Milton's Lycidas: The Tradition and the PoemC. A. Patrides University of Missouri Press, 1983 - 370 páginas |
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Página 37
... later bucolic writers of the Alexandrine age , but two are known to us by name : Moschus and the somewhat younger Bion , both of whom flourished in the latter half of the third century B.C. Bion's most famous idyl , the Lament for ...
... later bucolic writers of the Alexandrine age , but two are known to us by name : Moschus and the somewhat younger Bion , both of whom flourished in the latter half of the third century B.C. Bion's most famous idyl , the Lament for ...
Página 107
... later ; the Trinity manu- script shows it as an insertion , in two versions , the first longer and more elaborate than the one finally worked out . Perhaps the idea of making some sort of amends to Lycidas , as it were , for having to ...
... later ; the Trinity manu- script shows it as an insertion , in two versions , the first longer and more elaborate than the one finally worked out . Perhaps the idea of making some sort of amends to Lycidas , as it were , for having to ...
Página 166
... later fragment . Daphnaïda and Astrophel were the finest pastoral elegies written in English before Lycidas , and must be reckoned im- portant features of Milton's poetic background . Yet in these later and more lengthy poems Spenser ...
... later fragment . Daphnaïda and Astrophel were the finest pastoral elegies written in English before Lycidas , and must be reckoned im- portant features of Milton's poetic background . Yet in these later and more lengthy poems Spenser ...
Contenido
Epitaphium Damonis | 14 |
On the Tradition | 31 |
14 | 42 |
Derechos de autor | |
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Términos y frases comunes
allusion answer appears associated beauty become beginning bring called Christian classical close conventional course critical dead death eclogue effect English essay experience expression fact fame feeling figure final flower follows force give heaven human idea imagery images important interpretation John kind King lament language later leaves less lines literary literature look Lost Lycidas meaning metaphor Milton mind mourn move movement Muse nature never once opening Orpheus Paradise passage pastoral elegy pattern perhaps Peter poem poet poetic poetry possible present question reader reference relation rhyme seems sense setting shepherd sing song sound speak speaker speech stream structure Studies suggest swain symbol tear theme Theocritus things thought tion tradition true truth turn University verse Virgil vision voice whole writing