Choreographing Relations: Practical Philosophy and Contemporary Choreography in the Works of Antonia Baehr, Gilles Deleuze, Juan Dominguez, Félix Guattari, Xavier Le Roy and Eszter Salamonepodium, 2011 - 279 páginas "Choreographing Relations" undertakes the experiment of a conceptual site development of contemporary choreography by means of practical philosophy. Guided by the radically empiricist question "What Can Choreography Do?" the book investigates the performances of Antonia Baehr, Juan Dominguez, Xavier Le Roy, and Eszter Salamon, and the philosophical works of Gilles Deleuze and Félix Guattari. It establishes a relation between these practitioners as an encounter in method, and develops method as a singular,material and experimental practice. In view of these singular methods and the participatory relations to which they give rise, Choreographing Relations offers a prolific inventory of arepresentational procedures that qualitatively transformed choreography and philosophy at the turn of the twentieth century. |
Contenido
| 7 | |
| 17 | |
ARTICULATION 95 | 95 |
CHOREOGRAPHING RELATIONS OF CONTAMINATION AND ARTICULATION | 145 |
CONCLUSION | 235 |
APPENDIX | 247 |
BIBLIOGRAPHY | 253 |
Términos y frases comunes
affect Age by Juan Antonia Baehr artistic aspect audience becomes Bergson bodily chapter 1 Contamination chapter 3 Choreographing choreo Choreographing Relations choreography Cine-emotional Retenu cinematic retenu Circumstances by Xavier concept of articulation Critical critique dance Danse dé-lire Deleuze and Guattari's Deleuze's concept Difference and Repetition Differential Compositions differential relations discourse double articulation duration dynamic Editions de Minuit emotions Eszter Salamon Félix Guattari Gilles Deleuze Guattari Guattari's Method Hands by Antonia heterogeneous Holding Hands Ibid idea immanent intensity Jacques Rancière Juan Dominguez language lecture-performance Leibniz linguistic logic London material Merce Cunningham methodological mode narration notion ontology Originally published Paris perception performance philosophy postmodern dance practice precisely Press Product of Circumstances qualitative transformations representation Roy's Saussure section 1.2 Product Self-Unfinished semiological semiotic sensations sensible signified singular specific Spies Spinoza temporal theatre theory thought Thousand Plateaus tion topology trans Univ virtual Xavier Le Roy York Yvonne Rainer