But trust me, Percy, pity it were, And great offence, to kill Any of these our harmless men, For they have done no ill. Let thou and I the battle try, By whom this is denied. When these brave men had distinguished themselves in the battle and in single combat with each other, in the midst of a generous parley, full of heroic sentiments, the Scotch earl falls; and with 5 his dying words encourages his men to revenge his death, representing to them, as the most bitter circumstance of it, that his rival saw him fall. 66 With that there came an arrow keen Out of an English bow, Which struck Earl Douglas to the heart A deep and deadly blow. Who never spoke more words than these, Fight on my merry men all, For why, my life is at an end, Merry men," in the language of those times, is no more than a cheerful word for companions and IO fellow-soldiers. A passage in the eleventh book of Virgil's Eneids is very much to be admired, where Camilla in her last agonies instead of weeping over the wound she had received, as one might have expected from a warrior of her sex, considers only 15 (like the hero of whom we are now speaking) how the battle should be continued after her death. Tum sic expirans, etc A gathering mist o'erclouds her cheerful eyes; Bear my last words to Turnus, fly with speed, Turnus did not die in so heroic a manner; though our poet seems to have had his eye upon Turnus's speech in the last verse, Lord Percy sees my fall. Vicisti, et victum tendere palmas Ausonii videre. Earl Percy's lamentation over his enemy is generous, beautiful, and passionate; I must only cau- 5 tion the reader not to let the simplicity of the style, which one may well pardon in so old a poet, prejudice him against the greatness of the thought. Then leaving life, Earl Percy took O Christ! my very heart doth bleed For sure a more renowned knight 5 That beautiful line," Taking the dead man by the hand," will put the reader in mind of Æneas's behaviour towards Lausus, whom he himself had slain as he came to the rescue of his aged father. At vero ut vultum vidit morientis, et ora, Ingemuit miserans graviter, dextramque tetendit, etc. The pious prince beheld young Lausus dead; He grieved he wept; then grasped his hand, and said, To worth so great! I shall take another opportunity to consider the other parts of this old song. No. 74. FRIDAY, MAY 25. [1711.] Pendent opera interrupta.-VIRG. In my last Monday's paper I gave some general instances of those beautiful strokes which please 1 the reader in the old song of Chevy Chase; I shall 10 here, according to my promise, be more particular, and show that the sentiments in that ballad are extremely natural and poetical, and full of the majestic simplicity which we admire in the greatest of the ancient poets: for which reason I shall quote 20 several passages of it, in which the thought is altogether the same with what we meet in several passages of the Eneid; not that I would infer from thence, that the poet (whoever he was) proposed to himself any imitation of those passages, but that he was directed to them in general by the same kind of poetical genius, and by the same copyings after nature. Had this old song been filled with epigrammatical 5 turns and points of wit, it might perhaps have pleased the wrong taste of some readers; but it would never have become the delight of the common people, nor have warmed the heart of Sir Philip Sidney like the sound of a trumpet; it is only nature 10 that can have this effect, and please those tastes which are the most unprejudiced or the most refined. I must however beg leave to dissent from so great an authority as that of Sir Philip Sidney, in the judgment which he has passed as to the rude 15 style and evil apparel of this antiquated song; for there are several parts in it where not only the thought but the language is majestic, and the numbers sonorous; at least, the apparel is much more gorgeous than many of the poets made use of in 20 Queen Elizabeth's time, as the reader will see in several of the following quotations. 3 What can be greater than either the thought or the expression in that stanza, To drive the deer with hound and horn Earl Percy took his way; The child may rue that is unborn 4 The hunting of that day! This way of considering the misfortunes which this 25 battle would bring upon posterity, not only on those who were born immediately after the battle, and lost 3 1711, numbers very sonorous. 4 1711, that was unborn. their fathers in it, but on those also who perished in future battles which took their rise 5 from this quarrel of the two earls, is wonderfully beautiful, and conformable to the way of thinking among 5 the ancient poets. What can be more sounding and poetical, or resemble more the majestic simplicity of the ancients, than the following stanzas? The stout Earl of Northumberland A vow to God did make, His pleasure in the Scottish woods With fifteen hundred bowmen bold, Who knew full well, in time of need, To aim their shafts aright. The hounds ran swiftly through the woods And with their cries the hills and dales Vocat ingenti clamore Citharon Taygetique canes, domitrixque Epidaurus equorum: Lo, yonder doth Earl Douglas come, All men of pleasant Tividale, Fast by the river Tweed, etc. 1711, who should perish in future battles which should arise. |