Contemporary StylisticsMarina Lambrou, Peter Stockwell Bloomsbury Academic, 2007 - 287 páginas Contemporary Stylistics presents a comprehensive survey of the current state of the integrated study of language and literature. Written by internationally renowned researchers in stylistics, this volume of twenty chapters provides a showcase for the range of approaches and practices which form modern stylistics: from cognitive poetics to corpus linguistics, from explorations of mind-style and spoken discourse in narrative to the workings of viewpoint in lyric poetry, from word-meanings to the meanings and emotions of literary worlds, and more. Each chapter is introduced and set in context by a key figure in stylistics. The book represents the best of current stylistics practice, including the traditions, roots and rigour of the discipline. This one volume reference will be invaluable to students and researchers in stylistics. |
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Página 215
... King Henry IV . That villainous abominable misleader of youth , Falstaff , that old white - bearded Satan . Falstaff as Prince Hal . My lord , the man I know . Prince as King Henry IV . I know thou dost . Falstaff as Prince Hal . But to ...
... King Henry IV . That villainous abominable misleader of youth , Falstaff , that old white - bearded Satan . Falstaff as Prince Hal . My lord , the man I know . Prince as King Henry IV . I know thou dost . Falstaff as Prince Hal . But to ...
Página 232
... King Edward III Beatrix Busse The linguistic analysis of drama has on the whole been restricted to the appli- cation of speech act theory . Absurd drama , in particular , lends itself to the demonstration of implicatures , the flouting ...
... King Edward III Beatrix Busse The linguistic analysis of drama has on the whole been restricted to the appli- cation of speech act theory . Absurd drama , in particular , lends itself to the demonstration of implicatures , the flouting ...
Página 243
Marina Lambrou, Peter Stockwell. King has learned his lesson is illustrated in his vocative ' Arise true English lady , whom our isle / May better boast of than ever Roman might / of her ' ( Edward III , II.ii. 193–5 ) . The King equates ...
Marina Lambrou, Peter Stockwell. King has learned his lesson is illustrated in his vocative ' Arise true English lady , whom our isle / May better boast of than ever Roman might / of her ' ( Edward III , II.ii. 193–5 ) . The King equates ...
Contenido
Woolfs Experiments with Consciousness | 7 |
Mapping the Minds | 32 |
Empathy | 56 |
Derechos de autor | |
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action Al Purdy Alden Nowlan approach argues behaviour Berry-Dee Bridget Bridget Jones's Diary Brother Cadfael Cappuccino Fiction chapter character's characters Chick Lit clusters cognitive linguistics cognitive poetics cognitive rhetoric collocations concept consciousness context corpus linguistics corpus stylistics Countess critical crossover fiction Crucible Culpeper day lady died deictic deixis described deviation Dickens discourse Edward Edward III emotions empathy example experience Falstaff feelings feminist narratology feminist stylistics foregrounding free indirect functions gender genre hyperfiction impoliteness interaction interpretation King landscape language literary texts literature lyric Mal Waldron means metafictive metaphor mind style narrative narrator novel Nowlan O'Hara's Oedipa ontological particular patterns perspective play poem poetic persona poetry readers reading recounts reference rhetoric role Routledge schema semantic Semino serial killers shift social specific speech story structure stylistic analysis stylisticians suggests text-world Textual Actual World thought viewpoint vocatives words