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INDEX

TO THE TOPICS OF THE INTRODUCTION

AESCHYLUS, xvii-

his counter - reformation,

Counter - reformation under

Pindar and Aeschylus, XXV
Creon in Antigone, 1
Croiset, A., quoted, xxxviii

XXV

DE QUINCEY quoted, xxix,

xxxi, xxxvi
Dionysius Halic. quoted, 1xxv
Dionysus, xxxiii

his technique, xxxiv-v, xl
the Oresteia, XXXV
his genius, xxxix
his religion, li

Prometheus Luomenos, liv
Alexander Aetolus, lxxviii
Anaxagoras, xxv
Antiphon, xliv
Architecture, analogy from,

xxiii
Argos, xxiv
Aristophanes, xvii, XXX
Arnold, M., quoted, xviii, liv-v,

lix, lx
Athens under Pericles, xxii

ευβουλία, li, Iv-vi
Euripides--

his scepticism, xxv, xlvii,

xlix
Cyclops, xxvii
contrasted with Sophocles,

xxviii, liii, lxvi, lxxiv,

Ixxix
un-Periclean in spirit, xxxi
begins the New Tragedy,

xxxii, xxxvi
his realism, xli, lxxiv
his choruses, xlv
his inconsistency, lii

BACCHYLIDES, Aegeus, xxxiv
Barrès, Maurice, quoted, xix
Boutmy, E., xxii, xxxix
Burial, as a motif, liii
Burke quoted, lxxiii
Byron, Marino Faliero, xliv

Four hundred, Revolution of

the, lix

CHARITY, liji
Cicero quoted, Ixxi
Colonos, lxxi

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HEBER quoted, xliv
Herodotus, xxix, xlvii

and War exemplified, xxiv;
quoted, xliii

Ion of Chios, xxx

Jocasta (in (Ed. R.), 1

KINGLAKE quoted, xxxiii

LONGINUS quoted, lxxiv-v

Martin (Seers and Seercraft),

xlviii, lii
Mercantile class, xxix
Messengers' speeches, lxxxiv
Milton, xx

NATURE, classical sentiment for,

1xx
Neoptolemus, xlvii, lviii, Ixii

Odysseus, xlvii, Ixii

SCEPTICISM, xxv
Simmias Thebanus quoted,

Ixxii
Smallness a quality of beauty,

Ixxiii
Socrates, xxv, lii
Sophists, xxxviii, xli, lxxix
Sophocles-

his impersonality, xvii,

Ixviii-ix
his classic position, xix
his birth, xxvii
anecdotes of him, XXX,

lviii, lxviii
his task, XXXV
his improvements, xxxviii,

Ixxxv
(Edipus Rex, xxxix, xliv,

xlix, liv
the artist in words, xli
his iambic, xliii, xliv
(Edipus Coloneus, xliii, liv,

Ixv, Ixix, lxxi, lxxiii,

1xxvii, 1xxx
Ajax, xliii, xliv, l, lvi,

Ixxvii, lxxviii, lxxxi
his choruses, xlv
Antigone, xlviii, 1, lv, lvi-vii,

lix, Ixiii, Ixv
his mysticism, li, liii, lxiii
his tenderness, lvi
his lonicism, 1x
his sensuousness, Ixi
his Greek fondness for

cunning, Ixii
his sententiae, Ixvi-viii
his style, Ixxii-Ixxxiv
his alleged ανωμαλία, Ιxxν
Electra, Ixxvi

PARTHENON, xlii
Peloponnesian War, xxvii,

xxviii
Periclean Age, xxi, xxvi, xxxi,

Ixxxvi
Pericles, xxiv, xxx, lviii
Philocteles, xlvii
Pindar, xxv, xli, lxxv
Plutarch quoted, Xxxviii,

Ixxiii, lxxv
Probable, the, as a canon of art,

XXXV

RELIGION, Greek, xlvi
Renaissance in Italy, xxi
Renan quoted, lxxxvi
Representative artists, xx, xxi,

xxviii
Ruskin, his doctrine of Peace

Sophocles (continued)

Time, Sophoclean conception
his philological sense, lxxix. of, as agent, Ixiv-vi

his personifications, lxxxiii | Tolerance, lv
Σοφόκλειον είδος, xliv

Tragedy, nature of Attic, xxxiii
Speculation, the rise of, xxxvii Trilogy, xxxix
State-right, lvi

Trochaic tetrameter, xxxiv
Story telling, Greek genius for,

xxxiii

ύβρις, 1

WORDSWORTH, Ixxvi

Tacitus, xlvii-viii
Tennyson, xxviii, lxxix
Teukros (in Ajax), xlvi, lxxviii
Thucydides, xxxviii

XENOPHON quoted, xix

THE END

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Edinburgh & London

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