Lectures on English Poetry: From the Reign of Edward the Third to the Time of Burns and Cowper, with Shakespeare's Supernatural Characters; an EssayJoseph Thomas, 1839 - 229 páginas |
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Página 1
... interest your attention , by a series of Lec- . tures upon English Poetry , after the power and ability with which the mechanical and useful Arts have so recently been discussed and ex- plained , on the same spot ; and the wonders and ...
... interest your attention , by a series of Lec- . tures upon English Poetry , after the power and ability with which the mechanical and useful Arts have so recently been discussed and ex- plained , on the same spot ; and the wonders and ...
Página 36
... interest . sentiments are just , and eloquently expressed , and the imagery and descriptions are in strict keeping with the classical nature of the subject ; but still the effect of the entire Poem is such , that we rather approve than ...
... interest . sentiments are just , and eloquently expressed , and the imagery and descriptions are in strict keeping with the classical nature of the subject ; but still the effect of the entire Poem is such , that we rather approve than ...
Página 44
... its powers , becomes capable of exciting a more intense and tremendous interest . Hence there are pieces of Dramatic writing which , even in the perusal ; only , have an overwhelming power to which Epic 44 LECTURES ON.
... its powers , becomes capable of exciting a more intense and tremendous interest . Hence there are pieces of Dramatic writing which , even in the perusal ; only , have an overwhelming power to which Epic 44 LECTURES ON.
Página 45
... interest , and impede the action in the Drama . In the Drama , the grand pivot upon which the whole moves is action ; in Epic Poetry , it is narration . Narration is the fitter medium for representing a grand series of events ; and ...
... interest , and impede the action in the Drama . In the Drama , the grand pivot upon which the whole moves is action ; in Epic Poetry , it is narration . Narration is the fitter medium for representing a grand series of events ; and ...
Página 57
... Homer , with all its faults , is also a production of great value and interest . The " Iliad " is written in the cumbrous and unwieldly old English measure of fourteen syllables , which , however , the Author ENGLISH POETRY 57.
... Homer , with all its faults , is also a production of great value and interest . The " Iliad " is written in the cumbrous and unwieldly old English measure of fourteen syllables , which , however , the Author ENGLISH POETRY 57.
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Términos y frases comunes
admiration amidst ancient Arts Author Ballads Beaumont and Fletcher beauty Ben Jonson blank verse Catiline character Chaucer Comedy Comic Congreve contemporaries death delight delineation diction Didactic Drama Dramatist Dryden elegant Elizabeth eloquent England English Poetry Epic Poetry excellence extraordinary eyes fame fancy faults feeling Fool genius Geoffrey Rudel Gorboduc grace heart Henry Neele honour human humour Illustrations imagery immortal Jeremy Collier Jonson Julius Cæsar language Lear Lectures literary Literature Lord Lyrical Poetry Macbeth manners Massinger merits mighty Milton mind Narrative Narrative Poetry nation nature never old English original painted Paradise Lost passion Pastoral pathos pencil period picture Play Poems Poetical Pope possessed produced Prose Queen racter reign Satire Say nay scarcely scenes School Sentimental Shak Shakspeare Shakspeare's shew shewn Songs specimen Spenser spirit sublimity sweet talent taste thee Thomson thought tion Touchstone Tragedy truth Vanbrugh verse versification writers
Pasajes populares
Página 206 - The dew shall weep thy fall to-night ; For thou must die. Sweet Rose, whose hue, angry and brave, Bids the rash gazer wipe his eye, Thy root is ever in its grave, And thou must die. Sweet Spring, full of sweet days and roses, A box where sweets compacted lie, My music shows ye have your closes, And all must die.
Página 92 - A blank, my lord. She never told her love, But let concealment, like a worm i' the bud, Feed on her damask cheek. She pined in thought And with a green and yellow melancholy She sat, like patience on a monument, Smiling at grief.
Página 118 - Sheds itself through the face, As alone there triumphs to the life All the gain, all the good, of the elements
Página 200 - And wilt thou leave me thus? Say nay! say nay! And wilt thou leave me thus, That hath loved thee so long In wealth and woe among? And is thy heart so strong As for to leave me thus? Say nay! say nay!
Página 187 - This guest of summer, The temple-haunting. martlet, does approve, By his lov'd mansionry, that the heaven's breath Smells wooingly here : no jutty, frieze, Buttress, nor coigne of vantage, but this bird Hath made his pendent bed, and procreant cradle : Where they most breed and haunt, I have observ'd, The air is delicate.
Página 71 - Waller was smooth ; but Dryden taught to join The varying verse, the full resounding line, The long majestic march, and energy divine : Though still some traces of our rustic vein And splay-foot verse remain'd, and will remain.
Página 198 - I never heard the old song of Percy and Douglas that I found not my heart moved more than with a trumpet; and yet it is sung but by some blind crowder, with no rougher voice than rude style...
Página 66 - Absolute rule ; and hyacinthine locks Round from his parted forelock manly hung Clustering, but not beneath his shoulders broad...
Página 66 - And worthy seemed, for in their looks divine The image of their glorious Maker shone, Truth, wisdom, sanctitude severe and pure, Severe, but in true filial freedom...
Página 29 - O be not angry with those fires, For then their threats will kill me ; Nor look too kind on my desires, For then my hopes will spill me. O do not steep them in thy tears, For so will sorrow slay me; Nor spread them as distract with fears; Mine own enough betray me.