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The NEW VELLUM WOVE CLUB-HOUSE PAPER surpasses PART 105, a CATALOGUE of Interesting and Valu- all others for smoothness of surface, delicacy of colour, firmness of tex able SECOND-HAND BOOKS, many in long Sets, some curious and uncommon, and on various subjects-Archeology, Bibliography, Botany, Commerce, Fine Arts, Facetia, Theology, and other subjects too numerous to mention, with a few Notes by the Way, and Reasonable Prices affixed for Cash. HENRY YOUNG, 12, South Castle Street, Liverpool. ture, entire absence of any colouring matter or injurious chemicals, tending to impair its durability or in any way affecting its writing properties.-A Sample Packet, containing an Assortment of the various Sizes, post free for 24 Stamps. PARTRIDGE & COOPER, Manufacturers and Sole Vendors, Fleet Street, E.C. LONDON, SATURDAY, OCTOBER 16, 1875. CONTENTS. - N° 94. NOTES:-The Battle of Trafalgar, 301-The French State Bonapartism in France, and which led to the fatal, inevitable, but, perhaps, unforeseen results of such a revival. But besides the English matter-of-fact state Paper Office, 302-A List of Works on Sword Play, 303ment, and the French chapter added to the romance The Melancholy of Hamlet-Characteristic Names in the Waverley Novels " Fallaing," 305-Coins Visible in Bells -"Manchet":"Swerd": "Fleer"-Lady Helps-Newspaper Cuttings: a Hint, 306. QUERIES:-Correspondence of Diderot with England of history, there is a third, a Spanish account, which is probably now totally unknown in England, but which is well worth reproducing in honour of the coming anniversary. To the English matter-of-fact, and the French mingling of romance with reality, the Spaniards have added a poetical narrative; and they lost no time in doing So. Before the year 1805 had expired three Spanish bards rushed into poetry; their works, Beech-Gold Coins-Lowndes -Billiards on a Round Table -"Treenware, sb. Earthen Vessels"-Rev. Dr. Lambe"Steam to India," &c.-Notre Dame de Couture-Bell Inscription, 308-The Surname of Earl Siward-Alpine Fox DogsAuthors Wanted-Rev. John Thomson of Duddingston-with the name of one author, are thus detailed :— "Manchester Chronicle," 1825-Latin Version of Young's "Night Thoughts"-"Cotillon "-Anti-Abolition-of-Slavery Broadsheets-Saints Wearing Beards-Addison-Whipping Dogs out of Church, 309. REPLIES:-Portraits of Swift, 309-Braose Bavent, 310- "Relacion en la que se Elogia sencillamente, á los Heroes del Combate del dia 21 de Octubre, &c., i. e. A simple Narrative in honour of the Heroes of the Battle of the 21st of October, sustained by the Combined Squadron against the English Fleet commanded by Admiral Nelson. 8vo. pp. 12. Madrid. 1805. "El Combate naval del 21 de Octubre, &c., i. e. The naval Action of the 21st of October. By Don Joss MOR DE FUENTES. 8vo. pp. 23. Madrid. 1805. "Sombra de Nelson, i. e. The Shade of Nelson. 8vo. pp. 8. Madrid. 1805." The "Te Deum," 312-Butler and Rabelais, 313-A Milton Notes on Books, &c. Notes. THE BATTLE OF TRAFALGAR. but somewhat fanciful, poems in a very friendly spirit. The following passages will serve to show that spirit as well as the other which animated the Spanish lyres :— "The view which each author has taken of his subject is not less distinct than the style of the different performances. The first, agreeably to its title, begins thus: 'Supuesto que en el diario nos convidan y' alborotan Yo como Español castizo, On Thursday next, the 21st of October, seventy years will have elapsed since Nelson, before going into battle at Trafalgar, signalled to the fleet that England expected every man to do his duty; and after the great admiral was shot down at that battle, he expressed the modest hope that England". e. Since the Diario (a newspaper so called) invites would feel that, with regard to duty, he had done his. quiero en la salsa una sopa ;' and urges us to write on the subject of the battle, either in verse or prose; I, like a true born Spaniard, although without a grain of wit, accept the invitation, and will dip my bread in the sauce."" The most matter-of-fact account of this fiercelycontested battle is to be found in James's Naval History-the sum of which account is that the After summarizing the anterior events of the combined French and Spanish fleets, under Ad-year, and the combining of the French and Spanish miral Villeneuve, consisted of