WHOEVER the youth who, by heaven's decree, Has his happy right hand 'neath that bright head of thine, From all sorrow is free, Till the day of his death—if a life so divine No strain of the sweetest e'er heard in the land Fall asleep where they stand; Oh! for her blooms the rose, and the lily ne'er wanting To shed its mild lustre on bosom or hand. The dewy blue blossom that hangs on the spray, More blue than her eyes human eye never saw Deceit never lurked in its beautiful ray Dear lady, I drink to you, slainte go bragh! + To gaze on her beauty the young hunter lies 'Mong the branches that shadow her path in the grove ; The rash gazer surprise, All eyesight departs from the victim of love, And the blind youth steals home with his heart full of sighs. At the goal of delight and of honour I am, To boast such a theme for a song so unmeet. The lady, thus celebrated, was of the family of Castle Kelly in the county of Galway. What a charming touch of poetry, is that of the young hunter hiding to get a glance at this radiant beauty! and the consequence that follows-he is dazzled even to the loss of vision, "And the blind youth steals home with his heart full of sighs." This is the more touching, when we remember it was a blind poet who wrote it: how often did he himself steal home with his heart full of sighs? Carolan thus makes a direct allusion to his blindness in a passage translated by Miss Brooke : "Ev'n he whose hapless eyes no ray Yet, though he cannot see the light, He feels it warm, and knows it bright." Coolun, or cuilin-head of hair. † Pronounced softly, Slawn-tha' go bra, meaning "Save you, or health to you for ever." O, JUDITH, MY DEAR! From Hardiman's Minstrelsy. Translated from the Irish by EDWARD WALSHE. O, JUDITH, my dear, 'tis thou that has left me for dead; Thy person is peerless-a jewel full fashioned with care, Thou art the mild maiden so modest at market and fair; With cheek like the rose, and kiss like the store o' the bee, And musical tones that call'd me from death unto thee! GO! FORGET ME. Rev. CHARLES WOLFE. Born, 1791. Died, 1823. Go, forget me-why should sorrow Brightly smile, and sweetly sing. Like the sun, thy presence glowing, Go, thou vision wildly gleaming, Though the following song has not such striking marks of nationality as many of Griffin's, yet we place it first amongst his, in this collection, as an extract from "The Collegians"-that story of surpassing power which places him, we think, first among the novelists of Ireland, and in the foremost rank of the novelists of the world. Of Gerald Griffin, Ireland may well be proud; for he was not only a great novelist, but a good dramatist. His "Gisippus" is one of the best plays of modern times, and derives an additional, though saddening, interest from the fact that it was not produced on the stage until after his death; but though he tasted not the triumph of that success, his country must not forget it. His songs, too, are charming; and the one that follows, though not Irish in phrase, is peculiarly Irish in feeling: there is in it depth and devotedness of affection, delicacy, unselfishness-in short, a chivalrous adoration. A PLACE in thy memory, dearest, Is all that I claim; To pause, and look back, when thou hearest Another may woo thee, nearer, Remember me-not as a lover Whose bosom can never recover As the young bride remembers the mother Oh, dearest! remember me. Could I be thy true lover, dearest, I would be the fondest and nearest But a cloud on my pathway is glooming, Remember me then-O remember Though bleak as the blasts of November That life will, though lonely, be sweet, MY MOTHER DEAR. SAMUEL LOVER. THERE was a place in childhood that I remember well, When fairy tales were ended, "Good night," she softly said, In the sickness of my childhood, the perils of my prime, SLEEP ON. JOHN O'KEEFFE. Born, 1746. Dublin was the birthplace of O'Keeffe. The O'Keeffes, an ancient and honourable family, lost their estates in the civil wars of James and William. Our author was reared for the priesthood; objected to go into orders; became very nearly a professional painter; turned actor next, and, finally, dramatist of prolific pen, he having produced forty-nine pieces. He lost his sight in 1800. Many of his songs are graceful, though never rising to any great excellence; they were never intended, however, to be more than incidental to his dramas. The following is from the "Poor Soldier." The air to which it was written is a beautiful old Irish melody, entitled Ulican dubh oh! given in Bunting's "Ancient Music of Ireland." To the same air Moore wrote "Weep on, weep on!" SLEEP on, sleep on, my Kathleen dear, Yet dost thou dream thy true love's here, The birds sing sweet, the morning breaks, Though sleep is fled, poor Dermot wakes THE MOUNTAIN DEW. SAMUEL LOVER. By yon mountain tipp'd with cloud, By the torrent foaming loud, By the dingle where the purple bells of heather grew, And where bounds the nimble kid, There we wandered both together through the mountain dew! With what delight in summer's night we trod the twilight gloom, The air so full of fragrance from the flowers so full of bloom, And our hearts so full of joy-for aught else there was no rooin, As we wandered both together through the mountain dew. Those sparkling gems that rest Are like the joys we number-they are bright and few— And are called again to heaven, When the spirit of the morning steals the mountain dew: Where we wandered both together through the mountain dew! |