Shakespeariana; a critical and contemporary review of Shakespearian literature, Volumen9L. Scott Publishing Company, 1892 |
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Página 3
... learned his art of dramatic com- position . And , indeed , his work as dramatic poet , whatever we may think of its higher merits , shows in every detail the skill that comes only from close professional study of the needs and ...
... learned his art of dramatic com- position . And , indeed , his work as dramatic poet , whatever we may think of its higher merits , shows in every detail the skill that comes only from close professional study of the needs and ...
Página 8
... learned from Shakespeare that which was the grandest element of Shakespeare's skill , viz . , his manner of contrasting his separate scenes . place , there is the same careful avoidance of long , unbroken speeches . The give - and ...
... learned from Shakespeare that which was the grandest element of Shakespeare's skill , viz . , his manner of contrasting his separate scenes . place , there is the same careful avoidance of long , unbroken speeches . The give - and ...
Página 34
... learned contemporaries heartily admired him , they could not help thinking that he " wanted art . " What they meant was , that he wanted learning . The scholar who , on the revival of ancient literature , confounded want of learning ...
... learned contemporaries heartily admired him , they could not help thinking that he " wanted art . " What they meant was , that he wanted learning . The scholar who , on the revival of ancient literature , confounded want of learning ...
Página 35
... learned men of his day , " as rude as our architecture . One cause thereof might be that Aristotle's Treatise of Poetry ' has been so little- studied amongst us . " He would have been pronounced an ignoramus in that age who should have ...
... learned men of his day , " as rude as our architecture . One cause thereof might be that Aristotle's Treatise of Poetry ' has been so little- studied amongst us . " He would have been pronounced an ignoramus in that age who should have ...
Página 36
... learned contemporaries , he had but one fault , and that was this departure from classic models . But from these models , Beaumont and Fletcher , who approached the nearest in popularity , departed as widely as himself . Then came the ...
... learned contemporaries , he had but one fault , and that was this departure from classic models . But from these models , Beaumont and Fletcher , who approached the nearest in popularity , departed as widely as himself . Then came the ...
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Términos y frases comunes
action actors appears audience Bacon Bankside beauty belief Ben Jonson called chancellor character Children's Companies church Coke comedy Court of Chancery criticism death dramatic dramatist Duke edition effect Eilert Ellesmere emotion England English equity stirring fact fairy Falstaff Folio forces French Furnivall genius ghost Halliwell-Phillipps Hamlet Hedda Henry IV Henry the Sixth human Ibsen Inigo Jones interest Jones's Jonson judges judgment Juliet King King's London Lord Macbeth Masque matter Midsummer Night's Dream moral mulberry tree nature never Nicholas Udall old play Othello passage perhaps poem poet poetic poetry Prince printed Quarto Queen Richard Richard III Roister Doister Rolfe Romeo Romeo and Juliet says scene Shake Shakespeare Society Shakespearian Sir John stage story Stratford Stratford-on-Avon supernatural Tempest theatre thing Thomas Throckmorton tion tragedy Udall Voltaire William William Shakespeare Windsor word write written
Pasajes populares
Página 220 - I know a bank whereon the wild thyme blows, Where ox-lips and the nodding violet grows ; Quite over-canopied with lush woodbine, With sweet musk-roses, and with eglantine...
Página 105 - ... supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.
Página 220 - Over hill, over dale, Thorough bush, thorough brier, Over park, over pale, Thorough flood, thorough fire, I do wander every where, Swifter than the moon's sphere; And I serve the Fairy Queen, To dew her orbs upon the green. The cowslips tall her pensioners be; In their gold coats spots you see; Those be rubies, fairy favours, In those freckles live their savours. I must go seek some dewdrops here, And hang a pearl in every cowslip's ear.
Página 220 - Bring the rathe primrose that forsaken dies, The tufted crow-toe and pale jessamine, The white pink, and the pansy freaked with jet, The glowing violet, The musk-rose, and the well-attired woodbine, With cowslips wan that hang the pensive head, And every flower that sad embroidery wears ; Bid Amaranthus all his beauty shed, And daffadillies fill their cups with tears, To strew the laureate hearse where Lycid lies.
Página 58 - That low man seeks a little thing to do, Sees it and does it : This high man, with a great thing to pursue, Dies ere he knows it.
Página 136 - And then you have some again that keeps one suit of jests, as a man is known by one suit of apparel; and gentlemen quote his jests down in their tables before they come to the play, as thus: 'Cannot you stay till I eat my porridge?
Página 220 - Ye valleys low, where the mild whispers use Of shades, and wanton winds, and gushing brooks, On whose fresh lap the swart star sparely looks, Throw hither all your quaint enamelled eyes, That on the green turf suck the honied showers, And purple all the ground with vernal flowers.
Página 229 - My father's spirit in arms ! all is not well ; I doubt some foul play: 'would, the night were come! Till then sit still, my soul : Foul deeds will rise, Though all the earth o'erwhelm them, to men's eyes.
Página 145 - From Paul's I went, to Eton sent, To learn straightways the Latin phrase, Where fifty-three stripes given to me At once I had. For fault but small, or none at all, It came to pass thus beat I was, See, Udall, see, the mercy of thee To me, poor lad ! " * "EW
Página 56 - The Troublesome Raigne of John King of England, with the discoverie of King Richard Cordelions Base sonne (vulgarly named, the Bastard Fawconbridge): also the death of King John at Swinstead Abbey. As it was (sundry times) publikely acted by the Queenes Maiesties Players, in the honourable Citie of London.