thirty-three ships of fleets, the first Spanish author proceeds to state as the line; that Nelson's force comprised twenty- follows, according to the Review :seven ships of various sizes and armaments; that, "To oppose this force, England is next represented as after a heroic struggle, Villeneuve and the two fitting out a grand armament, at the head of which is Spanish admirals in chief were taken, while nine-placed Nelson; whom the author praises for his great skill and courage, but whom he asserts to have been teen of their vessels were captured, sunk, or de- chiefly animated by a desire of revenging the loss of his stroyed; and that the dying Nelson, amid the arm, of which a Toledo blade, guided by Spanish calour, surrounding ecstasy of victory, had no thought had deprived him in the Canary Islands. The battle connected with glory, but was to the last possessed itself is dispatched in a summary manner, and in very with that absorbing idea of his, namely, duty. Towards the end he says:general terms. The most romantic account of this memorable conflict is the one furnished by M. Thiers, in that History of the French Empire which revived 'Separanse al fin, quedando "At last they separate, and leave the victory undecided, each squadron having suffered a tremendous loss. Afterward, however, he thinks it proper to be more explicit. Having enumerated the Spanish officers of distinction who were killed or wounded, he adds:'Pero aunque son tan sensibles nuestras pérdidas notorias, la satisfaccion logiamos de ver á la fanfarrona Nacion Inglesa de luto por la muerte lastimosa de su gran General Nelson, en quien su esperanza toda tenia depositada; pues su pérdida mas monta los diez mil hombres de tropa, los ciento cincuenta y dos de Oficialidad briosa, y diez y nueve navios, que han perdido en la derrota.' "But though our losses are great, we have the satisfaction of seeing the vain glorious English mourning the lamentable death of their great Admiral, in whom all their hopes were centered; for the loss of Nelson is of greater moment than all the other chiefs, the ten thousand soldiers, and the hundred and fifty-two brave officers, and the nineteen ships, of which this engagement deprived us.'" This poem, after the above singular comparative compliment paid to Nelson, ends with the futile cry of "Revanche." Next, coming to the second poem, the Review says :— 466 "Nelson, burning to revenge his lost limb, and proudly revolving in his mind the days of Aboukir and Copenhagen, on discovering the floating ensigns of Cisneros aspires to the glory of capturing La Trinidad, the grand object of his ambition; and with fury exclaiming, Let Spanish blood flow in torrents," he fiercely commences the attack... but the ungenerous foe ventures not, ship opposed to ship, to measure his prowess-supported by two more vessels, he endeavours to surround her lofty stern-our consummate warrior, by whom nothing is overlooked, opposes the broad sails to the wind;-the immense machine, obedient to his voice, cuts. the foaming billows in an oblique direction, and, from four batteries in her enormous side, lances thunderbolts which carry fire and devastation among the foe. The Briton flies, like a combatant who, baffled in his attempt to subdue by treachery the unconquered bull, beholds the dreadful forehead of his antagonist threatening instant destruction, and, agonized with fear, seeks shelter from his mortal fury." The idea of Nelson taking to flight is too audacious for the third bard, but he makes use of the British admiral's ghost for a very droll purpose :— "In the third poem, the shade of Nelson, rising in the storm from the awful scene of devastation and carnage which had closed the engagement, announces to the haughty genius of Britain the woes which the vengeance of France and Spain is preparing to inflict on his devoted country." There is no space left for comment on these Spanish views; and in fact they need none. There only remains to express a hope that their repro"Don JOSÉ MOR DE FUENTES assumes a much loftier duction here is not ill-timed, threescore years and tone than the preceding writer. He strictly limits his ten after the name of "Trafalgar" first stirred the muse to a description of the battle of Trafalgar, which is written with great spirit and animation; and he par-heart-pulses of this nation; a name which has not ticularizes the gallant actions and the deaths of several of their principal Commanders: but his account of the commencement of the combat shews that his statements are not always worthy of reliance;— Ardiendo Nelson en venganza impia Corra en arroyos la Española sangre De nave á nave su marcial pujanza, Y la trémula atmósfera atronando, Con instantáneo incendio le fulmina. Y zozobra mortal, procura ansioso yet lost its power, less perhaps because of the THE FRENCH STATE PAPER OFFICE. Histoire du Dépôt des Archives des Affaires Etrangères à Paris au Louvre en 1710, à Versailles en 1763, et de nouveau à Paris en Divers Endroits depuis 1796. Par Armand Baschet. 