Contemporary StylisticsMarina Lambrou, Peter Stockwell Bloomsbury Academic, 2007 - 287 páginas Contemporary Stylistics presents a comprehensive survey of the current state of the integrated study of language and literature. Written by internationally renowned researchers in stylistics, this volume of twenty chapters provides a showcase for the range of approaches and practices which form modern stylistics: from cognitive poetics to corpus linguistics, from explorations of mind-style and spoken discourse in narrative to the workings of viewpoint in lyric poetry, from word-meanings to the meanings and emotions of literary worlds, and more. Each chapter is introduced and set in context by a key figure in stylistics. The book represents the best of current stylistics practice, including the traditions, roots and rigour of the discipline. This one volume reference will be invaluable to students and researchers in stylistics. |
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Página 10
... fact that many readers feel challenged by that novel ' ( 2003 : 278 ) . Both Zunshine ( 2003 ) and Palmer ( 2004 ) work on the assumption widely accepted by cognitive theorists that we can reconstruct the content of other people's ...
... fact that many readers feel challenged by that novel ' ( 2003 : 278 ) . Both Zunshine ( 2003 ) and Palmer ( 2004 ) work on the assumption widely accepted by cognitive theorists that we can reconstruct the content of other people's ...
Página 14
... fact run or hurry ; she went indeed rather slowly . ( line 7 ) Mrs Ramsay's thoughts and experience of her own movement come as a response to Lily's slight irritation that she had left them so quickly . The two adverbials , in fact and ...
... fact run or hurry ; she went indeed rather slowly . ( line 7 ) Mrs Ramsay's thoughts and experience of her own movement come as a response to Lily's slight irritation that she had left them so quickly . The two adverbials , in fact and ...
Página 236
... fact that more thou than you forms occur in Edward III corresponds with the general pattern for the histories , the relative frequency figures do not , as they are much lower than , for example , in the three Henry VI plays ( Henry VI ...
... fact that more thou than you forms occur in Edward III corresponds with the general pattern for the histories , the relative frequency figures do not , as they are much lower than , for example , in the three Henry VI plays ( Henry VI ...
Contenido
Woolfs Experiments with Consciousness | 7 |
Mapping the Minds | 32 |
Empathy | 56 |
Derechos de autor | |
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action Al Purdy Alden Nowlan approach argues behaviour Berry-Dee Bridget Bridget Jones's Diary Brother Cadfael Cappuccino Fiction chapter character's characters Chick Lit clusters cognitive linguistics cognitive poetics cognitive rhetoric collocations concept consciousness context corpus linguistics corpus stylistics Countess critical crossover fiction Crucible Culpeper day lady died deictic deixis described deviation Dickens discourse Edward Edward III emotions empathy example experience Falstaff feelings feminist narratology feminist stylistics foregrounding free indirect functions gender genre hyperfiction impoliteness interaction interpretation King landscape language literary texts literature lyric Mal Waldron means metafictive metaphor mind style narrative narrator novel Nowlan O'Hara's Oedipa ontological particular patterns perspective play poem poetic persona poetry readers reading recounts reference rhetoric role Routledge schema semantic Semino serial killers shift social specific speech story structure stylistic analysis stylisticians suggests text-world Textual Actual World thought viewpoint vocatives words