The Quarterly Review (london)Creative Media Partners, LLC, 1865 - 622 páginas This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
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... force with which he ascribed his work to direct internal prompting , Mr. Gilchrist appears to us very decidedly to overrate Blake's originality in style . ' A good deal in Flaxman and Stothard may be traced to Blake , is , indeed , only ...
... force and tenderness of imagination to which Fuseli had no claim , saw and drew Visions , where the other composed and painted Nightmares . Mr. Gilchrist gives no adequate proof of the assertions we have quoted above in reference to ...
... force and tenderness . It is possible that , had his whole training and career been different , he might have been the Coleridge of his time . But he was born an artist ; and only by this standard is it fair or possible to judge him ...
... force , and with more mastery in design and expression than Blake ; but , since Christian art began . we doubt whether any one could have thrown himself into the spirit * ' Phædrus , ' c . xxii . + London Review . ' of of the pastoral ...
... force of drawing and in character . Even the famous Ghost of a Flea , ' at least as here engraved , we must venture to think a feeble production . Had Blake always worked thus , he would have ranked no higher than the American spirit ...