: [As the writings of Keats have not been fully indexed before, save in the GENERAL INDEX. Abbey (Mrs.), her "unfeeling and ignorant gabble," v, 13 Her reproaches, v, 173 Wishes to take Fanny Keats from school, iv, 199 Abbey (Richard), Guardian of the Keatses, i, xxix "My guardian 'as was'," iv, 162 His objection to Fanny Keats's receiving letters from John, v, 13; or visits, Will not let her remain at school, v, 12 Treats Keats "with a little brusquerie,” v, 23 Referred to, i, xxv, xxxiii; iv, xiv, 161, 162, 172, 189; v, 14, 19, 20, 87, ACROSTIC: GEORGIANA AUGUSTA KEATS (1818), ii, 216-17; v, 109 Actors, "a set of barren asses," v, 87 ADDRESSED TO HAYDON, sonnet, i, 48 ADDRESSED TO THE SAME, sonnet (1816), i, 48 ADONAIS, See Shelley (Percy Bysshe) Adonis, Spenser's description of "the gardins" of, i, 119 (note) Episode of Venus and, i, 119-25 ÆNEID (THE), a surprising early criticism of Keats's on, i, xxviii AILSA ROCK, SONNET TO (1818), ii, 224 Written in the Inn at Girvan, ii, 225 (note) First sight of the rock, iv, 134 Akenside, i, 56 (note) "Aladdin magian," ii, 232 Albert, character in OTHO THE GREAT, iii, 37 His intimacy with Auranthe, iii, 48 Swears to clear Erminia at Auranthe's expense, iii, 78 His failure at the critical moment, iii, 101 His resolve to expose but save Auranthe, iii, 112 Alexander, i, 105 Alfred (King), a champion of Freedom, i, 30, 61 Alfred (The), West of England Journal &c., Reynolds on Keats and The Referred to, iii, 176 "Alp" in the singular, as in Milton, i, 50, 93 Alpheus and Arethusa, episode of, i, 138-41 Alsager (Mr.), owner of the Chapman's Homer first seen by Keats, i, 46 (note) Alston's 'Uriel,' iv, 80 ALTHAM AND HIS WIFE, a novel by Charles Ollier, iv, 198 Amalthea, i, 121 Ambition, one of the Shadows in the ODE ON INDOLENCE, iii, 14 "Amena", iv, xiv America, contemplated visit to, iv, 145 American humanity can never reach the sublime, iv, 182 AMOURS (LES) DE CASSANDRE, ii, 239 (note) Amphion, i, 171 Anacreon, "A glorious folio of," ii, 186 ANATOMY OF MELANCHOLY, Extracts from Burton's, ii, 32; v, 105-6 Notes on, iii, 266-75 Andrews (Miss), v, 141 Angela, Madeline's nurse in THE EVE OF ST. AGNES, ii, 69 Animal food, Keats leaves off, v, 131 Annals of the Fine Arts, ODE TO A NIGHTINGALE published in, ii, 99 (note) ODE ON A GRECIAN URN published in, ii, 103 (note) Sonnets published in, ii, 177 (note) Apollo and Admetus, i, 75 Apollo, Clymene's story of, in HYPERION, ii, 150 "Once more the golden theme," ii, 155 Meets Mnemosyne, ii, 155 His convulsion, ii, 157 "Too effeminate and human," ii, 158 Ode to (1815), ii, 167-8 Hymn to (1815?), ii, 169-70 Apollonius, instructor of Lycius in LAMIA, ii, 19 Lamia desires his absence from her bridal, ii, 25 Comes unbidden to the wedding of Lamia and Lycius, ii, 27 Browbeats Lamia from her woman's form, ii, 30-32 Extract from Burton's ANATOMY OF MELANCHOLY, concerning the life of, ii, 32 Apollonius Rhodius, a passage in the ARGONAUTICA of, i, 82 (note) ARABIAN NIGHTS (THE), allusion to Zobeide's story in, i, 84 Keats reads a 'tale of a very beautiful colour' from, v, 74 Arch Brook, near Teignmouth, ii, 209 (note) Archer (-), his "abominable behaviour" to Miss Mathew, iv, 208 Referred to, iv, 193 Archer (William), iii, vii; iv, 209 (note) Arethusa and Alpheus, episode of, i, 138-41 Argus, allusion to the story of, i, 137; iii, 16 Ariadne, a vintager, i, 121 Arion, i, 117 Ariosto, Keats reads, v, 120 As diffuse as Spenser, v, 91 “Arrears in versifying" to be cleared, v, 164 Athenæum (The), rejected lines of FANCY published in, ii, 109 (note) Notes on Milton published in, iii, 256 (note) Atlas, a fallen Titan in HYPERION, ii, 146 Auchencairn, Keats's letter from, iv, 126 Audubon (John James), considered by Keats to be dishonest, v, 100, 120 Referred to, v, 141 Audubon (Mrs.), v, 141, 143 Auranthe, character in 'OTHO THE GREAT,' iii, 37 Her intrigue with Albert glanced at, iii, 44 Her ambition, iii, 45 Her marriage with Iudolph, iii, 87 Her plot against Erminia disclosed, iii, 98 Her flight from the Castle of Friedburg, iii, 121 Her death, iii, 143 "Authorizing" with Brown, v, 24 Autumn, the music of, ii, 120 AUTUMN (TO), poem of 1819, ii, 119-21 Probably composed at Winchester, ii, 119 (note) Babbicombe, a "clamber over the rocks" to, iv, 100 Bacchus, triumph of, i, 180-2 Bag-pipe (the), See SONNETS Bailey (Benjamin), biographical note on, iv, xxii Keats stays at Oxford with, iv, xxiii, 24, 26, 28 (note), 31 "Scarcely ever well," iv, 30 Keats's letters to, iv, 37, 39, 41, 45, 59, 82, 111, 114, 142 Intended visit at Bath to, iv, 100 His letters about Keats in an Oxford Paper, iv, xxiii, 114 His love affairs severely criticized, v, 28-9 His marriage, iv, xxiii His penmanship compared with Dilke's, v, 164 His pamphlet LINES ADDRESSED TO WILLIAM WORDSWORTH ESq, iv, zxiii |