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31. The Builders.

en-tire', complete, perfect.

mass'ĭve, weighty, grand.

făsh'ion (-un), mold, give shape to. | rēach, stretch, expanse.

1. All are architects of fate,

Working in these walls of time;
Some with massive deeds and great,
Some with ornaments of rhyme.

2. Nothing useless is, or low;

Each thing in its place is best;
And what seems but idle show
Strengthens and supports the rest.

3. For the structure that we raise,
Time is with materials filled;

Our to-days and yesterdays

Are the blocks with which we build.

4. Truly shape and fashion these;

Leave no yawning gaps between;

Think not, because no man sees,
Such things will remain unseen.

5. In the elder days of art,

Builders wrought with greatest care Each minute and unseen part;

For the gods see everywhere.

[graphic]

6. Let us do our work as well,

Both the unseen and the seen:
Make the house, where gods may dwell,
Beautiful, entire, and clean.

7. Else our lives are incomplete,

Standing in these walls of time;
Broken stairways, where the feet
Stumble as they seek to climb.

8. Build to-day, then, strong and sure,
With a firm and ample base;
And ascending and secure
Shall to-morrow find its place.

strengt

Write the analysis of: support (portare); structure (struere); in plete (plere); ascend (scandere).

III. "The Builders" belongs to the class of didactic poems. an admonition to a noble life, poetically expressed in the image building of a house. Follow, throughout the poem, the unfo of the metaphor. Which line resembles these by Emerson?

"The hand that rounded Peter's dome,

And groined the aisles of Christian Rome,
Wrought with a sad sincerity."

32.-A Tragedy of the Sea.

a-byss′ (lit., bottomless), the deep. | mẽrġed, swallowed up.

liv'id, leaden colored.

pall, black funeral cloth.

PREPARATORY NOTES.

This powerful pen picture is an extract from "Les Misérables," by Victor Hugo (1802-1885), the most illustrious of French novelists and poets. Hugo, in his novels, deals with great social questions, which he discusses with marvelous power, and in a rich but peculiar style.

1. A man overboard! What matters it? The ship does not stop. The wind is blowing. That dark ship must keep on her destined course. She passes away.

2. The man disappears, then reappears; he plunges, and rises again to the surface; he calls, he stretches out his hands: they hear him not. The ship, staggering under the gale, is straining every rope. The sailors see the drowning man no longer: his miserable head is but a point in the vastness of the billows.

3. He hurls cries of despair into the depths. What a specter is that disappearing sail! He looks upon it with frenzy. It moves away; it grows dim; it diminishes. He was there but just now: he was one of the crew; he went and came upon the deck with the rest, he had his share of the air and of the sunlight, he was a living man. Now, what has become of him? He slipped, he fell; and it is finished.

4. He is in the monstrous deep. He has nothing

under his feet but the yielding element. The waves, torn and scattered by the wind, close round him hideously; the rolling of the abyss bears him along; shreds of water are flying about his head; a populace of waves spit upon him; confused openings half swallow him.

5. When he sinks he catches glimpses of yawning precipices full of darkness; fearful unknown vegetations seize upon him, bind his feet, and draw him to themselves; he feels that he is merged into the great deep; he forms part of the foam; the billows toss him from one to the other; he tastes the bitterness; the greedy ocean is eager to devour him; the monster plays with his agony. It seems as if all this were liquid hate.

6. But yet he struggles. He tries to defend himself; he tries to sustain himself; he struggles; he swims. He, that poor strength that fails so soon,- he combats the unfailing.

7. Where now is the ship? Far away yonder, hardly visible in the pallid gloom of the horizon.

The wind blows in gusts; the billows overwhelm him. He raises his eyes, but sees only the livid clouds. He, in his dying agony, makes part of this immense insanity of the sea. He is tortured to his death by its immeasurable madness. He hears sounds which are strange to man,-sounds which seem to come not from earth, but from some frightful realm beyond.

8. There are birds in the clouds, even as there are angels above human distresses; but what can they do

for him? They fly, sing, and float, while he is gasping. He feels that he is buried at once by those two infinities, the ocean and the sky: the one is a tomb, the other a pall.

9. Night descends. He has been swimming for hours: his strength is almost exhausted. That ship, that far-off thing, where there were men, is gone: he is alone in the terrible gloom of the abyss. He sinks, he strains, he struggles; he feels beneath him the shadowy monsters of the unseen; he shouts.

10. Men are no more. Where is God? He shouts. "Help! help!" He shouts incessantly. Nothing in

the horizon. Nothing in the sky!

He implores the blue vault, the waves, the rocks: all are deaf. He supplicates the tempest: the imperturbable tempest obeys only the Infinite.

11. Around him are darkness, storm, solitude, wild and unconscious tumult, the ceaseless tumbling of the fierce waters; within him, horror and exhaustion; beneath him, the ingulfing abyss: no resting place.

12. He thinks of the shadowy adventures of his lifeless body in the limitless gloom. The biting cold paralyzes him. His hands clutch spasmodically, and grasp at nothing. Winds, clouds, whirlwinds, blasts, stars, all useless.

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13. What shall he do? He yields to despair: worn out, he seeks death; he no longer resists; he gives himself up; he abandons the contest, and he is rolled away into the dismal depths of the abyss forever.

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