The Classic and Connoisseur in Italy and Sicily: With an Appendix Containing an Abridged Translation of Lanzi's Storia Pittorica, Volumen1Longman, Rees, Orme, Brown, Green & Longman, 1835 |
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Página xviii
... Architecture - Algarotti's Theory ; Churches ; Palaces ; Villas ; Fountains · 314-324 CHAP . XVIII . St. Peter's ; Jesus and St. Ignatius ; San Pietro in Vincoli ; St. Gregory ; San Pietro in Montorio ; Capuchin Church ; S. Andrea della ...
... Architecture - Algarotti's Theory ; Churches ; Palaces ; Villas ; Fountains · 314-324 CHAP . XVIII . St. Peter's ; Jesus and St. Ignatius ; San Pietro in Vincoli ; St. Gregory ; San Pietro in Montorio ; Capuchin Church ; S. Andrea della ...
Página 17
... architecture . " The museum is rich in Egyptian antiquities , and con- tains one relic that is interesting in more points of view than as a mere remnant of art - the Tavola Isiaca - a mas- sive slab of mixed metal resembling brass ...
... architecture . " The museum is rich in Egyptian antiquities , and con- tains one relic that is interesting in more points of view than as a mere remnant of art - the Tavola Isiaca - a mas- sive slab of mixed metal resembling brass ...
Página 24
... architecture , they would certainly very much adorn the places where they stand ; but , as they are now , they only shew us that there is something wanting , and that the palace , which without these counterfeit pillars would be ...
... architecture , they would certainly very much adorn the places where they stand ; but , as they are now , they only shew us that there is something wanting , and that the palace , which without these counterfeit pillars would be ...
Página 26
... architecture too much in vogue in Italy . The Carigliano church boasts some colossal statues by Puget , and forms one of the most prominent objects in Genoa . It stands on a rising ground near a bridge of the same name , which connects ...
... architecture too much in vogue in Italy . The Carigliano church boasts some colossal statues by Puget , and forms one of the most prominent objects in Genoa . It stands on a rising ground near a bridge of the same name , which connects ...
Página 33
... architecture , all venerable with years , and fortunate both in their so- ciety and their solitude . " The Cathedral , a work of the eleventh century , was built by a Greek . It stands on a platform , to which you ascend by a flight of ...
... architecture , all venerable with years , and fortunate both in their so- ciety and their solitude . " The Cathedral , a work of the eleventh century , was built by a Greek . It stands on a platform , to which you ascend by a flight of ...
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Términos y frases comunes
admired amphitheatre ancient Angelo Apennines appearance arches architecture Augustus baths beautiful Boccacio building built called Camaldoli Capitoline Hill carceres celebrated century church circus Coliseum colour columns consists Corinthian Corinthian order cupola Dante decorated Domenichino Doric edifice emperor erected exhibit feet figure Florence Forum front gallery Genoa Gothic Greek head height inscription Italian Italy Juvenal La Verna latter Livy magnificence Mathews Mausoleum of Augustus Maxentius modern Mont Mont Cenis mountain nature objects observes Forsyth ornament Ovid painter painting palace Palatine Palatine Hill pass perhaps Peter's picture pillars plain Pliny poet portico Raphael relievos remains remark river road Roman Rome round ruins Saint says Scipio sculpture seats seems Septimius Severus shew side Sismondi spectators stands statue stone story style sublime supposed taste theatre thought tion tomb Totila Trajan ture Tuscan Vallombrosa Venus Vespasian Virgin white marble whole
Pasajes populares
Página 156 - Insuperable height of loftiest shade, Cedar, and pine, and fir, and branching palm, A sylvan scene, and, as the ranks ascend Shade above shade, a woody theatre Of stateliest view.
Página 284 - Let him study the Holy Scriptures, especially the New Testament. Therein are contained the words of eternal life. It has God for its Author ; salvation for its end ; and truth, without any mixture of error, for its matter.
Página 156 - But o'er the twilight groves and dusky caves, Long-sounding aisles and intermingled graves, Black Melancholy sits, and round her throws A death-like silence, and a dread repose : Her gloomy presence saddens all the scene, Shades every flower, and darkens every green, Deepens the murmur of the falling floods. And breathes a browner horror on the woods...
Página 239 - Aequore damae. Vidimus flavum Tiberim retortis Littore Etrusco violenter undis Ire dejectum monumenta regis Templaque Vestae ; Iliae dum se nimium querenti Jactat ultorem, vagus et sinistra Labitur ripa Jove non probante u^ xorius amnis.
Página 191 - But Rome is as the desert, where we steer Stumbling o'er recollections: now we clap Our hands, and cry, " Eureka ! it is clear — " When but some false mirage of ruin rises near.
Página 136 - The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players.
Página 314 - Jn allegorizing Nature, Guercino imitates the deep shades of night, the twilight grey, and the Irradiations of morning with all the magic of chiaroscuro; but his figures are too mortal for the region where they move. The work of Guido is more poetic, and luminous, and soft, and harmonious. Cupid, Aurora, Phoebus form a climax of beauty, and the Hours seem as light as the clouds on which they dance.
Página 259 - Such reflections check our regret for its ruin. As it now stands, the Coliseum is a striking image of Rome itself — decayed, vacant, serious, yet grand...
Página 191 - Whence this excess of joy ? what has befallen me ? And from within a thrilling voice replies, Thou art in Rome ! A thousand busy thoughts Rush on my mind, a thousand images ; And I spring up as girt to run a race ! Thou art in Rome ! the city that so long Reigned absolute, the mistress of the world...
Página 198 - Where the car climb'd the capitol ; far and wide Temple and tower went down, nor left a site : — Chaos of ruins ! who shall trace the void, O'er the dim fragments cast a lunar light, And say, " here was, or is,