Which, but herself, not all the Stygian powers Of massy iron, or solid rock, with ease With impetuous recoil and jarring sound, Excell'd her power: the gates wide open stood, The secrets of the hoary deep; a dark Without dimension; where length, breadth, and height. Eternal anarchy, amidst the noise Of endless wars, and by confusion stand. For Hot, Cold, Moist, and Dry,* four champions fierce, Of Barca, or Gyrene's torrid soil, Levied to side with warring winds,) and poise Their lighter wings. To whom these most adhere, And by decision more embroils the fray 909 By which he reigns: next him high arbiter merly hung over the gateways of fortified places, ready to be let down suddenly in case of surprise. Mas.) 1 Milton has borrowed the elements of Ovid's description of Chaos (Mel. i. 18, etc.) avoiding all his puerilities. The light, shifting sands of Barca and Cyrene, ancient names of desert tracts in the north of Africa, are thus described by Addison in his tragedy of Calo;— "Seest where yon vast Nnmidlan plains extend? Sudden the impetuous hurricanes descend— Tear up the sands, and sweep whole plains away— The helpless traveller with wild surprise Sees the dry desert all around him rise, Aim smothered in the dusky whirlwind—diet." Chance governs all. Into this wild abyss, Stood on the brink of hell, and look'd a while,' The steadfast earth. At last his sail-broad vans " Audacious; but, that seat soon failing, meets A vast vacuity: all unawares, Fluttering his pennons vain,1 plumb down he drops Quench'd in a boggy syrtis, neither sea, 8 Nor good dry land; nigh founder'd on he fares, 941 Treading the crude consistence,—half on foot,— i Lucretius, v. 260.—"Omniparens eadem rerum commune sepulchrum." Compare Spenser's description of Chaos (Fairy Queen, III. xi. 36 —(T., Th.) • The period properly begins at 910, but the poet lingers in his description of Chaos, as Satan lingers to reconnoitre, before he proceeds. "Stood and looked," the same as standing looked. The first part of the sentence depends on the latter verb, as 5, 368.— («., P.) 3 Frelum, a strait. Hor. Hi. Od. iii.: "Si fractus illabalur orbis." > From vannut, properly a fan, or large winnowing machine. So v. 269. Hor. iii. Od. ii.: "Spernit humum fugienle penna." Hesiod (Theog. 138) : Χασμα μεγ' ουδε κε παντα τελεσφορον εις ενιαυτον Αργαλέη. - (Τ.) "Pennons," from the Latin penna, pinions. • So Lucan (Pbarsal, ii. 504): "dyriis—in dubio pelagi lerræque reliquit."-(H.) 963 Half flying; behoves him now both oar and sail.1 The guarded gold: so eagerly the fiend O'er bog, or steep, through strait, rough, dense, or rare, Of stunning sounds, and voices all confus'd, Might in that noise reside, of whom to ask Wide on the wasteful deep! With him enthron'd The consort of his reign; and by them stood > II behoves him now lo use every effort, as galleys hard pressed do. "Remis velisque," was a proverb for might and main.—(H.) • Gryphons were fabulous creatures, with the wings and head of an eagle, and the body of a lion; and are said to guard gold. The Arimaspians were said to be a oneeyed people in Scylhia, who adorned their hair with gold. See Lucan. Pharsal. iii. 280. Herodotus (iii. 116, iv. 27,) and other authors relate that there were continual wars between them and the Gryphons about gold, the Gryphons guarding it, and the Arimaspians taking it whenever they had an opportunity. See Plin. Nat. Hist. vi. 2 (JV.) Eschylui has a reference to them (Prom. Vinct. 820.) : Οξυστόμους γαρ Ζήνος ακραγείς κυνας Οίκουσιν αμφι ναμα Πλουτωνος παρου.-(Stil.) The difficulty, irregularity, and uncertainty of Satan's voyage arc incomparably expressed by the number of monosyllables and pauses here. There is a memorable instance of the roughness of a road admirably described by a single verse in Homer (II. xiiii. 116) where there are a number of breaks as here: Πολλα ο αναντα, καταντα, παραντα τε, δοχμια τ', ήλθον. So Spenser (Fairy Queen, I. li. 28) describes the distress of the Red Cross Knight:— "Faint, weary, sore, emboyled, grieved, brent, With heal, toll, wounds, anus, smart, and inward th-e."