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necklace, are become too cheap and common, black blond mounted on a coloured ribbon, chintzed or with lozenges of different colours, and edged on each side with narrow black lace, are generally preferred.

Even the small bags or reticules are trimmed or covered with black lace.

CEINTURES.-Buckles are less worn than nœuds, particularly with elegant wrappers.

Ribbons for ceintures are still loaded with printed or figured designs.

We have seen a scarf, or rather a mantelet of a novel description, formed by rose-coloured gauze ribbon, figured with black designs, and separated by entre-deux of black lace, the trimming was of ribbons edged with lace, no ruche in front; a stomacher of narrow lace laid flat and joined by nœuds from the neck to the extremity of the mantelet.

HATS & CAPOTES.-A few drawn capotes are still worn; the handsomest we have seen for morning neglige dresses, were composed of gros de Naples écrue, trimmed with striped gros de Naples ribbons; a small cap of plain tulle, ornamented on each side with three gauze ribbon leaves, blue, rose, or cherry-coloured.

Rice straw or crape hats are profusely but tastefully ornamented with flowers.

The shape of capotes at present may be divided in two classes, those placed in a vertical line, and having the appearance of being on a level with the crown. These capotes are placed so far back on the head, that the brim, or edge is on a line with the forehead, barely covering the narrow trimming of the cap worn under them. In opposition to this make, another has appeared, the crown of which is composed of gros de Naples, and resembling a cone: the shapes of ricestraw round and close on the cheek, trimmed with gauze ribbon brides or ties which encircle the crown and fasten under the chin, ornamented with a bouquet of pinks.

The crowns of Leghorns are higher, and the shapes not so small as those composed of silk materials; they are ornamented with a large flower tastefully displayed, without ribbons or any other accessory.

Some very graceful rice-straw small hats are thus made, the crown of gros de Naples is gathered by coulises, the shape of rice-straw, lined with rose-coloured silk, ornamented with a rose.

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Another hat of the same description, lined with green, the crown of green gros de Naples; on side a bouquet of geranium, separated in the middle by a white straw open worked band.

On coarse straw hats, a large rose, but of the finest description, is often displayed.

Another kind of ornament employed with the above sort of hats, consists of three bands of blue gros de Naples, each forming a circle round the crown; they are fastened on the side by a bouquet of corn flowers, separated in the middle by a straw loop, the lining of the hat blue.

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Pocket handkerchiefs are still with wide embroidered hems, above the hem a wreath, and the corners richly embroidered.

Chemisettes and pelerines are now without ruches round the throat, all are made with small falling collars, or a narrow lace laid flat.

Morning chemisettes are with embroidered cambric, trimmed with Valenciennes lace; double collars are elegant, but to avoid their heavy appearance, a double wreath is embroidered on the collar, separated by a double row of lace, which figures a double collar.

Plain muslin pelerines are worn with negliges, the wide hem of which is cut in pointed dents, turned over on the material, thus producing a succession of bright and dead white points which has a pretty effect.

FANTASIA. The most elegant purses are of light netting, white, with enamelled springs and runners.

A new sort of purse much in fashion is produced by various coloured silk twists sewed together, and gathered at the extremities instead of tassels. Black and red, white and blue has a pretty effect. Silk cords twisted in quadrilles are applied to this purpose, and make very strong and handsome purses.

Parasols are made which are entirely covered on the outside with black blond, and lined with coloured taffeta; the mountings in ivory set with gold.

COIFFURES. The hair at the present season is arranged in the most simple manner. The bandeaux à la Marguerite are still in great favor; an innovation has however been attempted, which is a tuft of hair, placed on each side over the bandeaux.

MATERIALS AND COLOURS.-The fashionable world appears inclined to secede from that affectation of the goût simple in which it had fallen for the last two years. At present, without a chance of being noted as particular, we may wear what materials we please, providing the make and cut be according to the present fashion. Laces continue to enjoy the same degree of favor, and embroidery its endless variety and elegance of designs. Rich materials alone are employed in all dresses except for negliges. Grenadin-foulards, silk and cashmere tissues, and woollen muslins, are above every other material considered in good taste for demitoilets. For morning wrappers, dark shaded jaconots with Mosaique or Arabesque designs, or large brightcoloured flowers on a black or brown ground, are much employed.

