The Complete Works of William Hazlitt, Volumen4J. M. Dent and Sons, Limited, 1930 - 408 páginas |
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Página 11
... moral dissertations and critical reasonings , by which we confess we are less edified than by other things . Systems and opinions change , but nature is always true . It is the extremely moral and didactic tone of the Spectator which ...
... moral dissertations and critical reasonings , by which we confess we are less edified than by other things . Systems and opinions change , but nature is always true . It is the extremely moral and didactic tone of the Spectator which ...
Página 16
... moral obligation , there are no excesses to which it will not of itself give rise , without the assistance of any other motive , either of passion or self - interest . Iago is only an extreme instance of the kind ; that is , of diseased ...
... moral obligation , there are no excesses to which it will not of itself give rise , without the assistance of any other motive , either of passion or self - interest . Iago is only an extreme instance of the kind ; that is , of diseased ...
Página 125
... moral excellence , and as having carried the attainments of eloquence and wisdom as far as human abilities could go . This he did ( strange as it may appear ) by a negation ( together with the common virtues ) of the common vices of ...
... moral excellence , and as having carried the attainments of eloquence and wisdom as far as human abilities could go . This he did ( strange as it may appear ) by a negation ( together with the common virtues ) of the common vices of ...
Términos y frases comunes
actor admiration affections Antony Apemantus appear beauty Beggar's Opera breath Cæsar Caliban character circumstances Claudio comedy comic contempt Coriolanus critic CYMBELINE death delight Desdemona dost doth dream English excited eyes Falstaff fancy favour fear feeling fool friends genius give Gonerill grace Hamlet hath Hazlitt hear heart heaven Henry honour Hubert human humour Iago imagination interest Juliet Julius Cæsar king lady Lear live look lord Lycidas Macbeth Malvolio manner Midsummer Night's Dream mind moral nature never night noble objects opinion Othello Paradise Lost passages passion Perdita person picture play pleasure poet poetry Prince refined Regan Richard Richard II Romeo ROMEO AND JULIET scene seems sense sentiment Shakespear shew sleep soul speak spirit stage story sweet taste Tatler tenderness thee things thou art thought Titian Titus Andronicus tragedy true truth words youth