An Abridgment of Lectures on RhetoricJ. Metcalf, Printer, 1823 - 306 páginas |
Dentro del libro
Resultados 1-5 de 38
Página 7
... ful , they can correct redundancy . They present prop- er models for imitation ; they point out the principal beauties which ought to be studied , and the chief faults which ought to be avoided ; and consequently tend to.
... ful , they can correct redundancy . They present prop- er models for imitation ; they point out the principal beauties which ought to be studied , and the chief faults which ought to be avoided ; and consequently tend to.
Página 16
... principal object of them . Our design is to give some opening into the pleasures of taste in general , and to insist more particularly upon sublimity and beauty . We are far from having yet attained any sys- tem concerning this subject ...
... principal object of them . Our design is to give some opening into the pleasures of taste in general , and to insist more particularly upon sublimity and beauty . We are far from having yet attained any sys- tem concerning this subject ...
Página 26
... principal image ; that moment he changes the key ; he relaxes the tension of the mind ; the strength of the feeling is emasculated ; the beautiful may remain ; but the sublime is extin- guished . Homer's description of the nod of Ju ...
... principal image ; that moment he changes the key ; he relaxes the tension of the mind ; the strength of the feeling is emasculated ; the beautiful may remain ; but the sublime is extin- guished . Homer's description of the nod of Ju ...
Página 27
... d so , yet shone Above them all the archangel .. Here various sources of the sublime are join- ed together ; the principal object superlatively great ; a high , superior nature , fallen indeed Sublimity in Writing . 27.
... d so , yet shone Above them all the archangel .. Here various sources of the sublime are join- ed together ; the principal object superlatively great ; a high , superior nature , fallen indeed Sublimity in Writing . 27.
Página 28
... principal object heightened by connecting it with so noble an idea , as that of the sun suffer- ing an eclipse ; this picture , shaded with all those images of change and trouble , of darkness and terror , which coincide so exquisitely ...
... principal object heightened by connecting it with so noble an idea , as that of the sun suffer- ing an eclipse ; this picture , shaded with all those images of change and trouble , of darkness and terror , which coincide so exquisitely ...
Otras ediciones - Ver todas
Términos y frases comunes
action admit Æneid agreeable ancient appear arguments attention beauty blank verse characters Cicero circumstances comedy composition concise criticism degree Demosthenes dignity discourse distinction distinguished effect elegant eloquence emotion employed Eneid English epic poem epic poetry excel excite exhibit express fancy figure founded French frequently genius give grace grandeur Greek hearers Hence Henriade Homer human ideas Iliad imagination imitation instance ject kind language Livy Lusiad lyric poetry manner ment merit metaphor mind mode modern moral motion narration nature never objects observed orator ornament Paradise Lost passion pastoral pathetic pause peculiar perspicuity Pharsalia pleasing pleasures of taste poet poetical principal proper propriety prose public speaking render requisite resemblance rule scene sense sentence sentiments simplicity sion sound speaker species speech spirit strength strong style sublime syllable Tacitus tence theatre of France thing thought tion tragedy tropes unity variety verse Virgil words writing
Pasajes populares
Página 272 - States entitled an act for the encouragement of learning hy securing the copies of maps, charts and books to the author., and proprietors of such copies during the times therein mentioned, and also to an act entitled an act supplementary to an act, entitled an act for the encouragement of learning by securing the copies of maps, charts and books to the authors and proprietors of such copies during the times therein mentioned and extending the benefits thereof to the arts of designing, engraving and...
Página 201 - Favours to none, to all she smiles extends ; Oft she rejects, but never once offends. Bright as the sun, her eyes the gazers strike, And, like the sun, they shine on all alike.
Página 27 - Their dread commander ; he above the rest, In shape and gesture proudly eminent, Stood like a tower : his form had not yet lost All her original brightness ; nor appear'd Less than arch-angel ruin'd, and th...
Página 24 - Thus saith the Lord, thy redeemer, and he that formed thee from the womb, I am the Lord that maketh all things; that stretcheth forth the heavens alone; that spreadeth abroad the earth by myself...
Página 214 - Swinging slow with sullen roar; Or if the air will not permit, Some still removed place will fit, Where glowing embers through the room Teach light to counterfeit a gloom, Far from all resort of mirth, Save the cricket on the hearth, Or the bellman's drowsy charm To bless the doors from nightly harm.
Página 24 - He made darkness his secret place; his pavilion round about him were dark waters and thick clouds of the skies.
Página 101 - O unexpected stroke, worse than of death ! Must I thus leave thee, Paradise ? thus leave Thee, native soil! these happy walks and shades, Fit haunt of gods ? where I had hope to spend, Quiet though sad, the respite of that day That must be mortal to us both.
Página 21 - Look then abroad through Nature, to the range Of planets, suns, and adamantine spheres, Wheeling unshaken through the void immense...
Página 98 - Me miserable ! which way shall I fly Infinite wrath, and infinite despair? Which way I fly is Hell; myself am Hell; And, in the lowest deep, a lower deep Still threatening to devour me opens wide, To which the Hell I suffer seems a Heaven.
Página 125 - It is this sense which furnishes the imagination with its ideas; so that by the pleasures of the imagination or fancy (which I shall use promiscuously) I here mean such as arise from visible objects, either when we have them actually in our view or when we call up their ideas into our minds by paintings, statues, descriptions, or any the like occasion.