At the beginning of the present season, we mentioned a material advantageously employed by some of our first milliners, in the composition of summer capotes; it is called tissu de l'Inde, and by its fineness and delicacy of workmanship, is particularly well adaptedfor light summer articles.

Mousseline de laine, or woollen muslin, is employed for dresses of every description. The designs are various, Grecian, Turkish, and Egyptian, then colonades, bouquets, &c.

DESCRIPTION OF THE PLATES.

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PLATE TWENTY-NINE.-FIGURE I.-DINNER DRESS. -A figured gros de Naples dress, with pointed pelerine and falling collar, trimmed with black blond, and terminated in front with a silk tassel; the sleeves similarly ornamented. A black blond cap, ornamented with an egret.

FIGURE II.-CARRIAGE DRESS. A tulle dress with long pointed gros de Naples pelerine closed in front with taffeta noeuds, edged with lace widening over the shoulders and forming épaulettes. A rice-straw hat, small open shape, low inclined crown, ornamented with a feather; the ties trimmed with a ruche.

FIGURE III.-WALKING DRESS.-A silk-gauze dress, with cambric double pelerine indented over the shoul ders, round falling collar, the points crossed under the ceinture, and edged all round with narrow scolloped muslin. A rice-straw hat lined with silk, tastefully trimmed with figured gauze ribbons, and ornamented with Chinese honeysuckle.

FIRST HAT & BACK VIEW.-A straw hat, half-close shape, pointed crown ornamented with a large rose.

SECOND HAT & BACK VIEW.-A Cresontine Spa wood hat, open shape, inclined crown trimmed with taffeta ribbons, edged with a double ruche, and ornamented with a bouquet of fancy flowers.

THIRD HAT & BACK VIEW.-A poux de soie capote, close shape, high pointed doom-shaped crown, trimmed with noeud of the same material, and ornamented with fancy flowers.

CENTRE HAT. A figured silk hat, open shape, round crown, trimmed with ribbon bars, and ornamented with roses.

PLATE THIRTY. FIGURE I.-WALKING DRESS.--A silk redingote, deep cut corsage, the plaits caught up in the middle and maintained by a band extending to the ceinture; a tulle chemisette edged round the throat with a ruche; the sleeves wide from the shoulder to the elbow, and turned up similar to a cuff; under this a second sleeve is fastened above the elbow, and close fitting from thence to the wrist; the skirt open in front and lined with sarcenet of a different shade from that of the dress. A gauze scarf with a tassel at each end. A rice-straw hat, small open shape, high pointed crown, trimmed with ribbon coques, and ornamented with flowers.

FIGURE II-WALKING DRESS. A white muslin dress with pelerine edged with three rows of round plaits. A black lace cravat. A figured silk hat, the shape small, the centre elevated, trimmed with large ribbon coques, and ornamented with wild flowers.

FIGURE III. CARRIAGE DRESS. A jaconet dress, figured in colonades, a black blond pelerine with square falling collar, the points descending low down the skirt and fastened in front with light green ribbon noeuds. A ribbon capote, half closed shape, round crown, tastefully trimmed with ribbon noeuds.

FIRST HAT & BACK VIEW.-A gros de Naples hat, small open shape, high pointed crown trimmed in front with a large coque, and ornamented with a branch of lilac.

SECOND HAT & BACK VIEW.-A rice-straw hat, half closed shape, the side descending below the ear, lined with silk, a ribbon noeud on one side and a bouquet of feathers on the other.

CAPOTE & BACK VIEW.-A rice-straw capote, the crown inclined and composed of silk edged with a double row of dented ribbon, and trimmed with ribbon noeuds.

COIFFURE & BACK VIEW.-The hair turned up smooth behind and elevated in smooth coques, supported by gold headed darts, the hair in front separated in smooth bandeaux à la Marguerite.

PLATE THIRTY-ONE.-FIGURE I.-CARRIAGE DRESS. -A printed jaconet redingote, the corsage close fitting

with flat transversal plaits; a pelerine with a double row of sharp dents fastened round the neck by a black blond cravat, the skirt open in front; the sleeves long and close fitting from the elbow to the wrist. A ricestraw hat, open shape, high pointed crown, ornamented with a bouquet of feathers.

