Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen80Gale Research Company, 1984 |
Dentro del libro
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Página 21
... role is transformed into a great dramatic one , to appreciate aspects of Rosalind's characterization that critics have generally ignored , and to discover , in Rosalind's experience , a dynamic that shapes the play as a whole . In a ...
... role is transformed into a great dramatic one , to appreciate aspects of Rosalind's characterization that critics have generally ignored , and to discover , in Rosalind's experience , a dynamic that shapes the play as a whole . In a ...
Página 49
... role of marriage that feature this sort of comedy . Furthermore , and especially for an establishment audience , love and marriage , social is- sues , and political theory could be perfectly compatible subjects as Kevin Sharpe explains ...
... role of marriage that feature this sort of comedy . Furthermore , and especially for an establishment audience , love and marriage , social is- sues , and political theory could be perfectly compatible subjects as Kevin Sharpe explains ...
Página 205
... roles were doubled or tripled . Thus Yosyp Hirniak , for example , played Donal- bain , the Murderer of Banquo , and the Doctor ; each role carried over associations from the previous one , contributing to the spreading of guilt in the ...
... roles were doubled or tripled . Thus Yosyp Hirniak , for example , played Donal- bain , the Murderer of Banquo , and the Doctor ; each role carried over associations from the previous one , contributing to the spreading of guilt in the ...
Contenido
As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
Derechos de autor | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action actor All's Angelo Arden audience Banquo becomes bed trick Cambridge Celia character Claudio comedy comic critics Cymbeline death deed Desdemona desire dramatic Duke Duncan Elizabethan English equivocation Falstaff fantasy father fear figure fool Hal's Hamlet hath Helena Henry Henry IV plays Hero Hotspur human husband imagination Isabella Jaques Juliet Kate King King Lear Lady Macbeth language London Love's Labour's Lost Macduff male marriage marry matrimonial means Measure for Measure Midsummer Night's Dream moral murder nature night Orlando Othello pastoral performance Petruchio play play's political Prince problem comedies production Prospero relationship Renaissance riage Richard Richard II ritual role romantic Rosalind says scene seems sense sexual Shake Shakespeare Quarterly Shrew social speare speare's speech stage suggests symbolic Theatre theatrical thee thou tion Touchstone tragedy tragic Twelfth Night Univ University Press visual wedding wife witches woman women words