The Classic and Connoisseur in Italy and Sicily: With an Appendix Containing an Abridged Translation of Lanzi's Storia Pittorica, Volumen1Longman, Rees, Orme, Brown, Green & Longman, 1835 |
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Página 4
... tells us in his " Confessions , " while on his way to Les Charmettes , near Chambery , " amused himself by rolling stones from the road into the roaring torrent , and watching them as they bounded from ledge to ledge before they were ...
... tells us in his " Confessions , " while on his way to Les Charmettes , near Chambery , " amused himself by rolling stones from the road into the roaring torrent , and watching them as they bounded from ledge to ledge before they were ...
Página 37
... tells us , that it " would have small pretensions to architectural beauty , were it altoge- ther upright : at present it is quite as displeasing as it is wonderful . " On the contrary , Eustace admires it for its graceful form and ...
... tells us , that it " would have small pretensions to architectural beauty , were it altoge- ther upright : at present it is quite as displeasing as it is wonderful . " On the contrary , Eustace admires it for its graceful form and ...
Página 54
... tells us that M. Angelo has given " too fresh and full a face for the shrunk , mea- gre , and dried up body ; " and that he has " evidently mistaken the design , which is assuredly that of a drunken old faun , balancing with inebriety ...
... tells us that M. Angelo has given " too fresh and full a face for the shrunk , mea- gre , and dried up body ; " and that he has " evidently mistaken the design , which is assuredly that of a drunken old faun , balancing with inebriety ...
Página 58
... tell you that " Caligula had an habitual paleness , which is indicated by the very mar- ble ; " that Claudius's bust betrays " that stolidity and heaviness which , in all his actions , characterized the man , in whom the least ...
... tell you that " Caligula had an habitual paleness , which is indicated by the very mar- ble ; " that Claudius's bust betrays " that stolidity and heaviness which , in all his actions , characterized the man , in whom the least ...
Página 61
... Tell me , thou best of gods , thou gentle youth , Tell me my sad offence ; that only I , While hushed at ease thy drowsy subjects lie , In the dead silence of the night complain , Nor taste the blessings of thy peaceful reign ...
... Tell me , thou best of gods , thou gentle youth , Tell me my sad offence ; that only I , While hushed at ease thy drowsy subjects lie , In the dead silence of the night complain , Nor taste the blessings of thy peaceful reign ...
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Términos y frases comunes
admired amphitheatre ancient Angelo Apennines appearance arches architecture Augustus baths beautiful Boccacio building built called Camaldoli Capitoline Hill carceres celebrated century church circus Coliseum colour columns consists Corinthian Corinthian order cupola Dante decorated Domenichino Doric edifice emperor erected exhibit feet figure Florence Forum front gallery Genoa Gothic Greek head height inscription Italian Italy Juvenal La Verna latter Livy magnificence Mathews Mausoleum of Augustus Maxentius modern Mont Mont Cenis mountain nature objects observes Forsyth ornament Ovid painter painting palace Palatine Palatine Hill pass perhaps Peter's picture pillars plain Pliny poet portico Raphael relievos remains remark river road Roman Rome round ruins Saint says Scipio sculpture seats seems Septimius Severus shew side Sismondi spectators stands statue stone story style sublime supposed taste theatre thought tion tomb Totila Trajan ture Tuscan Vallombrosa Venus Vespasian Virgin white marble whole
Pasajes populares
Página 156 - Insuperable height of loftiest shade, Cedar, and pine, and fir, and branching palm, A sylvan scene, and, as the ranks ascend Shade above shade, a woody theatre Of stateliest view.
Página 284 - Let him study the Holy Scriptures, especially the New Testament. Therein are contained the words of eternal life. It has God for its Author ; salvation for its end ; and truth, without any mixture of error, for its matter.
Página 156 - But o'er the twilight groves and dusky caves, Long-sounding aisles and intermingled graves, Black Melancholy sits, and round her throws A death-like silence, and a dread repose : Her gloomy presence saddens all the scene, Shades every flower, and darkens every green, Deepens the murmur of the falling floods. And breathes a browner horror on the woods...
Página 239 - Aequore damae. Vidimus flavum Tiberim retortis Littore Etrusco violenter undis Ire dejectum monumenta regis Templaque Vestae ; Iliae dum se nimium querenti Jactat ultorem, vagus et sinistra Labitur ripa Jove non probante u^ xorius amnis.
Página 191 - But Rome is as the desert, where we steer Stumbling o'er recollections: now we clap Our hands, and cry, " Eureka ! it is clear — " When but some false mirage of ruin rises near.
Página 136 - The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players.
Página 314 - Jn allegorizing Nature, Guercino imitates the deep shades of night, the twilight grey, and the Irradiations of morning with all the magic of chiaroscuro; but his figures are too mortal for the region where they move. The work of Guido is more poetic, and luminous, and soft, and harmonious. Cupid, Aurora, Phoebus form a climax of beauty, and the Hours seem as light as the clouds on which they dance.
Página 259 - Such reflections check our regret for its ruin. As it now stands, the Coliseum is a striking image of Rome itself — decayed, vacant, serious, yet grand...
Página 191 - Whence this excess of joy ? what has befallen me ? And from within a thrilling voice replies, Thou art in Rome ! A thousand busy thoughts Rush on my mind, a thousand images ; And I spring up as girt to run a race ! Thou art in Rome ! the city that so long Reigned absolute, the mistress of the world...
Página 198 - Where the car climb'd the capitol ; far and wide Temple and tower went down, nor left a site : — Chaos of ruins ! who shall trace the void, O'er the dim fragments cast a lunar light, And say, " here was, or is,