FIGURE II-MORNING WALKING DRESS. An embroidered jaconot redingote with square cut pelerine; muslin petticoat edged with scolloped lace. A small bibi shaped capote, trimmed with ribbon bars and noeuds, ornamented with dwarf roses.

FIGURE III-WALKING DRESS-A gros de Naples dress, pointed corsage with small pelerine indented at the shoulders and arched in the middle; an embroidered cambric canezou; the skirt very wide, and disposed in rich deep plaits, a deep hem. A rice-straw hat, small open shape, pointed crown, trimmed with roses or circles of narrow flat laid lace disposed at equal distances, a noeud of cut ribbon ends and flowers.

CAPOTE & BACK VIEW.-A ribbon capote, trimmed with noeuds of cut ribbon ends, and ornamented with flowers.

HAT & BACK VIEW,-A silk hat, the shape half closed, the crown high and pointed, ornamented with ribbon coques and bars; the ties trimmed with a ruche.

CAP & BACK VIEW.-A blond cap, the trimming in front disposed en auréole, ornamented with flowers tastefully displayed.

CENTRE CAP & BACK VIEW.-A tulle cap, the front trimming figuring butterfly wings, ornamented on one side with egrets of cut ribbon ends, and noeuds on the other.

PLATE THIRTY-TWO.-FIGURE I.-WALKING DRESS. A muslin wrapper, colonade designs, edged with narrow lace. Under dress of white cambric, embroidered in front. A rice straw hat, open shape, ornamented with feathers.

FIGURE II.-WALKING.-DRESS.-An embroidered muslin redingote, open in front and edged with lace; an embroidered cambric pelerine with a square falling collar, also edged with lace. A bibi shaped capote, trimmed with nœuds of cut ribbon ends, and a black blond veil.

FIGURE III-PROMENADE DRESS. An embroidered jaconot dress, deep cut corsage with small gathers sup ported by five embroidered bands, edged round the bust with a very narrow ruche. A gauze scarf. A silk hat, small open dress shape, low round crown, ornamented with feathers.

FIRST HAT & BACK VIEW.-A rice-straw hat, the shape square cut under the ears, the crown flat, trimmed across with three noeuds and a chou in front from which originates a branch of bell flowers.

SECOND HAT. A silk hat, small open shape, ornamented with two ostrich feathers arched back over the

crown.

CAPOTE. A figured silk capote, the shape extremely small, edged with dented lace, the crown low and ga. thered in plaits from the back, trimmed with two ribbon noeuds in front and a smaller one over the curtain.

THIRD HAT & BACK VIEW.-A white Leghorn, half open shape rounded under the ear, high pointed crown, trimmed with a large ribbon coque on one side, ornamented with a branch of dwarf flowers on the other. FIRST CAP & BACK VIEW.--Au embroidered tulle cap. CENTRE CAP & BACK VIEW.---An embroidered muslin cap, the trimming in front figuring a bat's wing.

MODES DE PARIS ET DE LONDRES. PUISEES AUX SOURCES LES PLUS AUTHENTIQUES.

Les habitudes de campagne semblent avoir acquis un nouveau degré de liberté. Jamais il n'y eut moins d'exigence pour la tenue, le décorum, etc. Au matin, les femmes ont le peignoir de jaconas à petits dessins ou de couleur écrue, au-dessus duquelle rabat le collet de batiste de la chemise de nuit, dont le sabot se laisse aussi apercevoir sur le devant de la poitrine, ainsi que les manchettes au bas des manches; avec cela des cheveux lisses sous un petit bonnet de batiste, à coulisse, garni d'une dentelle; des pantoufles en peau anglaise imprimée, des mitaines de fil d'Ecosse blanc à jour. Voilà la tenue du premier matin, matin qui se compte depuis huit heures jusqu'à une heure de l'après-midi : alors la toilette est plus recherchée. Le peignoir est en foulard, ou en mousseline, ou en jaconas blanc brodé. Les cheveux sont relevés en belles tresses; un collier de dentelle noir ou un fichu de fantaisie se noue autour du cou. On porte des bottines ou de jolies guêtres; les mitaines sont noires, et la plupart portent d'élégans tabliers à poches ou à épaulettes brodées, et enjolivés dans tous les genres. Quant aux costumes de dîner et de visite de voisinage que l'on fait pendant les longues soirées, ils sont variés selon les caprices; c'est alors qu'apparaissent les belles pélerines, les canezous brodés au plumetis, les robes bordées, les chapeaux en paille d'Italie, et même ceux en paille de riz. Rien n'est joli, pour la campagne, comme les capotes en tissu de l'Inde dont nous avons fait mention.

