The Classic and Connoisseur in Italy and Sicily: With an Appendix Containing an Abridged Translation of Lanzi's Storia Pittorica, Volumen1Longman, Rees, Orme, Brown, Green & Longman, 1835 |
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Página 6
... foot of those stupendous heights which close in upon the Arc , about twenty miles from Chambery , and about five above the confluence of that river with the Isère . The Arc rises in Mount Iseran , a few miles above Lans - le - bourg ...
... foot of those stupendous heights which close in upon the Arc , about twenty miles from Chambery , and about five above the confluence of that river with the Isère . The Arc rises in Mount Iseran , a few miles above Lans - le - bourg ...
Página 11
... foot in fifteen . The highest point of it , near La Ramasse , is 6780 feet ; and Rock St. Michel , the highest peak of Mont Cenis , 11,460 feet above the sea . were there not several mountains in the neighbourhood rising over PASSAGE OF ...
... foot in fifteen . The highest point of it , near La Ramasse , is 6780 feet ; and Rock St. Michel , the highest peak of Mont Cenis , 11,460 feet above the sea . were there not several mountains in the neighbourhood rising over PASSAGE OF ...
Página 14
... rupi- bus , pecora , jumentaque torrida frigore , homines intonsi et inculti , animalia , inanimaque omnia rigentia gelu . ” — Liv . xxi . the foot of the maritime Alps to the shores of 14 PASSAGE OF THE MONT CENIS .
... rupi- bus , pecora , jumentaque torrida frigore , homines intonsi et inculti , animalia , inanimaque omnia rigentia gelu . ” — Liv . xxi . the foot of the maritime Alps to the shores of 14 PASSAGE OF THE MONT CENIS .
Página 15
... foot of the maritime Alps to the shores of the Adri- atic . During this day's journey we frequently met with the vine trained over trellises , so as to form successive avenues , but no where did we see it married to the poplar or the ...
... foot of the maritime Alps to the shores of the Adri- atic . During this day's journey we frequently met with the vine trained over trellises , so as to form successive avenues , but no where did we see it married to the poplar or the ...
Página 18
... foot of the hill on his return from a visit to the Superga , having been met by a stranger , who inquired of him the way to that edifice , he was kind enough to retrace his steps to the top for the purpose of pointing it out . In this ...
... foot of the hill on his return from a visit to the Superga , having been met by a stranger , who inquired of him the way to that edifice , he was kind enough to retrace his steps to the top for the purpose of pointing it out . In this ...
Otras ediciones - Ver todas
Términos y frases comunes
admired amphitheatre ancient Angelo Apennines appearance arches architecture Augustus baths beautiful Boccacio building built called Camaldoli Capitoline Hill carceres celebrated century church circus Coliseum colour columns consists Corinthian Corinthian order cupola Dante decorated Domenichino Doric edifice emperor erected exhibit feet figure Florence Forum front gallery Genoa Gothic Greek head height inscription Italian Italy Juvenal La Verna latter Livy magnificence Mathews Mausoleum of Augustus Maxentius modern Mont Mont Cenis mountain nature objects observes Forsyth ornament Ovid painter painting palace Palatine Palatine Hill pass perhaps Peter's picture pillars plain Pliny poet portico Raphael relievos remains remark river road Roman Rome round ruins Saint says Scipio sculpture seats seems Septimius Severus shew side Sismondi spectators stands statue stone story style sublime supposed taste theatre thought tion tomb Totila Trajan ture Tuscan Vallombrosa Venus Vespasian Virgin white marble whole
Pasajes populares
Página 156 - Insuperable height of loftiest shade, Cedar, and pine, and fir, and branching palm, A sylvan scene, and, as the ranks ascend Shade above shade, a woody theatre Of stateliest view.
Página 284 - Let him study the Holy Scriptures, especially the New Testament. Therein are contained the words of eternal life. It has God for its Author ; salvation for its end ; and truth, without any mixture of error, for its matter.
Página 156 - But o'er the twilight groves and dusky caves, Long-sounding aisles and intermingled graves, Black Melancholy sits, and round her throws A death-like silence, and a dread repose : Her gloomy presence saddens all the scene, Shades every flower, and darkens every green, Deepens the murmur of the falling floods. And breathes a browner horror on the woods...
Página 239 - Aequore damae. Vidimus flavum Tiberim retortis Littore Etrusco violenter undis Ire dejectum monumenta regis Templaque Vestae ; Iliae dum se nimium querenti Jactat ultorem, vagus et sinistra Labitur ripa Jove non probante u^ xorius amnis.
Página 191 - But Rome is as the desert, where we steer Stumbling o'er recollections: now we clap Our hands, and cry, " Eureka ! it is clear — " When but some false mirage of ruin rises near.
Página 136 - The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players.
Página 314 - Jn allegorizing Nature, Guercino imitates the deep shades of night, the twilight grey, and the Irradiations of morning with all the magic of chiaroscuro; but his figures are too mortal for the region where they move. The work of Guido is more poetic, and luminous, and soft, and harmonious. Cupid, Aurora, Phoebus form a climax of beauty, and the Hours seem as light as the clouds on which they dance.
Página 259 - Such reflections check our regret for its ruin. As it now stands, the Coliseum is a striking image of Rome itself — decayed, vacant, serious, yet grand...
Página 191 - Whence this excess of joy ? what has befallen me ? And from within a thrilling voice replies, Thou art in Rome ! A thousand busy thoughts Rush on my mind, a thousand images ; And I spring up as girt to run a race ! Thou art in Rome ! the city that so long Reigned absolute, the mistress of the world...
Página 198 - Where the car climb'd the capitol ; far and wide Temple and tower went down, nor left a site : — Chaos of ruins ! who shall trace the void, O'er the dim fragments cast a lunar light, And say, " here was, or is,