Lord Marmion turned, well was his need, - The steed along the drawbridge flies, And when Lord Marmion reached his band, And shook his gauntlet at the towers. SCOTT. 110.- Saint Jonathan. There's many an excellent saint, St. George, with a dragon and lance; 1 razed = grazed. Well worthy a martyr's possessing; But partly to thinking and guessing. Has rather a secular 2 bias, And I never have heard a complaint He's fond of financial improvement, To rank with his calendar neighbors? One day when a flash in the air Split his meetinghouse fairly asunder, They're dreadfully careless with thunder!" 4 And now, when the lightning comes round, 1 sooth = truth. 2 secular, worldly. 4 rod: the poet's allusion has reference to the lightning rod invent 8 calendar neighbors; i.e., the ed by Franklin. (See Lesson 69 of list of saints. this Reader.) One morning, while taking a stroll, Saluted St. Jonathan's ear, That his bosom — which wasn't of stone - That night he invented a charm 2 So potent, that folks who employ it, Don't suffer, but rather enjoy it, A miracle, you must allow, As good as the best of his brothers; Is patron of cripples and mothers. There's many an excellent saint, St. George, with the dragon and lance; St. Patrick, so jolly and quaint; St. Denis, the saint of the Gaul; Is the mightiest saint of the lot. SAXE. 1 lu-gū'bri-oŭs, mournful. 2 charm; i.e., chloroform. 111.-The Raven. The central idea in this, the most celebrated poem of Edgar Allan Poe, is thus stated in his essay on the "Philosophy of Composition:”. "I asked myself what, according to the universal understanding of mankind, is the most melancholy of poetic topics. The answer was obvious: it is Death. I then inquired when this most melancholy of topics is most poetical. Here, too, the reply was obvious: it is when it most closely allies itself to beauty. Hence the death of a beautiful woman is unquestionably the most poetical topic in the world; and the lips best suited for such topic are those of a bereaved lover. This is the essential motive of my poem." Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore, — While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. "Tis some visitor," I muttered, "tapping at my chamber door, Only this, and nothing more." Ah! distinctly I remember, it was in the bleak December, And each separate dying ember wrought its ghost1 upon the floor. Eagerly I wished the morrow: vainly I had sought to borrow From my books surcease 2 of sorrow, sorrow for the lost Lenore; For the rare and radiant maiden whom the angels name Lenore, Nameless here forevermore. 1 ghost; i.e., shadow. 2 surcease, cessation, relief. And the silken, sad, uncertain rustling of each purple curtain Thrilled me -filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating, ""Tis some visitor entreating entrance at my chamber door, — Some late visitor entreating entrance at my chamber door; This it is, and nothing more." Presently my soul grew stronger: hesitating then no longer, "Sir," said I, or Madam, truly your forgiveness I implore; But the fact is, I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you"- Here I opened wide the door: Darkness there, and nothing more. Deep into that darkness peering, long I stood there, wondering, fearing, Doubting, dreaming dreams no mortal ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word "Lenore?" This I whispered, and an echo murmured back the word "LENORE!" Merely this, and nothing more. Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping, something louder than before. "Surely," said I, "surely that is something at my window lattice; Let me see then what thereat is, and this mystery explore, Let my heart be still a moment, and this mystery explore: "Tis the wind, and nothing more." |