Blow not your horse in the morning, and you will be the farther on when night falls. We are now going on with the review of a book, though you may not perceive it, in the most orderly manner conceivable. We were formerly pupils of the illustrious Professor Von Feinagle, and recollect that he, like Cicero before him, insisted upon the application of Topics which the judicious reader will find that we have, in due order, brought to bear in this case.

For, to go without farther prelude to the matter in hand, in that very street down which we bade you shape your course, namely, Sloane Street, at the hundred and thirty-first number thereof, dwells Miss Letitia Elizabeth Landon, who has just published a very sweet volume of poetry under the signature of L. E. L. Now it is not because she is a very pretty girl, and a very good girl, that we are going to praise her poems, but because we like them. We are altogether, and by many years, too old,

To sport with Amaryllis in the shade,
Or in the tangles of Neæra's hair,

and, therefore, may be considered by many as equally incapacitated for admiring love-poetry, as we are avowedly from making love. But it by no means follows, non sequitur, as they have it in the schools-for he who cannot handle a pencil may admire Leslie, the guiltless even of gloves may delight in Spring, and he who never cracked a joke during his existence, may yet be able to pucker up his mouth in a shower of smiles at the facetiousness of some of our articles. So, though quite hors de combat in the fields of Cupid, we may yet give critical judgment on the productions of his favourite muses.

We have heard it said that in Miss Landon's volume there was too much love, and that it would be desirable if she would write on something else. We beg your pardon-it would not. If she could change her sex, and become a He, then, as the conundrum has it, the affair would be altered; but as things are, she is quite right. Nothing can be truer than that maxim of Our MIGHTY MORALIST,* that woman equals man in that one glorious passion, and that one only; and, consequently, in it alone has she any chance of rivalling the bearded lords of creation. What a pretty botchery Mrs Hemans, clever and brilliant as indeed she is, has made of it, when she takes upon herself to depict the awful fall of the last of the Caesars, in the breach of the last wall of Byzantium ! Or who does not pity the delusion of Miss Porter, when she fancies that she is giving us the grim features of Sir William Wallace, with a white handkerchief to his face, and a bottle of aromatic vinegar under his nose? Again, what more odiously blue-stocking and blundering, than Madame de Stael's Germany. We should almost as soon read one of her beau Sir James M'Intosh's articles in the Edinburgh Review. What more vivid, more heart-stirring, than those parts of Corinne which have escaped the desire of shewing off literature? Miss Holford's Falkirk, Miss Mitford's Lyrics, Miss Porden's Mineralogy, &c. &c. &c. are all doomed, by the very principle of their existence, to a speedy dissolution, as rapid as Lady Morgan's politics. But on their own ground, LOVE, who doubts but that these ladies would be a model for the odious male crea

Odoherty. Maxim xxi.

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