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Les peignoirs sont plus nombreux qu'ils ne l'ont jamais été. On donne cette coupe aux étoffes même du plus grand prix. Les foulards et les mousselines de laine sont beaucoup employés pour cet usage. fait en mousseline de soie qui sont d'une fraîcheur char. manté. Nous en citerons un en mousseline de soie rose tendre, sur lequel était un dessin fouilli en feuilles de chêne vertes; cela formait un costume charmant. Le jupon de dessous était en gros de Naples; la che misette en point d'Angleterre; le chapeau, en paille de riz, orné d'un pavot rosé.

Les grandes élégantes portent beaucoup de robes en pékin peint, malgré l'opposition qui semble exister entre cette étoffe et la saison. Ces robes ont à la vérité des dessins excessivement légers sur des fonds blancs, ou de nuances très-tendres. Des petits bouquets d'œillets bleus sur un fond tourterelle, faisaient une charmante robe; une autre, avec des branches de clochettes roses, jaunes et lilas, sur un fond blanc, était portée par une femme très distinguée pour son bon goût.

Les dessins les plus comme il faut sont toujours trèsgrands. Des bouquets assez séparée sur des fonds de fin jaconas, ou mousseline blanche, se préfèrent pour toilette de campagne. On voit néanmoins beaucoup de dessins à colonnes.

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De gracieux petits chapeaux se font en paille de riz, avec un fond en gros de Naples à coulisse; une passe en paille de riz doublée en rose; un fond rosé et une fleur rosée pour ornement, était une charmante fantaisie.

Un autre chapeau du même genre, doublé en vert, avait un fond en gros de Naples vert; sur le côté, un bouquet de géranium, séparé au milieu par une attache en paille blanche.

Sur les grosses pailles dites paillassons, on met souvent une seule grosse rose très-fine.

Une autre disposition d'ornement pour ces mêmes chapeaux, consiste en trois bandes de gros de Naples bleu, formant trois cercles antour de la forme. Ils sont arrêtés sur le côté par un bouquet de bleuets séparé au milieu par une attache en paille; la doublure du chapeau est bleue.

On voit des éventails dans tous les élégans salons. C'est un luxe que d'en avoir un charmant assortiment placé sur les consoles, les tables, etc,; on les offre aux personnes qui vous viennent voir, comme on offre les écrans en hiver. Les femmes ont une manière toute gracieuse de s'aérer avec ces éventails, qui son vraiment precieux dans les grandes chaleurs. Les plus à la mode sont des éventails chinois.

GANTS. On porte des mitaines en soie à jour, nonseulement noires, mais encore de toutes couleurs. On en voit aussi beaucoup en soie blanche.

Des gants longs, à doigts, sont également en soie, à jour, noir, blancs, ou de couleur de fantaisie. Même mode pour les gants courts.

Les voiles les plus à la mode sont en dentelle noir; ils sont préférés à la blonde noire.

On voit beaucoup de petits bonnets en tulle ou mousseline brodés, doublés en gaze rose ou bleue; les rubans qui les garnissent sont assortis à la doublure.

LINGERIE.-Les bonnets à ruches ont pour la plupart aujourd'hui une petite dentelle cousue au bord du tulle. Les fonds de mousseline brodée sont très-recherchés.

Les beaux mouchoirs de poche ont toujours de trèslarges ourlets; le dessus de l'ourlet est couvert d'un semé brodé au plumetis; au-dessus de l'ourlet une guirlande, et quatre coins magnifiques.

On ne voit plus du tout de chemisettes ou de pélerines garnies d'une ruche au haut du cou; ce sont des collets rabattus, ou de petites dentelles à plat ou fron

cées.

Pour les chemisettes du matin, des collets de batiste brodés, garnis de valencienne; les doubles collets sont élégans, mais pour que ce soit moins lourd, on dispose sur un seul collet une double guirlande de broiderie séparé par une double rangée de dentelle, ce qui figure deux collets.

