Spenser, Milton, and Renaissance PastoralBucknell University Press, 1981 - 224 páginas Examination of Spenser's and Milton's use of the pastoral as a vehicle for the imagination's dramatization of itself. |
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Página 161
Richard Mallette. shares with courtesy . Neither poetry nor courtesy can ever be completely at home in the court and the world of action . Yet outside of the social domain of the court , neither poetry nor courtesy carries moral ...
Richard Mallette. shares with courtesy . Neither poetry nor courtesy can ever be completely at home in the court and the world of action . Yet outside of the social domain of the court , neither poetry nor courtesy carries moral ...
Página 173
... courtesy as one of the glories of civilized man . A confusion between courtesy , as one of Spenser's famous " twelue priuate morall vertues , " and virtue itself , as it is manifested in this book , must be rigorously avoided . Only ...
... courtesy as one of the glories of civilized man . A confusion between courtesy , as one of Spenser's famous " twelue priuate morall vertues , " and virtue itself , as it is manifested in this book , must be rigorously avoided . Only ...
Página 187
... courtesy by placing his hero in a literary environ- ment familiar to his audience . The pastoral environment fulfills the prerequisities for find- ing courtesy . As the outward and visible sign of the virtue inherent in all men , courtesy ...
... courtesy by placing his hero in a literary environ- ment familiar to his audience . The pastoral environment fulfills the prerequisities for find- ing courtesy . As the outward and visible sign of the virtue inherent in all men , courtesy ...
Contenido
Acknowledgments | 9 |
Spenser Milton and the Pastoral Tradition | 19 |
The Shepheardes Calender and Colin Clouts | 45 |
Derechos de autor | |
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Términos y frases comunes
achieve Acidale adonean elegy Adonis Astrophel beauty Bion Calender Calidore Calidore's Colin Clout conclusion conventions courtesy courtly critical Daphnis Daphnis's dead death Dido divine earlier Eclogue Edmund Spenser elegist Eliza emblem emotional epic Epitaphium example Faerie Queene fallen final flower Gallus Genius genre Graces grief harmony Harvard University Press heaven heavenly hero human hymn Il Penseroso imagination Januarye John Milton L'Allegro lament landscape light literary London loue lover Lycidas Lycidas's means metaphor Milton's pastorals mode Mopsus moral Muse narrative nature neoplatonic Orpheus orphic orphic elegy pagan pastoral elegy pastoral poems pastoral world Pastorella pathetic fallacy pattern Penseroso pensive perspective PMLA poem's poet poet's poetic poetry praise present Princeton proem provides reader Renaissance ritual role Rosalind sense Shepheardes Calender shepherd sing song speaker Spenser and Milton Spenserian spirit stanza suggests Theocritus Thyrsis's tion tradition verse Virgil's virtue vision vocation youth