8vo. Paris, Plon. M. Armand Baschet, to whom we are indebted for so many useful historical publications, has quite recently presented us with a volume of considerable interest, and the subject of which commends itself to the readers of this journal. It is a detailed account of the French State Paper Office, and a complete history of the vicissitudes through which it has had to pass from its earliest formation up to the present day. A brief notice of this work will, I trust, be acceptable. The introduction gives a few particulars on the private collections of political MSS. which existed in various quarters previous to the establishment of the Dépôt des Affaires Étrangères. It will astonish many of our friends to hear that it was only in 1661 that the plan was adopted of pre Harrow. A LIST OF WORKS ON SWORD PLAY. (Continued from p. 264.) 1800. Bertello (Paulo). Trattato di scherma ossia modo di maneggiare la spada e la sciabla. Bologna, 1800. An explanation of the sword exercises and drill motions, and the six cuts in single motions. [London, 1800?] 12mo., pp. 4. M. 1801. L'escrime appliquée à l'art militaire, par le citoyen Bertrand, maitre d'armes. Paris, an IX. (1801). atischer uebersicht für offiziere...von Johann Georg 1802. Die fechtkunst auf stoss und hieb in systemJulius Venturini.... Mit kpf. 8. Braunschweig, 1802. serving in the Government bureaux the diplomatic establishment at Versailles, 1763, to the Directoire, papers and correspondence exchanged between when it was brought back to Paris again, 1796; the Court of Versailles and its representatives 3. From its final "installation" at the palace of abroad. As early, indeed, as the reign of Louis the Quai d'Orsay to the year 1853. On each of XI., there existed, at the Sainte Chapelle of Paris, these divisions I purpose offering a few remarks. a depot known by the name of Trésor des Chartes, GUSTAVE MASSON. and destined to receive the political documents of every kind which it was either essential, or simply convenient, to keep safely. But all papers of that nature did not find their way to the rooms of the Court of Accounts; abuses, irregularities, and neglect, rendered almost inevitable by the continual journeys of the king and his ministers from place to place, prevented the carrying out of an idea which was equally useful and patriotic. In course of time, all the principal political agents of the crown considered themselves lawful owners of the official despatches and other papers they had received or forwarded (in this latter case the rough drafts were always carefully preserved); and these splendid collections were handed down from father to son, along with the plate, tapestry, pictures, furniture, and other valuables, belonging to the family. Thus, as M. Baschet remarks, all the monuments of French diplomacy referring to the reign of Louis XII. were styled, not his Majesty's records, but the Papiers du Cardinal d'Amboise or the Papiers de Florimond Robertet. In like manner, for the administration of Francis I. we have the Papiers de Montmorency (the constable), Papiers de Claude d'Annebault (the admiral), Papiers d'Antoine du Prat (the chancellor), Papiers de Villandry (the king's private secretary), &c., and so on, till after the ministry of Cardinal Mazarine; for the real preservation of the documents relating to foreign affairs began only in 1671, when the papers late in the possession of Hugues de Lyonne were declared, by order of the king, to be State property. M. Baschet gives us, in his excellent introduction, the history of all the preliminary efforts made at various times by the kings of France and their ministers to procure the private collections of State documents scattered here and there. They were purchased, as opportunity