Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen80Gale Research Company, 1984 |
Dentro del libro
Resultados 1-3 de 73
Página vii
... provides students , educators , theatergoers , and other interested readers with valuable insight into Shakespeare's drama and poetry . A multiplicity of viewpoints documenting the critical reaction of scholars and commentators from the ...
... provides students , educators , theatergoers , and other interested readers with valuable insight into Shakespeare's drama and poetry . A multiplicity of viewpoints documenting the critical reaction of scholars and commentators from the ...
Página 65
... provides the transition to Oliver's conversion , the reconciliation of the brothers , and the marriages . Thus it is an ekphrastic speech , conflating the unconsciously erotic and the spiritual as it gestures toward what cannot be ...
... provides the transition to Oliver's conversion , the reconciliation of the brothers , and the marriages . Thus it is an ekphrastic speech , conflating the unconsciously erotic and the spiritual as it gestures toward what cannot be ...
Página 208
... provides freedom in open- ing up space and , especially , time , and attempts simultaneously to distance and to draw in , often only its discontinuities and ruptures are immediately evident . By contrast , the mimetic approach to the ...
... provides freedom in open- ing up space and , especially , time , and attempts simultaneously to distance and to draw in , often only its discontinuities and ruptures are immediately evident . By contrast , the mimetic approach to the ...
Contenido
As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
Derechos de autor | |
Otras 16 secciones no mostradas
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action actor All's Angelo Arden audience Banquo becomes bed trick Cambridge Celia character Claudio comedy comic critics Cymbeline death deed Desdemona desire dramatic Duke Duncan Elizabethan English equivocation Falstaff fantasy father fear figure fool Hal's Hamlet hath Helena Henry Henry IV plays Hero Hotspur human husband imagination Isabella Jaques Juliet Kate King King Lear Lady Macbeth language London Love's Labour's Lost Macduff male marriage marry matrimonial means Measure for Measure Midsummer Night's Dream moral murder nature night Orlando Othello pastoral performance Petruchio play play's political Prince problem comedies production Prospero relationship Renaissance riage Richard Richard II ritual role romantic Rosalind says scene seems sense sexual Shake Shakespeare Quarterly Shrew social speare speare's speech stage suggests symbolic Theatre theatrical thee thou tion Touchstone tragedy tragic Twelfth Night Univ University Press visual wedding wife witches woman women words