The Classic and Connoisseur in Italy and Sicily: With an Appendix Containing an Abridged Translation of Lanzi's Storia Pittorica, Volumen1Longman, Rees, Orme, Brown, Green & Longman, 1835 |
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Página vi
... thing , and therefore signifying nothing . " A sub- sequent passage of this note , however , which con- demns the frequent introduction of " the same Gallic Helot to reel and bluster before the rising generation , and terrify it into ...
... thing , and therefore signifying nothing . " A sub- sequent passage of this note , however , which con- demns the frequent introduction of " the same Gallic Helot to reel and bluster before the rising generation , and terrify it into ...
Página ix
... thing , and therefore signifying nothing — and the being but a mere compilation of former notices . The first of these charges has , in some instances , been successfully rebutted in the Editor's Preface to the sixth edition of the work ...
... thing , and therefore signifying nothing — and the being but a mere compilation of former notices . The first of these charges has , in some instances , been successfully rebutted in the Editor's Preface to the sixth edition of the work ...
Página 13
... thing like a panoramic view . Here , as in most other mountain passes , the prospect is confined by the windings of the valley along which the road runs . would be difficult , " says Gilly , " to conceive where Poly- bius and Livy could ...
... thing like a panoramic view . Here , as in most other mountain passes , the prospect is confined by the windings of the valley along which the road runs . would be difficult , " says Gilly , " to conceive where Poly- bius and Livy could ...
Página 27
... thing , the breathing tenderness of the Virgin , and the heavenly composure of the corpse , appear beauties foreign to the tremendous genius of the artist † . ” The altar - piece , representing the Assumption , is an ad- mired ...
... thing , the breathing tenderness of the Virgin , and the heavenly composure of the corpse , appear beauties foreign to the tremendous genius of the artist † . ” The altar - piece , representing the Assumption , is an ad- mired ...
Página 40
... thing but nature . As you follow the chro- nology of the wall , you catch perspective entering into the pictures , deepening the back - ground , and then ad- justing the groups to the plans . You see the human figure first straight , or ...
... thing but nature . As you follow the chro- nology of the wall , you catch perspective entering into the pictures , deepening the back - ground , and then ad- justing the groups to the plans . You see the human figure first straight , or ...
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Términos y frases comunes
admired amphitheatre ancient Angelo Apennines appearance arches architecture Augustus baths beautiful Boccacio building built called Camaldoli Capitoline Hill carceres celebrated century church circus Coliseum colour columns consists Corinthian Corinthian order cupola Dante decorated Domenichino Doric edifice emperor erected exhibit feet figure Florence Forum front gallery Genoa Gothic Greek head height inscription Italian Italy Juvenal La Verna latter Livy magnificence Mathews Mausoleum of Augustus Maxentius modern Mont Mont Cenis mountain nature objects observes Forsyth ornament Ovid painter painting palace Palatine Palatine Hill pass perhaps Peter's picture pillars plain Pliny poet portico Raphael relievos remains remark river road Roman Rome round ruins Saint says Scipio sculpture seats seems Septimius Severus shew side Sismondi spectators stands statue stone story style sublime supposed taste theatre thought tion tomb Totila Trajan ture Tuscan Vallombrosa Venus Vespasian Virgin white marble whole
Pasajes populares
Página 156 - Insuperable height of loftiest shade, Cedar, and pine, and fir, and branching palm, A sylvan scene, and, as the ranks ascend Shade above shade, a woody theatre Of stateliest view.
Página 284 - Let him study the Holy Scriptures, especially the New Testament. Therein are contained the words of eternal life. It has God for its Author ; salvation for its end ; and truth, without any mixture of error, for its matter.
Página 156 - But o'er the twilight groves and dusky caves, Long-sounding aisles and intermingled graves, Black Melancholy sits, and round her throws A death-like silence, and a dread repose : Her gloomy presence saddens all the scene, Shades every flower, and darkens every green, Deepens the murmur of the falling floods. And breathes a browner horror on the woods...
Página 239 - Aequore damae. Vidimus flavum Tiberim retortis Littore Etrusco violenter undis Ire dejectum monumenta regis Templaque Vestae ; Iliae dum se nimium querenti Jactat ultorem, vagus et sinistra Labitur ripa Jove non probante u^ xorius amnis.
Página 191 - But Rome is as the desert, where we steer Stumbling o'er recollections: now we clap Our hands, and cry, " Eureka ! it is clear — " When but some false mirage of ruin rises near.
Página 136 - The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players.
Página 314 - Jn allegorizing Nature, Guercino imitates the deep shades of night, the twilight grey, and the Irradiations of morning with all the magic of chiaroscuro; but his figures are too mortal for the region where they move. The work of Guido is more poetic, and luminous, and soft, and harmonious. Cupid, Aurora, Phoebus form a climax of beauty, and the Hours seem as light as the clouds on which they dance.
Página 259 - Such reflections check our regret for its ruin. As it now stands, the Coliseum is a striking image of Rome itself — decayed, vacant, serious, yet grand...
Página 191 - Whence this excess of joy ? what has befallen me ? And from within a thrilling voice replies, Thou art in Rome ! A thousand busy thoughts Rush on my mind, a thousand images ; And I spring up as girt to run a race ! Thou art in Rome ! the city that so long Reigned absolute, the mistress of the world...
Página 198 - Where the car climb'd the capitol ; far and wide Temple and tower went down, nor left a site : — Chaos of ruins ! who shall trace the void, O'er the dim fragments cast a lunar light, And say, " here was, or is,