Poetic Meter and Poetic FormRandom House, 1979 - 188 páginas "This book might be required reading for all students of poetry because it makes wonderfully clear the relationship of metrics to the formal achievement of meaning ... Fussell's command of his subject and his never-failing common sense will guarantee ... enrichment for anyone who takes the time to read this book."--Frank Lentricchia, Jr., PoetryDonated by Prabu Vasan. |
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Página 18
... tion : it is not only complex , but even worse tends to imply that poetry follows musical principles closer than it does , an assump- tion that can lead to all sorts of misapprehensions not only of rhythmical patterns but of total ...
... tion : it is not only complex , but even worse tends to imply that poetry follows musical principles closer than it does , an assump- tion that can lead to all sorts of misapprehensions not only of rhythmical patterns but of total ...
Página 126
... tion . The white space does not partake of the dramatic , as it does in a triumphant sonnet based on the plan of Petrarchan dis- proportion . What this means is that the poem fails to exploit its " sonnetness , " which is another way of ...
... tion . The white space does not partake of the dramatic , as it does in a triumphant sonnet based on the plan of Petrarchan dis- proportion . What this means is that the poem fails to exploit its " sonnetness , " which is another way of ...
Página 176
... tion in the creation of any new work of art , and who reminded us also of the necessary objectivity of the work of art . " The emo- tion of art is impersonal , " says Eliot . “ And the poet cannot reach this impersonality without ...
... tion in the creation of any new work of art , and who reminded us also of the necessary objectivity of the work of art . " The emo- tion of art is impersonal , " says Eliot . “ And the poet cannot reach this impersonality without ...
Contenido
The Nature of Meter | 3 |
The Technique of Scansion | 17 |
Metrical Variations | 30 |
Derechos de autor | |
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Términos y frases comunes
accentual accentual-syllabic anapestic beginning blank verse caesura CALIFORNIA/SANTA CRUZ century classical conventions Copyright critical CRUZ The University device effect elements emotional emphasis English poetry enjambment Essay example experience expressive Faber feet fixed forms foot formal free verse free-verse poem Frost heroic couplet iambic pentameter illusion imply initial trochee kind language logical meter metrical variations metrist modern musical nature number of syllables octave Old English organization pattern perhaps permission Petrarchan sonnet poet poet's Pope principle prose prosodic pyrrhic quatrain reader regularity reinforce rhetorical rhyme scheme rhythmical SANTA CRUZ scansion seems sense sestet shape Song spondaic spondaic substitution spondee sprung rhythm stanza stanzaic form stichic stressed syllables strophic structure suggest technical technique tends tercet terminal trochee tetrameter couplets texture thing Thom Gunn thou tion traditional trochaic trochaic substitution trochee turn University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA unstressed versification W. H. Auden white space Whitman's William words Yeats