Arkiv för nordisk filologi, Volumen107Lund University Press, 1992 |
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Página 100
... verseform from one stanza to the next . In the past , a mixture of verseforms has sometimes been seen as a sign of pastiche , with scholars assigning particular verses to various " original " com- ponents of the poem based on the formal ...
... verseform from one stanza to the next . In the past , a mixture of verseforms has sometimes been seen as a sign of pastiche , with scholars assigning particular verses to various " original " com- ponents of the poem based on the formal ...
Página 103
... verse is called háttlausa ' formless ' because , like fornyrđislag , it has no internal rhyme scheme ( hendingar ) . Perhaps Snorri's choice of an unrhymed verseform to strike the last resounding note of both the second and third poems ...
... verse is called háttlausa ' formless ' because , like fornyrđislag , it has no internal rhyme scheme ( hendingar ) . Perhaps Snorri's choice of an unrhymed verseform to strike the last resounding note of both the second and third poems ...
Página 109
... verse can be shown to have its own rationale . The relationship between the dominant verseform of a poem and a subordinate verseform is most often one of modulation , brought about by a change in the discursive position of the speaker ...
... verse can be shown to have its own rationale . The relationship between the dominant verseform of a poem and a subordinate verseform is most often one of modulation , brought about by a change in the discursive position of the speaker ...