Douglas Jerrold's Shilling Magazine, Volumen4Douglas Jerrold Punch Office, 1846 Contains Douglas Jerrold's novel St. Giles and St. James (selected issues, no. 1-29), illustrated by Leech. |
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... Ling . By William Howitt 193 Sempstress to her Mignonette , the . Shall the Lord Mayor go to Oxford ? 48 120 Signs of the ( Olden ) Times , the 428 Social Barbarisms . Hiring a Servant 462 Sumptuary Presumptions . By Paul Bell 136 Time ...
... Ling . By William Howitt 193 Sempstress to her Mignonette , the . Shall the Lord Mayor go to Oxford ? 48 120 Signs of the ( Olden ) Times , the 428 Social Barbarisms . Hiring a Servant 462 Sumptuary Presumptions . By Paul Bell 136 Time ...
Página 193
... Ling , were now figuring on the scene in a very different fashion . But before we proceed to paint them more at large we must pause a moment to sketch some traits of a mighty revolution in this country , of which thousands and tens of ...
... Ling , were now figuring on the scene in a very different fashion . But before we proceed to paint them more at large we must pause a moment to sketch some traits of a mighty revolution in this country , of which thousands and tens of ...
Página 194
... crofts , whose hedges have evidently never been set out in any general inclosure , for they do not run in regular squares and straight lines , but form all imaginable figures , and 194 SAMPSON HOOKS , AND HIS MAN JOE LING .
... crofts , whose hedges have evidently never been set out in any general inclosure , for they do not run in regular squares and straight lines , but form all imaginable figures , and 194 SAMPSON HOOKS , AND HIS MAN JOE LING .
Página 195
... great . The people , greedy courtiers , gamblers , com . missioners , and speculators , who got hold , by a variety of means , but seldom by any honest ones , of the church 02 SAMPSON HOOKS , AND HIS MAN JOE LING . 195.
... great . The people , greedy courtiers , gamblers , com . missioners , and speculators , who got hold , by a variety of means , but seldom by any honest ones , of the church 02 SAMPSON HOOKS , AND HIS MAN JOE LING . 195.
Página 196
... and from him that had not was taken away even that which he had , " the custom of turning his cow and his geese upon the waste . Well : but it had been tolerable had the mischief 196 SAMPSON HOOKS , AND HIS MAN JOE LING .
... and from him that had not was taken away even that which he had , " the custom of turning his cow and his geese upon the waste . Well : but it had been tolerable had the mischief 196 SAMPSON HOOKS , AND HIS MAN JOE LING .
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Términos y frases comunes
asked barons barristers beauty Belgravia better Blackadders blessed Boccacio called Capstick character Clarissa court creature cried crime dear Dodypol door England English Epicurus evil exclaimed eyes face fact fear feel Fiery Furnace garden genius Giles girl give GOODWYN BARMBY hand happy Harwich head hear heard heart honour human Ireland Joe Ling justice king labour Lady land light live London look Lord Malta master means Mignonette mind Miss Kitty moral nature neighbours never night once parish parliament passed Pecker Peter des Roches poet poor present RICHARD DAVIS Sampson Hooks seemed servants shillings smile Snipeton sort soul Soundcap spirit strange sure tell things thought Tinglebury tion true truth turn village whole wife woman wonder word young Young Englander
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Página 33 - Go to now, ye rich men, weep and howl for your miseries that shall come upon you. Your riches are corrupted, and your garments are motheaten. Your gold and silver is cankered ; and the rust of them shall be a witness against you, and shall eat your flesh as it were fire. Ye have heaped treasure together for the Last Days.
Página 196 - Yet count our gains. This wealth is but a name That leaves our useful products still the same. Not so the loss. The man of wealth and pride Takes up a space that many poor supplied ; Space for his lake, his park's extended bounds, Space for his horses, equipage and hounds...
Página 45 - It is now sixteen or seventeen years since I saw the queen of France, then the dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she just began to move in, glittering like the morning star, full of life, and splendour, and joy.
Página 196 - The man of wealth and pride Takes up a space that many poor supplied; Space for his lake, his park's extended bounds, Space for his horses, equipage, and hounds: The robe that wraps his limbs in silken sloth Has robbed the neighbouring fields of half their growth; His seat, where solitary sports are seen, Indignant spurns the cottage from the green...
Página 45 - Not one gla'nce of compassion, not one commiserating reflection that I can find throughout his book, has he bestowed on those who lingered out the most wretched of lives, a life without hope in the most miserable of prisons. It is painful to behold a man employing his talents to corrupt himself. Nature has been kinder to Mr. Burke than he is to her. He is not affected by the reality of distress touching his heart, but by the showy resemblance of it striking his imagination. He pities the plumage,...
Página 379 - Or call up him that left half told The story of Cambuscan bold, Of Camball, and of Algarsife, And who had Canace to wife, That own'd the virtuous ring and glass, And of the wondrous horse of brass, On which the Tartar king did ride...
Página 478 - Wit and Humour. Selected from the English Poets. With an Illustrative Essay and Critical Comments.
Página 184 - The Debater ; a Series of Complete Debates, Outlines of Debates, and Questions for Discussion. *By F. ROWTON. Fcp.
Página 46 - ... with the exception of his writings upon the French Revolution — an exception itself to be qualified and restricted — it would be difficult to find any statesman of any age whose opinions were more habitually marked by moderation ; by a constant regard to the...
Página 45 - He is not affected by the reality of distress touching his heart, but by the showy resemblance of it striking his imagination. He pities the plumage, but forgets the dying bird. Accustomed to kiss the aristocratical hand that hath purloined him from himself, he degenerates into a composition of art, and the genuine soul of nature forsakes him. His hero or his heroine must be a tragedy-victim expiring in show, and not the real prisoner of misery, sliding into death in the silence of a dungeon.