Those shapes are the phantoms of years that are fled,
Those sweets breathe from roses your summers have shed.
What tongue talks of battle? Too long we have heard
In sorrow, in anguish, that terrible word; It reddened the sunshine, it crimsoned the
Each hour of the past lends its tribute to It sprinkled our doors with the blood of
this, Till it blooms like a bower in the Garden
The thorn and the thistle may grow as they will,
Where Friendship unfolds there is Paradise still.
Dark with a century's fringe of dust, -
That was a Red-Coat's rapier-thrust !
Such is the tale the lady old,
Dorothy's daughter's daughter, told.
Who the painter was none may tell, –
One whose best was not over well;
Hard and dry, it must be confessed,
Flat as a rose that has long been pressed; 2
Yet in her cheek the hues are bright,
Dainty colors of red and white,
And in her slender shape are seen
Hint and promise of stately mien.
Look not on her with eyes of scorn,
Dorothy Q. was a lady born!
Ay! since the galloping Normans came,
England's annals have known her name;
And still to the three-hilled rebel town
Dear is that ancient name's renown,
For many a civic wreath they won,
The youthful sire and the gray-haired son.
O Damsel Dorothy! Dorothy Q.!
Strange is the gift that I owe to you;
Such a gift as never a king
Save to daughter or son might bring,
All my tenure of heart and hand,
All my title to house and land;
Mother and sister and child and wife
And joy and sorrow and death and life! 40
Dorothy was the daughter of Judge Edmund Quincy, and the niece of Josiah Quincy, junior, the young patriot and orator who died just before the American Revolution, of which he was one of the most eloquent and effective promoters. The son of the latter, Josiah Quincy, the first mayor of Boston bearing that name, lived to a great age, one of the most useful and honored citizens of his time.
The canvas of the painting was so much decayed that it had to be replaced by a new one, in doing which the rapier thrust was of course filled up. (HOLMES.)
See Morse's Life of Holmes, vol. i, pp. 17 and 231232.
For a reproduction of the portrait, see Scribner's Magazine, May, 1879.
What have I rescued from the shelf?
A Boswell, writing out himself!
For though he changes dress and name,
The man beneath is still the same,
Laughing or sad, by fits and starts,
One actor in a dozen parts,
And whatsoe'er the mask may be,
The voice assures us, This is he.
I say not this to cry him down;
I find my Shakespeare in his clown,
His rogues the selfsame parent own;
Nay! Satan talks in Milton's tone!
Where'er the ocean inlet strays,
The salt sea wave its source betrays;
Where'er the queen of summer blows,
She tells the zephyr, 'I'm the rose !'
And his is not the playwright's page;
His table does not ape the stage;
What matter if the figures seen
Are only shadows on a screen,
He finds in them his lurking thought,
And on their lips the words he sought,
Like one who sits before the keys
And plays a tune himself to please.
Not for glory, not for pelf,
Not, be sure, to please myself,
Not for any meaner ends,
Always by request of friends.'
Here's the cousin of a king,-
Would I do the civil thing?
Here's the first-born of a queen:
Here's a slant-eyed Mandarin.
Would I polish off Japan?
Would I greet this famous man,
Prince or Prelate, Sheik or Shah?
Figaro çi and Figaro là !
Would I just this once comply? -
So they teased and teased till I
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