Rococo to Cubism in Art and LiteratureRandom House, 1960 - 353 páginas |
Dentro del libro
Resultados 1-3 de 41
Página 92
... dream . Reality for Baudelaire is often " a vision in a dream . " His " artificial paradise " was an “ architecture of dreams ” like De Quincey's Confessions of an English Opium Eater , which was written while the romantics were ...
... dream . Reality for Baudelaire is often " a vision in a dream . " His " artificial paradise " was an “ architecture of dreams ” like De Quincey's Confessions of an English Opium Eater , which was written while the romantics were ...
Página 120
... dream - vision , " Ruskin says : " for in a dream there is just this kind of confused remembrance of the forms of things which we have seen long ago , associated by new and strange laws . ” Ruskin described Turner's Slave Ship as being ...
... dream - vision , " Ruskin says : " for in a dream there is just this kind of confused remembrance of the forms of things which we have seen long ago , associated by new and strange laws . ” Ruskin described Turner's Slave Ship as being ...
Página 140
... dream . Redon himself puts it well in a remark on his own work : Suggestive art is like an irradiation of things in a dream , where a kind of thought also takes place . . . . This suggestive art is ful- filled in the provocative art of ...
... dream . Redon himself puts it well in a remark on his own work : Suggestive art is like an irradiation of things in a dream , where a kind of thought also takes place . . . . This suggestive art is ful- filled in the provocative art of ...
Contenido
FICTIONS OF THE ENLIGHTENMENT I | 12 |
THE LOSS OF A STYLE | 63 |
CORRESPONDENCES | 122 |
Derechos de autor | |
Otras 5 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
abstract aesthetic André Gide appear arabesque architecture Art Nouveau artist atmosphere baroque Baudelaire Baudelaire's beauty Cézanne cinematic color composition consciousness contemporary contours cubist cubist painting decorative Degas Delacroix drama dream eighteenth century emotion essay existence experience fauvist feeling fiction figures Gauguin genre pittoresque Gertrude Stein Gide Gide's gothic harmony idea illusion imagination impressionism impressionists Ingres Japanese landscape language light Mallarmé mannerist Maurice Denis means mediaeval ment mind mode modern Monet montage motif Nabis nature neo-rococo nineteenth notion novel object ornamental painters Paris passages reprinted perspective phase Picasso picturesque Pirandello planes poem poet poetic poetry Pope Pope's post-impressionism pre-Raphaelite realism reality Redon relation renaissance representation rhythms rococo romantic romanticism Rossetti Ruskin says scene seems sense shadows Shelley space style stylization surface symbolism symbolist T. E. Hulme T. S. Eliot tachism technique texture theory things thought tion Turner Valéry verse vision Watteau's whole Wordsworth wrote