Contemporary StylisticsMarina Lambrou, Peter Stockwell Bloomsbury Academic, 2007 - 287 páginas Contemporary Stylistics presents a comprehensive survey of the current state of the integrated study of language and literature. Written by internationally renowned researchers in stylistics, this volume of twenty chapters provides a showcase for the range of approaches and practices which form modern stylistics: from cognitive poetics to corpus linguistics, from explorations of mind-style and spoken discourse in narrative to the workings of viewpoint in lyric poetry, from word-meanings to the meanings and emotions of literary worlds, and more. Each chapter is introduced and set in context by a key figure in stylistics. The book represents the best of current stylistics practice, including the traditions, roots and rigour of the discipline. This one volume reference will be invaluable to students and researchers in stylistics. |
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Página 60
... feelings , and the ways in which they are gen- erated by literary texts , have rarely been investigated empirically , as Don Kuiken , David S. Miall and Shelley Sikora observe , ' although narrative feelings are most frequently ...
... feelings , and the ways in which they are gen- erated by literary texts , have rarely been investigated empirically , as Don Kuiken , David S. Miall and Shelley Sikora observe , ' although narrative feelings are most frequently ...
Página 65
... feelings of closeness than those without FIT ( 2A and 2B ) . I also predicted that the difference between responses to 2A and 2B would be greater than that between 1A and 1B , since , as discussed above , 1A is a less ' free ' form of ...
... feelings of closeness than those without FIT ( 2A and 2B ) . I also predicted that the difference between responses to 2A and 2B would be greater than that between 1A and 1B , since , as discussed above , 1A is a less ' free ' form of ...
Página 86
... feeling precisely what they are supposed to feel . In addition to the strong sense of implicit feelings and emotions such as tension , fear , love and so on , we find the following explicit attributions of emotion or feelings : worry ...
... feeling precisely what they are supposed to feel . In addition to the strong sense of implicit feelings and emotions such as tension , fear , love and so on , we find the following explicit attributions of emotion or feelings : worry ...
Contenido
Woolfs Experiments with Consciousness | 7 |
Mapping the Minds | 32 |
Empathy | 56 |
Derechos de autor | |
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action Al Purdy Alden Nowlan approach argues behaviour Berry-Dee Bridget Bridget Jones's Diary Brother Cadfael Cappuccino Fiction chapter character's characters Chick Lit clusters cognitive linguistics cognitive poetics cognitive rhetoric collocations concept consciousness context corpus linguistics corpus stylistics Countess critical crossover fiction Crucible Culpeper day lady died deictic deixis described deviation Dickens discourse Edward Edward III emotions empathy example experience Falstaff feelings feminist narratology feminist stylistics foregrounding free indirect functions gender genre hyperfiction impoliteness interaction interpretation King landscape language literary texts literature lyric Mal Waldron means metafictive metaphor mind style narrative narrator novel Nowlan O'Hara's Oedipa ontological particular patterns perspective play poem poetic persona poetry readers reading recounts reference rhetoric role Routledge schema semantic Semino serial killers shift social specific speech story structure stylistic analysis stylisticians suggests text-world Textual Actual World thought viewpoint vocatives words