Milton's Lycidas: The Tradition and the PoemC. A. Patrides University of Missouri Press, 1983 - 370 páginas |
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Página 144
... speaker can transcend the merely personal . The equivocation is meaningful and intended , for the speaker carries it further in the next lines . It is he in the first verse paragraph who apolo- gizes for daring to write at this time ...
... speaker can transcend the merely personal . The equivocation is meaningful and intended , for the speaker carries it further in the next lines . It is he in the first verse paragraph who apolo- gizes for daring to write at this time ...
Página 330
... speaker from his very first words : " Yet once more . " Although these words acknowledge convention ( by acknowledg- ing that this has been done before ) , they are themselves , uncon- ventional , because they are not produced within ...
... speaker from his very first words : " Yet once more . " Although these words acknowledge convention ( by acknowledg- ing that this has been done before ) , they are themselves , uncon- ventional , because they are not produced within ...
Página 331
... speaker not only as a maker , as someone who is in the act of building the lofty rhyme , but a self - con- tained consciousness , as a mind that is fully present to itself and responsible for its own perceptions . The speaker meets this ...
... speaker not only as a maker , as someone who is in the act of building the lofty rhyme , but a self - con- tained consciousness , as a mind that is fully present to itself and responsible for its own perceptions . The speaker meets this ...
Contenido
Epitaphium Damonis | 14 |
On the Tradition | 31 |
14 | 42 |
Derechos de autor | |
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Términos y frases comunes
allusion answer appears associated beauty become beginning bring called Christian classical close conventional course critical dead death eclogue effect English essay experience expression fact fame feeling figure final flower follows force give heaven human idea imagery images important interpretation John kind King lament language later leaves less lines literary literature look Lost Lycidas meaning metaphor Milton mind mourn move movement Muse nature never once opening Orpheus Paradise passage pastoral elegy pattern perhaps Peter poem poet poetic poetry possible present question reader reference relation rhyme seems sense setting shepherd sing song sound speak speaker speech stream structure Studies suggest swain symbol tear theme Theocritus things thought tion tradition true truth turn University verse Virgil vision voice whole writing