Latin American Music Review, Volumen4

activity Andean appears associated audience began beginning burial campesino casket Central charango child child's wake City clave composers concepts contemporary context continued Cotacachi courting cultural dance deceased described discussion example expressive fact harp harpist important improvisation interest jazz José kashwa lament Latin American Latin American Music Libre live marimba Mexican Mexico mother música musicians night notes observed origin Otavalo participants particularly performance period piano play popular possible practice present Press published Puerto Quechua record reference regard region Review rhythmic Rican Village ritual role Sergio served sing Singer sirena social song sound Spanish structure styles suggest symbolic Texas tion traditional TUNING University vacación velorio wake wawa velorio women York young