Spenser, Milton, and Renaissance PastoralBucknell University Press, 1981 - 224 páginas Examination of Spenser's and Milton's use of the pastoral as a vehicle for the imagination's dramatization of itself. |
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Página 29
... opening lines of " Januarye " the poet speaks to us as his social peers and with no small degree of amusement invites us to attend to the plaints of an endearing , albeit naïve shepherd minstrel . We are drawn into the peculiar , remote ...
... opening lines of " Januarye " the poet speaks to us as his social peers and with no small degree of amusement invites us to attend to the plaints of an endearing , albeit naïve shepherd minstrel . We are drawn into the peculiar , remote ...
Página 61
... opening cry to Melpomene , the " mournefulst Muse of nyne , " signals that his adherence to the conventions of his art can lead him out of the self- entrapment of the sestina . The relentlessly successive stanzas , metrically intricate ...
... opening cry to Melpomene , the " mournefulst Muse of nyne , " signals that his adherence to the conventions of his art can lead him out of the self- entrapment of the sestina . The relentlessly successive stanzas , metrically intricate ...
Página 89
... opening words ( paulo maiora canamus ) he announces that his song will far surpass the humble decorum of pastoral . Accordingly , then , his invoca- tion to the Sicilian Muses abjures conventional supplication in favor of forthright ...
... opening words ( paulo maiora canamus ) he announces that his song will far surpass the humble decorum of pastoral . Accordingly , then , his invoca- tion to the Sicilian Muses abjures conventional supplication in favor of forthright ...
Contenido
Acknowledgments | 9 |
Spenser Milton and the Pastoral Tradition | 19 |
The Shepheardes Calender and Colin Clouts | 45 |
Derechos de autor | |
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Términos y frases comunes
achieve Acidale adonean elegy Adonis Astrophel beauty Bion Calender Calidore Calidore's Colin Clout conclusion conventions courtesy courtly critical Daphnis Daphnis's dead death Dido divine earlier Eclogue Edmund Spenser elegist Eliza emblem emotional epic Epitaphium example Faerie Queene fallen final flower Gallus Genius genre Graces grief harmony Harvard University Press heaven heavenly hero human hymn Il Penseroso imagination Januarye John Milton L'Allegro lament landscape light literary London loue lover Lycidas Lycidas's means metaphor Milton's pastorals mode Mopsus moral Muse narrative nature neoplatonic Orpheus orphic orphic elegy pagan pastoral elegy pastoral poems pastoral world Pastorella pathetic fallacy pattern Penseroso pensive perspective PMLA poem's poet poet's poetic poetry praise present Princeton proem provides reader Renaissance ritual role Rosalind sense Shepheardes Calender shepherd sing song speaker Spenser and Milton Spenserian spirit stanza suggests Theocritus Thyrsis's tion tradition verse Virgil's virtue vision vocation youth