offered, from the heirs, and transferred to the royal library, where savants such as Godefroy, Pasquier, and De Thou, watched carefully over the treasures which began to flock in. The papers of Loménie de Brienne, amounting to 358 folio volumes; those of the brothers Dupuy (777 vols.); of Hippolyte de Béthune (1,000), were successively added, and at last something like method was applied to the classification and cataloguing of these treasures. I have thus endeavoured to give a slight idea of M. Baschet's introductory essay. The volume itself comprises three distinct parts, corresponding to the following epochs-1. The Foreign State Paper Office from its organization in Paris, 1710, to its translation to Versailles, 1763; 2. From its Die fechtkunst auf universitäten; mit kpfn. Köthen, 1802. Aue. Svo. 114 sgr. 1803. La scienza della scherma esposta dai due amici, Rosaroll Scorza [(Giuseppe) Baron] e Pietro Grisetti. Milano, 1803. Svo. Theoretisch-praktische anweisung über das hiebfechten, von Joh. Adolph Karl Roux. Fürth, 1803. 8vo. Art of defence with the broadsword and sabre....John Taylor. London, 1803. 8vo. and sabre...improved and augmented with the lessons of 1804. The art of defense on foot with the broadsword John Tailor. London, 1804. 8vo. 1805. A treatise on the science of defence for the sword, bayonet, and pike....By Anthony Gordon, A.M. Captain.... London: printed by B. McMillan....Sold by T. Egerton...1805. 4to., pp. viii-66; 19 plates; 12 relate to swordplay. M. Roux (J. W. D.). Anweisung über das hiebfechten. Gr. 8. Nürnberg, 1805. Campe. 1806. Rosaroll Scorza (Giuseppe), Baron e Pietro Grissetti. La scienza della scherma. Milano, 1806. In-12. 1807. Anleitung zur fechtkunst nach mathematischen physical grundsätzen, von Dr. Joh. Wilh. Roux. Jena, 1807. 4to., 10 plates. Abhandlung der fechtkunst auf den stoss, mit...kpf., von. Ch. C. Timlich. Wien, 1807, Tendler. 12mo. 1808. Anleitung zur fechtkunst nach mathematischen Hennings. 4to., 10 plates. grundsätzen, von Dr. Joh. Wilh. Roux. Jena, 1808, 1809. The amateur of fencing; or, a treatise on the art of sword-defence....By Joseph Roland.... London: printed for the author by W. Wilson....1809. Svo., PP. xxxvi-228. M. Die fechtkunst auf stoss und hieb in systematischer uebersicht für Offiziere...von Johann Georg Julius Venturini. Mit kpf. N. aufl. 8. Hannover, 1809. 1810. The amateur of fencing; or, a treatise on the art of sword-defence....By Joseph Roland.... London.... 1810. 8vo. 10s. 6d. 1811. La scienza della scherma esposta dai due amici, Rosaroll Scorza [(Giuseppe) Baron] e Pietro Grisetti. Napoli, 1811. In-8. 1812. Rosaroll Scorza (Giuseppe), Baron. Trattato della spadancia, ossia della spada larga. Napoli, 1812, Fernandes. In-8. 1814. La scienza della scherma esposta dai due amici, Rosaroll Scorza [(Giuseppe) Baron] e Pietro Grisetti. Napoli, 1814. 4to., 10 plates. 1817. Le guide des officiers de cavalerie, divisé en cinq parties....5° L'escrime à pied et à cheval. Par... [René Théophile] Châtelain.... Paris, chez Magimel.... 1817. Svo., pp. 88; 8 plates. M. Traité d'escrime à pied et à cheval, contenant la démonstration des positions, bottes, parades, feintes, ruses, et généralement tous les coups d'armes connus dans les académies, par le chevalier Châtelain, officier supérieur de cavalerie. Paris, 1817. 8vo. Roux (J. W. D.) deutsche fechtkunst, oder anweisung zum stossfechten. 8 gr. Leipzig, 1817. Barth. Schmidt (Jh. Fr.) gründliche anweisung zur deutschen fechtkunst auf stoss und hieb. Dresden, 1817. 4to. 1818. Châtelain (le chevalier) avec M. Bertrand. Traité d'escrime à pied et à cheval. Sec. édition, augm. Paris: Anselin et Pochard, 1818. In-8, avec 8 pl., 3 fr. 50 c. Das Deutsche hiebfechten der Berliner turnschule dargestellt von Ernst Wilhelm Bernhard Eiselen. Berlin, 1818. 8vo., pp. xxvi-114, 12 sgr. M. Traité de l'art des armes. A l'usage des professeurs et des amateurs, par M. La Boëssière.... A Paris, de l'imprimerie de Didot...1818. Svo., pp. xxii-310; 20 folding plates; 7 fr. M. Rosaroll Scorza (Giuseppe), Baron. Trattato della spadancia, ossia della spada larga. Napoli, 1818. In-8. Fernandes. 1819. Theorie der fechtkunst;...nach dem, Traité d'escrime par le chevalier Châtelain, frei bearbeitet; nebst einer anleitung über das hiebfechten von Anton Lüpscher und Franz Gömmel, K. K. lieutenants. Wien, 1819. Strauss, gr. 8. 