On porte en négligé des pélerines de mousseline unie, dont le large ourlet est découpé en dents de loup qui se retournent sur l'étoffe et produisent ainsi une suite de pointes mates et de pointes claires qui sont d'un joli effet.

Beaucoup de pélerines n'ont qu'un large ourlet au bord duquel est froncée une très-fine dentelle.

FANTAISIES.-Les bourses les plus élégantes sont en filet très-clair, blanc, avec les secrets et les coulans en êmail, ou en fin réseau de couleur avec la garniture en or poli.

On voit des petits sacs travaillés en petits lacets, qui produisent des quadrilles à jour. Ce travail est une espèce de filet.

Les lacets en soie produisent aussi un noveau genre de bourses à la mode. On prend diverses nuances de lacets que l'on coud l'un auprès de l'autre, et que l'on fronce aux deux extrémités, à la place des glands; le noir et le rouge, le bleu et le blanc, font très-bien. On vend aussi pour cet usage des lacets quadrillés. Ces bourses son très-souples et très-solides.

MISCELLANEA.

Faith.-Implicit Faith has been sometimes ludicrously styled fides carbonaria, from the noted story of one who, examining an ignorant collier on his religious principles, asked him what it was that he believed? He answered," I believe what the Church believes." The other rejoined, What then does the Church believe?" He replied readily, " The church believes what I believe." The other, desirous, if possible, to bring him to particulars, once more resumed his inquiry: "Tell me, then, I pray yon, what it is you and the church both believe?" The only answer the collier could give was, "Why truly, sir, the church and I both-believe the same thing.' This is implicit faith in perfection, and, in the estimation of some celebrated doctors, the sum of necessary and saving knowledge in a christian.

Laconic Order of the Day.-Frederick II. wrote one day to Gen. Salmon, Commander at Cleves,-"My dear Salmon, if the Austrians come into my territories, tell them they have mistaken their way; if they begin to argue, make them prisoners; and if they make any resistance, cut them to pieces.

Aboriginal Character.-As an Indian was straying through a village on the Kennebec, he passed a gentleman standing at his store door, and begged a piece of tobacco. The person stepped back and selected a generous piece, for which he received a gruff tank you,' and thought no more of the affair. Three or four mouths afterwards, he was surprised at an Indian coming into the store and presenting him with a beautiful miniature birch canoe, painted, and furnished with paddles to correspond. On asking the meaning of it, he was fold, Indian no forget; you give me tobacco-me make this for you.' This man's gratitude for a trifling favour had led him to bestow more labour on his present, than would have purchased him many pounds of his favourite fumigatory.

Composure.-On Friday se'nnight, as the condemned prisoners were entering the goal, of this town, one of them, of the name of Bradnum, convicted of the burglary at Glemsford, was thus accosted by his mother:-" Well, boy, what are you to be done to?" Hanged mother." replied the son. "Well," rejoined the mother, "be a good boy, and don't be hanged in your best clothes, but let me have them-I had better take your red waistcoat now.--Bury Pust.

A Querulous Man-Mr. Tyers (the proprietor of Vauxhall Gardens) was a worthy man, but indulged himself a little too much in the querulous strain when any thing went amiss; insomuch, that be said, if he had been brought up a hatter, he believed people would have been born without heads! A farmer once gave him a humourous reproof for this kind of reproach of Heaven: he stepped up to him very respectfully, and asked him when he meant to open his Gardens. Mr. Tyers replied the next Monday fortnight. The man thanked him repeatedly, and was going away; bat Mr. Tyers asked him in return, what made him so anxious to know. "Why, sir," said the farmer," I think of sowing my turnips on that day, for yon know we shall be sure to have rain."

Over-feeding.-Mr. Abernethy agreed with the opinion entertained by Frankiin, who said that nine-tenths of the diseases were caused by over feeding. That learned surgeon, in one of his lectures in 1827, thus addressed his hearers:"I tell you honestly what I think is the cause of the compli cated maladies of the human race; it is their gormandizing and stuffing, and stimulating their digestive organs to an excess, thereby producing nervous disorders and irritation. The state of their minds is another grand cause; the fidgetting and discontenting yourselves about that which can't be helped; passions of all kinds-malignant passions and worldly cares, pressing upon the mind, disturb the cerebral action, and do a great deal of harm."

