The Complete Works of William Hazlitt, Volumen4J. M. Dent and Sons, Limited, 1930 - 408 páginas |
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Página 19
... objects ; the associations connected with any one object extending to the whole class . My having been attached to any par- ticular person does not make me feel the same attachment to the next person I may chance to meet ; but , if I ...
... objects ; the associations connected with any one object extending to the whole class . My having been attached to any par- ticular person does not make me feel the same attachment to the next person I may chance to meet ; but , if I ...
Página 68
... objects to others of the same general class , there is also a certain conformity of objects to themselves , a symmetry of parts , a principle of proportion , gradation , harmony ( call it what you will ) , which makes certain things ...
... objects to others of the same general class , there is also a certain conformity of objects to themselves , a symmetry of parts , a principle of proportion , gradation , harmony ( call it what you will ) , which makes certain things ...
Página 133
... objects , the real variety and dissipation goes , there is no difference between M. Grimm and a courtier of Francis 1. - between the consummate philosopher and the giddy girl - between Paris , amidst the barbaric refinements of the ...
... objects , the real variety and dissipation goes , there is no difference between M. Grimm and a courtier of Francis 1. - between the consummate philosopher and the giddy girl - between Paris , amidst the barbaric refinements of the ...
Términos y frases comunes
actor admiration affections Antony Apemantus appear beauty Beggar's Opera breath Cæsar Caliban character circumstances Claudio comedy comic contempt Coriolanus critic CYMBELINE death delight Desdemona dost doth dream English excited eyes Falstaff fancy favour fear feeling fool friends genius give Gonerill grace Hamlet hath Hazlitt hear heart heaven Henry honour Hubert human humour Iago imagination interest Juliet Julius Cæsar king lady Lear live look lord Lycidas Macbeth Malvolio manner Midsummer Night's Dream mind moral nature never night noble objects opinion Othello Paradise Lost passages passion Perdita person picture play pleasure poet poetry Prince refined Regan Richard Richard II Romeo ROMEO AND JULIET scene seems sense sentiment Shakespear shew sleep soul speak spirit stage story sweet taste Tatler tenderness thee things thou art thought Titian Titus Andronicus tragedy true truth words youth