The Classic and Connoisseur in Italy and Sicily: With an Appendix Containing an Abridged Translation of Lanzi's Storia Pittorica, Volumen1Longman, Rees, Orme, Brown, Green & Longman, 1835 |
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Página vi
... rising generation , and terrify it into decency by the display of all the excesses of the Revolution , " seems to afford a sufficient clue to the severity of the above critique . They , who can talk with so much complacency of the ...
... rising generation , and terrify it into decency by the display of all the excesses of the Revolution , " seems to afford a sufficient clue to the severity of the above critique . They , who can talk with so much complacency of the ...
Página xv
... rise among the Alps ; Lans - le- Bourg ; Hospice ; Susa ; Rivoli ; -Turin ; its Situation ; the Superga Page 1-19 CHAP . II . Genoa - Its Fortifications ; Narrowness of its Streets ; Betti- nelli's Description of it ; Marble Palaces ...
... rise among the Alps ; Lans - le- Bourg ; Hospice ; Susa ; Rivoli ; -Turin ; its Situation ; the Superga Page 1-19 CHAP . II . Genoa - Its Fortifications ; Narrowness of its Streets ; Betti- nelli's Description of it ; Marble Palaces ...
Página 11
... point of it , near La Ramasse , is 6780 feet ; and Rock St. Michel , the highest peak of Mont Cenis , 11,460 feet above the sea . were there not several mountains in the neighbourhood rising over PASSAGE OF THE MONT CENIS . 11.
... point of it , near La Ramasse , is 6780 feet ; and Rock St. Michel , the highest peak of Mont Cenis , 11,460 feet above the sea . were there not several mountains in the neighbourhood rising over PASSAGE OF THE MONT CENIS . 11.
Página 12
... rising over it ! " and , therefore , sufficiently accounting for it . In the descent , only one horse was employed in drawing the traineau , while one of the others was fasten- ed by a rope to the hinder part of it , for the purpose of ...
... rising over it ! " and , therefore , sufficiently accounting for it . In the descent , only one horse was employed in drawing the traineau , while one of the others was fasten- ed by a rope to the hinder part of it , for the purpose of ...
Página 15
... rising to the south of the Po , was covered with it . " TURIN commands the sublimest prospects - here a crescent of magnificent Alps - there the snow - capped cone of Monte Viso — in the middle , the ' king of floods , ' opening his way ...
... rising to the south of the Po , was covered with it . " TURIN commands the sublimest prospects - here a crescent of magnificent Alps - there the snow - capped cone of Monte Viso — in the middle , the ' king of floods , ' opening his way ...
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Términos y frases comunes
admired amphitheatre ancient Angelo Apennines appearance arches architecture Augustus baths beautiful Boccacio building built called Camaldoli Capitoline Hill carceres celebrated century church circus Coliseum colour columns consists Corinthian Corinthian order cupola Dante decorated Domenichino Doric edifice emperor erected exhibit feet figure Florence Forum front gallery Genoa Gothic Greek head height inscription Italian Italy Juvenal La Verna latter Livy magnificence Mathews Mausoleum of Augustus Maxentius modern Mont Mont Cenis mountain nature objects observes Forsyth ornament Ovid painter painting palace Palatine Palatine Hill pass perhaps Peter's picture pillars plain Pliny poet portico Raphael relievos remains remark river road Roman Rome round ruins Saint says Scipio sculpture seats seems Septimius Severus shew side Sismondi spectators stands statue stone story style sublime supposed taste theatre thought tion tomb Totila Trajan ture Tuscan Vallombrosa Venus Vespasian Virgin white marble whole
Pasajes populares
Página 156 - Insuperable height of loftiest shade, Cedar, and pine, and fir, and branching palm, A sylvan scene, and, as the ranks ascend Shade above shade, a woody theatre Of stateliest view.
Página 284 - Let him study the Holy Scriptures, especially the New Testament. Therein are contained the words of eternal life. It has God for its Author ; salvation for its end ; and truth, without any mixture of error, for its matter.
Página 156 - But o'er the twilight groves and dusky caves, Long-sounding aisles and intermingled graves, Black Melancholy sits, and round her throws A death-like silence, and a dread repose : Her gloomy presence saddens all the scene, Shades every flower, and darkens every green, Deepens the murmur of the falling floods. And breathes a browner horror on the woods...
Página 239 - Aequore damae. Vidimus flavum Tiberim retortis Littore Etrusco violenter undis Ire dejectum monumenta regis Templaque Vestae ; Iliae dum se nimium querenti Jactat ultorem, vagus et sinistra Labitur ripa Jove non probante u^ xorius amnis.
Página 191 - But Rome is as the desert, where we steer Stumbling o'er recollections: now we clap Our hands, and cry, " Eureka ! it is clear — " When but some false mirage of ruin rises near.
Página 136 - The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players.
Página 314 - Jn allegorizing Nature, Guercino imitates the deep shades of night, the twilight grey, and the Irradiations of morning with all the magic of chiaroscuro; but his figures are too mortal for the region where they move. The work of Guido is more poetic, and luminous, and soft, and harmonious. Cupid, Aurora, Phoebus form a climax of beauty, and the Hours seem as light as the clouds on which they dance.
Página 259 - Such reflections check our regret for its ruin. As it now stands, the Coliseum is a striking image of Rome itself — decayed, vacant, serious, yet grand...
Página 191 - Whence this excess of joy ? what has befallen me ? And from within a thrilling voice replies, Thou art in Rome ! A thousand busy thoughts Rush on my mind, a thousand images ; And I spring up as girt to run a race ! Thou art in Rome ! the city that so long Reigned absolute, the mistress of the world...
Página 198 - Where the car climb'd the capitol ; far and wide Temple and tower went down, nor left a site : — Chaos of ruins ! who shall trace the void, O'er the dim fragments cast a lunar light, And say, " here was, or is,