The Werkbund: Design Theory and Mass Culture Before the First World WarYale University Press, 1996 M01 1 - 262 páginas During the period before World War I, the German Werkbund was at the center of attempts to forge new theories of architecture and design in light of the momentous technological and economic developments of modernity. In this fascinating book, Frederic J. Schwartz explores the ideological and aesthetic positions at the core of debates that embroiled the prominent architects, critics, sociologists, economists, and politicians who had united in the Werkbund during this pivotal era. Taking the Werkbund out of the shadow of 1920s developments in architecture and design that have received more attention, Schwartz casts new light on this earlier historical movement. He shows that the concerns of the group went far beyond aesthetics, as design became a major testing ground for a new self-consciousness about the effects of consumerism and commodification in modern culture. Schwartz explores how a theoretical dialogue developed between the Werkbund and sociologists such as Georg Simmel and Werner Sombart, how economists' ideas about the cultural nature of the consumer market led to an ill-fated call for the development of "types," and how a group of "individualists" within the organization developed an opposing position by taking into account changes in copyright and trademark laws that had begun to govern the economic use of visual form in quite concrete ways. It is to the debates in and around the Werkbund, Schwartz asserts, that we must look to find important roots of the mass culture theory associated with Walter Benjamin, Theodor Adorno, and other thinkers of the Frankfurt School. |
Contenido
The Werkbund and the Discourse on Culture in Germany | 13 |
The Spiritualized Economy and the Development of Types | 75 |
Production and Economic Form | 106 |
The Type | 121 |
Copyright Trademarks and Individuality | 147 |
Epilogue | 213 |
Notes | 220 |
Términos y frases comunes
Adorno advertising aesthetic alienation applied arts architecture artists Bauhaus Behrens's Benjamin Berlin bourgeois Bruno Bruno Taut Bücher capital capitalist cartels Cologne commerce commodity concept consumer contemporary context critics Culture defined Dekorative Kunst described Deutsche Deutschen Werkbundes discourse discussions Dresden economic emphasis in original everyday example exchange exhibition Fachverband factory Fashion firms Fritz function Georg Lukács Georg Simmel German Grossbetrieb Hagen Heinrich Waentig Hermann Muthesius historical Ibid Impressionism individual individualists industry issue Jugendstil Karl Ernst Osthaus Kunstgewerbe Kunstgewerbeblatt Lucian Bernhard Lukács mass production Max Weber modern Munich Museum Muthesius's Naumann objects organization ornament Osthaus's Peter Behrens problem Rauecker realm reform Reklame repr represented Richard Riemerschmid Riegl shopwindow signs Simmel social Sombart sought spirit Style technical theory tion trade trademark traditional trans transcendent Typisierung Velde visual form Walter Gropius Warenbuch Weber Werkbund members Werkbund-Archiv Werkstätten Werner Sombart words writes wrote