The Chicago Black Renaissance and Women's Activism

Portada
University of Illinois Press, 2006 M03 7 - 272 páginas
Following on the heels of the Harlem Renaissance, the Chicago Renaissance was a resonant flourishing of African American arts, literature, theater, music, and intellectualism, from 1930 to 1955. Anne Meis Knupfer's The Chicago Black Renaissance and Women's Activism demonstrates the complexity of black women's many vital contributions to this unique cultural flowering.

The book examines various groups of black female activists, including writers and actresses, social workers, artists, school teachers, and women's club members to document the impact of social class, gender, nativity, educational attainment, and professional affiliations on their activism. Together, these women worked to sponsor black history and literature, to protest overcrowded schools, and to act as a force for improved South Side housing and employment opportunities. Knupfer also reveals the crucial role these women played in founding and sustaining black cultural institutions, such as the first African American art museum in the country; the first African American library in Chicago; and various African American literary journals and newspapers. As a point of contrast, Knupfer also examines the overlooked activism of working-class and poor women in the Ida B. Wells and Altgeld Gardens housing projects.

Dentro del libro

Contenido

intro
1
chapter 1
11
notes
175
bibliography
221
index
239
back cover
247
Derechos de autor

Otras ediciones - Ver todas

Términos y frases comunes

Acerca del autor (2006)

Anne Meis Knupfer is an associate professor of educational studies at Purdue University. She is the author of Reform and Resistance: Gender, Delinquency, and America’s First Juvenile Court and Toward a Tenderer Humanity and a Nobler Womanhood: African American Women’s Clubs in Turn-of-the-Century Chicago.

Información bibliográfica