—(N., Th.) This great beauty is heightened by the irregular combination, and studied disorder in the opposition of the words. Nethermost abyss." Though the throne of Chaos was above hell, and consequently part of the abyss was so, yet a part of the abyss into which Satan fell in his voyage was also far below it; so that, considered altogether, it was nethermost in respect to hell. Therefore there is no impropriety in applying "nethermost abyss" to Chaos.—(P.) 5 μexpreяdos vu?. (Eurip. Ion.) See Spenser's line description of night, which is very much in the taste of this allegory. Fairy Queen, I. v. 20.-(N.) 998 Orcus, and Ades, and the dreaded name Of Demogorgon! Rumour next, and Chance, To whom Satan, turning boldly, thus: "Ye Powers* "What readiest path leads where your gloomy bounds "I travel this profound: direct my course : (Which is my present journey;) and once more 66 "Made head against heaven's King, though overthrown. "Confusion worse confounded; and heaven-gates 66 1 Demogorgon was a frightful, nameless deity which the ancients thought capable of producing the most terrible effects, and whose name they dreaded to pronounce. He is mentioned as of terrible power in incantations. See Lucan. Pharsal. vi. 744; Slat. Tbeb. iv. 514. Spenser, Fairy Queen, I. v. 22; Tasso, Gier. Lib. xiii. 10. Virgil (£a. vi. 8731 places similar imaginary beings within hell.-(N.) 2 Like secrela sometimes, secret places. So Virg. (Geor. iv. 403) : En. vi. 101: "In secretd senls dacam quo fessu* ab undis --"Horrendæque procul secreta Sibylla 8o Spenser (Fairy Queen, VI. xii. 24):— And searched all their cells and tecrett near. 1 1022 "Keep residence; if all I can will serve 1 "Encroach'd on still through your intestine broils ' 4 3 And more endanger'd, than when Argo pass'd Mov'd on; with difficulty and labour he.*" * All the early editions read "our:" but it is so evident from the following verses that the encroachments here mentioned were the creation of Hell, and of the new world, and the "broils," those between God and the rebel angels, that the best modern editions read "your." "Weakening" here agrees with "broils," and therefore they should not ba separated by a comma, as in the early editions.—(P.) 2 There is mention made in Homer (II. viii. 20) of Jupiter's golden chain, by which he could draw up the gods, the earth, the sea, and the universe, and hold them suspended, but they could not draw him down.—(N.) 3 Argo was the first long ship ever seen in Greece, in which Jason and his companions sailed for Colchis, to fetch the golden fleece. Bosphorut, the straits of Constantinople, from Bou; ropes, the ox ford, the sea being there so narrow that cattle are said to have swam across it.—The "justling rocks," two rocks at the entrance into the Black Sea, called by the Greeks Symplegadet, from un, dashing together; which Milton very properly translates, the justling rocks, because they were so near, that at a distance, from the rocking of the sea, they seemed to open and shut, and justle one another, as the ship varied its course this way and that. Hence, at one time they were supposed to float, and were called Sundromades, and by Juvenal (xv. 19) "concurrentia saxa."—(N.) They were sometimes called Cuaneai, or dark blue, from the mist that hung constantly over them. The voyages of Jason through the Symplegades, and of Ulysses through Scylla and Charybdis, were the most famous and hazardous in all antiquity. Ulysses sailing on the larboard (to the left hand, where Scylla was) did thereby shun Charybdis, which was on the starboard, or right hand. Virgil, Æn. iii 425, describes Scylla as a whirlpool," Naves in saxa trahenlcm." (See the whole description.) Scylla is a rock in a small bay on the Italian coast, into which the tide runs so strongly as to draw in the ships which are within the compass of its lorcc, and either dash them against the rocks or swallow them in the eddies; for, when the currents so rush in, they are driven back by the rock at the farther end, and so form an eddy or whirlpool.—(P.) See Athan. Kircher's account. The repetition of the words is designed to fix the reader's attention to the labour and difficulty; and the closing of the repetition with the word "he" seems to convey a |