Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen80Gale Research Company, 1984 |
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Página 36
... represented as neither or both male and female " ( Symbols , p . 98 ) . Consider Rosalind playing Ganymede playing Rosalind . Liminality negates variations in rank and degree ; within a group of neophytes , all are equal . In the forest ...
... represented as neither or both male and female " ( Symbols , p . 98 ) . Consider Rosalind playing Ganymede playing Rosalind . Liminality negates variations in rank and degree ; within a group of neophytes , all are equal . In the forest ...
Página 66
... represents what cannot be represented by giving it an artificial form seemingly at odds with the movement of dramatic plot yet mysteri- ously capable of moving it forward , not directly , as the scenes between Rosalind and Orlando do ...
... represents what cannot be represented by giving it an artificial form seemingly at odds with the movement of dramatic plot yet mysteri- ously capable of moving it forward , not directly , as the scenes between Rosalind and Orlando do ...
Página 344
... represented by an actor in blackface . Heterosexual desire is staged here as an absurdly mutual attraction between a ... represents the bridegroom ) , the transvestite ( who represents the bride ) , and the " scourge of marriage ...
... represented by an actor in blackface . Heterosexual desire is staged here as an absurdly mutual attraction between a ... represents the bridegroom ) , the transvestite ( who represents the bride ) , and the " scourge of marriage ...
Contenido
As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
Derechos de autor | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action actor All's Angelo Arden audience Banquo becomes bed trick Cambridge Celia character Claudio comedy comic critics Cymbeline death deed Desdemona desire dramatic Duke Duncan Elizabethan English equivocation Falstaff fantasy father fear figure fool Hal's Hamlet hath Helena Henry Henry IV plays Hero Hotspur human husband imagination Isabella Jaques Juliet Kate King King Lear Lady Macbeth language London Love's Labour's Lost Macduff male marriage marry matrimonial means Measure for Measure Midsummer Night's Dream moral murder nature night Orlando Othello pastoral performance Petruchio play play's political Prince problem comedies production Prospero relationship Renaissance riage Richard Richard II ritual role romantic Rosalind says scene seems sense sexual Shake Shakespeare Quarterly Shrew social speare speare's speech stage suggests symbolic Theatre theatrical thee thou tion Touchstone tragedy tragic Twelfth Night Univ University Press visual wedding wife witches woman women words