1820. Lüpscher (Anton), u. Franz Gömmel. Theorie der fechtkunst. Eine analytische abhandlung sämm. stellungen, stösse, paraden, finten u. s. w., überh. aller bewegungen im angriffe u. d. vertheidigung. nach d. Traité d'escrime par le chevalier Châtelain frei bearbeitet. Nebst einer anleitung über d. hiebfechten. Mit 2 tabellen u. 20 bildl. darstell. 8. Wien, 1820. Tendler. Traité de l'art de faire des armes. Par Louis Justin Lafaugère. Lyon, 1820. 8vo., 2 plates, 6 fr. Das hiebfechten zu fuss und zu pferde:...von Gottlob Ludwig von Pöllnitz... Halberstadt, 1820. Vogler. 15 sgr. 1821. Traité de l'art de faire des armes, par Louis Justin Lafaugère. Lyon, 1821. 8vo. La xiphonomie, ou l'art de l'escrime, poëme didactique en quatre chants...par M. P. F. M. Lhomandie, amateur. Angoulême, 1821. Die fechtkunst auf den stoss, nach den grundsatzen des Herrn von Selmnitz, von Carl Edouard Pönitz. Dresden, 1821, Arnold. 26 sgr. 1822. Theoretische anweisung zur fecht- und voltigirkunst verfasst von J. Duval....München, 1822, FleischGr. 4. Mit 60 figuren. 2 rth. 15 sgr. mann. Die fechtkunst auf den stoss.... von Carl Edouard Pönitz.... Dresden, 1822, in der Arnoldischen Buchandlung. 8vo., pp. 164. M. The modern art of fencing....By Guzman Rolando... revised by J. S. Forsyth.... London: printed for Samuel Leigh...1822. 24mo., pp. xxxii-240; 23 coloured plates. M. 1823. Roland (George). A treatise on the art of fencing. Edinburgh, 1823. 8vo. B. 1824. A treatise on the theory and practice of the art of fencing....By George Roland.... London: printed for William Sams...1824. 8vo., pp. xii-182; 12 plates. M. Versuch einer theoretischen anweisung zur fechtkunst im hiebe von Johann Adolph Ludwig Werner. Mit 20... kpf.... Leipzig, bei C. H. F. Hartmann. 1824. Obl. 4to., pp. x-48. Has list of 73 editions of works on sword play. M. 1825. Demeuse (Nicolas). Le maître d'escrime, ou l'art des armes démontré. [Nouv.] édit., ornée de 14 gravures [en bois]. Paris, Delarue; Lille, Castiaux. 1825. 18mo. 1 fr. 50 c. Traité de l'art de faire des armes. Par Louis Justin Lafaugère. Nouv. édition corrigée. Paris, Garnier, 1825. 8vo., portrait and two plates. 7 fr. Das hiebfechten zu fuss und zu pferde...von Gottlob Ludwig von Pöllnitz....Neu. auflage. Halberstadt, Brüggemann, 1825. 8vo. Die fechtkunst auf den stoss, nach den grundsatzen des herrn von Selmnitz (Edouard de); von Carl Edouard. Pönitz. Dresden, 1825. Versuch einer theoretischen anweisung zur fechtkunst im hiebe von Johann Adolph Ludwig Werner. Leipzig, 1825. 1826. Abriss des Deutschen stossfechtens nach kreuslers grundsatzen dargestellt von E. W. B. Eiselen. Berlin, 1826. Rolando (G.), Modern art of fencing (in Spanish), with 23 coloured plates; descriptions of the positions in English and Spanish. 1826. 12mo. 1827. Manuel ou cours d'exercices de gymnastique... suivi d'un traité sur l'art des armes; par P[eter] G[ustavus] Hamon.... Londres, 1827. 1828. Théorie sur l'escrime à cheval pour se défendre, avec avantage, contre toute espéce d'armes blanches, par Alex. Müller. Paris. 1828. Die fechtkunst auf den stoss,... von Carl Edouard Pönitz. Dresden und Leipzig, 1828. Recueil des théories étrangères sur le maniement du sabre, ou escrime à cheval, extrait des réglemens d'exercice pour la cavalerie autrichienne, prussienne, et hessoise, traduit de l'allemande. 1828. 1829. Fougere (J.) Fechtmeister, d. kunst aus jedem zweikampfe lebend u. unverwundet zurückzukehren, selbst wenn man niemals unterricht im fechten gehabt, u. es auch mit dem grössten schläger oder schützen d. welt zu thun hätte. In 10 vorlesungen. Aus d. Franzöf. 8vo. Leipzig, 1829. Essai sur l'art de l'escrime; par P. J. Moreau. Nantes, 1829. 4to., pp. 16. Veiss (Giuseppe). Istruzioni della scherma a cavallo. Napoli, 1829. The London encyclopædia...vol. ix. London: printed for Thomas Tegg....1829. 8vo. Fencing, pp. 148-151; 6 figs. on two plates. M. 1831. Florio (Blasco). scherma. Catania, 1831. La scienza a l'arte della 1832. Spinal deformities cured and prevented. By P. G. Hamon...to which is subjoined a treatise on fencing, and on bodily exercises....London.... Carpenter & Co.... 1832. 8vo. pp. viii-132; 8 folding plates. M. 1834. Vollständige anweisung zum stossfechten nach Kreuslers grundsatzen, von Heinrich Kiemann. Leipzig, 1834. Anleitung zum hiebfechten, von J. Segers. Bonn, 1834, Habicht. 8vo., n., 1 thlr. FRED. W. FOSTER. The Grove, Camberwell. (To be continued.) |