VOLTAIRE's character of Cromwell is an admirable example of wisdom and conciseness." Cromwell is described as a man who was an impostor all his lite. I can scarcely believe it. I conceive that he was at first an enthusiast, and that he afterwards made his fanaticism instrumental to his greatness. An ardent novice at twenty, often becomes an accomplished rogue at forty. In the great game of human life, men begin with being dupes, and end in becoming knaves. A statesman engages as his almoner a monk, entirely made up of the details of his convent-devont, credulous, awkward, perfectly new to the world: he acquires information, polish, finesse, and supplants his master."

National Physical Force of Animals.-The account given by M. Dupin, of the Physical force of the animals of France, affords a great number of interesting observations. We remark, that the whole animal force of the kingdom is only equal to four times the physical force of the people; while in Britain, the whole animal is equal to eleven times the physical force of the people; whence it follows, that in France the labourers are three times less assisted by animals than the labourers of Britain. In Britain, they have one horse for every ten inhabitants; in France, one for every thirteen. The diligences, or stage coaches, except on a few roads, travel at the rate of only two leagues an hour, while in England, the same conveyances travel at the rate of three, and even four.. When to kill a Lion -The following curious circumstance is related in Thompson's Travels in Southern Africa :-"I was told here that a lion had just killed an ox, and had been shot in the act. It is the habit of the lion, it seems, when he kills a large animal, to spring upon it, and, seizing the throat with his terrible fangs, to press the body down with his paws, till his victim expires. The moment he seizes his prey, the lion closes his eyes, and never opens them again until life is extinct. The Hottentots are aware of this; and on the present occasion one of the herdsmen ran to the spot with his gun, and fired at the lion within a few yards distance, but, from the agitation of his nerves, entirely missed him. The lion, however, did not even deign to notice the report of the gun, but kept fast hold of his prey. The Hottentot re-loaded, fired a second time, and shot him through the head. This tact, being well anthenticated, seemed to me curious, and 'worthy of being meutioned."

Slavery." Without slavery," say the advocates of the practice, "the plantation could not be worked; for the negro has such a constitutional abhorrence of labour, that nothing but blows and threats can force him to exert his physical powers; money or entreaties would be found insufficient to make him rise from the sand, on which he would bask the whole day long." And, therefore, for the sake of sweetening our gossip-cups with a little cane-juice, the bitter sweat of agony is to continue to be wrung from the brow of a fellowmortal; his back is to be so lacerated, that, when he starts from his short sleep, at the voice of his imperious task-master," he carries away with him half of the rotten litter which kept his bleeding limbs from the ground. But, enough! We hope the time is near when such scenes will cease, and only be remembered with horror.

Narrative of Three Deserted Children.-" I will record in this place," says Mr. Flint, in his Travels in America," a narrative that impressed me deeply. It was a fair sample of the cases of extreme misery and desolation that are often wit nessed on the Mississippi river. In the Sabbath school at New Madrid we received three children, who were introduced to that place under the following circumstances: A man was descending the river with these three children in his pirogue. He and his chidren had landed on a desert island, on a biter snowy evening in December. There were but two houses, which were at Little Prairie, opposite the Island, within a great distance. He wanted more whisky, although he had been drinking too freely. Against the persuasions of his children, he left them, to cross over in his pirogue to these houses, and renew his supply. The wind blew high, and the river was rough. Nothing could dissuade him from this dan gerous attempt. He told them that he should return to them that night, left them in tears, and exposed to the pitiless pelt. ing of the storm, and started for his carouse. The children saw the boat sink before he had half crossed the passage: the man was drowned. These forlorn beings were left without any other covering than their own scanty and ragged dress, for he had taken his blanket with him They had neither fire nor shelter, and no other food than uncooked pork and corn. It snowed fast, and the night closed over them in this situation. The elder was a girl of six years, but remarkably shrewd and acute for her age The next was a girl of four, and the youngest a boy of two. It was affecting to hear her describe her desolation of heart, as she set herself to examine her resources. She made them creep together, and draw their bare feet under their clothes. She covered them with leaves and branches, and thus they passed the first night. In the morning, the younger children wept bitterly with cold and hunger. The pork she cut into small pieces. She then persuaded them to run about, by setting them the example. Then she made them return to chewing corn and pork. In the course of the day, some Indians landed on the island, found them, and, as they were coming up to New Madrid, took them with them.”

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