Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen80Gale Research Company, 1984 |
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Página 81
... Falstaff's lie is to heighten the spectators ' eager- ness to see the outcome . " Surely we are not meant to suppose that Falstaff persuaded Bardolph and the rest to lie about the wounds they received at Gad's Hill with an expectation ...
... Falstaff's lie is to heighten the spectators ' eager- ness to see the outcome . " Surely we are not meant to suppose that Falstaff persuaded Bardolph and the rest to lie about the wounds they received at Gad's Hill with an expectation ...
Página 102
... Falstaff is the al- lowed jester : he never is called to pay . The prince may have called the hostess to a reckoning many a time , but he never called Falstaff to pay his part . " No , I'll give thee thy due , thou has paid all there ...
... Falstaff is the al- lowed jester : he never is called to pay . The prince may have called the hostess to a reckoning many a time , but he never called Falstaff to pay his part . " No , I'll give thee thy due , thou has paid all there ...
Página 103
... Falstaff and Hal appear together in Part Two ( 2.4 ) . And as in Part One , Poins and the prince have designed a trap to expose Falstaff . The directions of both plays seem toward Falstaff's exposure . But in Part Two , much of the ...
... Falstaff and Hal appear together in Part Two ( 2.4 ) . And as in Part One , Poins and the prince have designed a trap to expose Falstaff . The directions of both plays seem toward Falstaff's exposure . But in Part Two , much of the ...
Contenido
As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
Derechos de autor | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action actor All's Angelo Arden audience Banquo becomes bed trick Cambridge Celia character Claudio comedy comic critics Cymbeline death deed Desdemona desire dramatic Duke Duncan Elizabethan English equivocation Falstaff fantasy father fear figure fool Hal's Hamlet hath Helena Henry Henry IV plays Hero Hotspur human husband imagination Isabella Jaques Juliet Kate King King Lear Lady Macbeth language London Love's Labour's Lost Macduff male marriage marry matrimonial means Measure for Measure Midsummer Night's Dream moral murder nature night Orlando Othello pastoral performance Petruchio play play's political Prince problem comedies production Prospero relationship Renaissance riage Richard Richard II ritual role romantic Rosalind says scene seems sense sexual Shake Shakespeare Quarterly Shrew social speare speare's speech stage suggests symbolic Theatre theatrical thee thou tion Touchstone tragedy tragic Twelfth Night Univ University Press visual wedding wife witches woman women words