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GENERAL INDEX.

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[As the writings of Keats have not been fully indexed before, save in the
Library edition, the aim here has been to furnish as nearly as possible a complete
subject index, not only of all his poems and letters, but also of the numerous
biographic and illustrative data in the Memoir, Notes, &c. The Roman figures
show the volume, the Arabic figures the page; but, in the few references to
preliminary matter paged in Roman figures, both volume and page are shown by
Roman figures, the higher number being, however, always that of the page. A
complete index of first lines will be found in Volume III.-H. B. F.]

GENERAL INDEX.

Abbey (Mrs.), her "unfeeling and ignorant gabble," v, 13

Her reproaches, v, 173

Wishes to take Fanny Keats from school, iv, 199
Referred to, iv, xiv, 55; v, 14, 21, 64

Abbey (Richard), Guardian of the Keatses, i, xxix
Does not "overstock them" with money, iv, 54

"My guardian 'as was'," iv, 162

His objection to Fanny Keats's receiving letters from John, v, 13; or visits,
v, 23

Will not let her remain at school, v, 12

Treats Keats "with a little brusquerie,” v, 23

Referred to, i, xxv, xxxiii; iv, xiv, 161, 162, 172, 189; v, 14, 19, 20, 87,
100, 103, 106, 119, 120, 122, 136, 147, 151, 159, 170

ACROSTIC: GEORGIANA AUGUSTA KEATS (1818), ii, 216-17; v, 109

Actors, "a set of barren asses," v, 87

ADDRESSED TO HAYDON, sonnet, i, 48

ADDRESSED TO THE SAME, sonnet (1816), i, 48

ADONAIS, See Shelley (Percy Bysshe)

Adonis, Spenser's description of "the gardins" of, i, 119 (note)

Episode of Venus and, i, 119-25

ÆNEID (THE), a surprising early criticism of Keats's on, i, xxviii
African Discovery, iv, 208

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AILSA ROCK, SONNET TO (1818), ii, 224

Written in the Inn at Girvan, ii, 225 (note)

First sight of the rock, iv, 134

Akenside, i, 56 (note)

"Aladdin magian," ii, 232

Albert, character in OTHO THE GREAT, iii, 37

His intimacy with Auranthe, iii, 48

Swears to clear Erminia at Auranthe's expense, iii, 78

His failure at the critical moment, iii, 101

His resolve to expose but save Auranthe, iii, 112
His death, iii, 128

Alexander, i, 105

Alfred (King), a champion of Freedom, i, 30, 61

Alfred (The), West of England Journal &c., Reynolds on Keats and The
Quarterly in, iv, 177-80 (note)

Referred to, iii, 176

"Alp" in the singular, as in Milton, i, 50, 93

Alpheus and Arethusa, episode of, i, 138-41

Alsager (Mr.), owner of the Chapman's Homer first seen by Keats, i, 46 (note)

Alston's 'Uriel,' iv, 80

ALTHAM AND HIS WIFE, a novel by Charles Ollier, iv, 198

Amalthea, i, 121

Ambition, one of the Shadows in the ODE ON INDOLENCE, iii, 14

"Amena", iv, xiv

America, contemplated visit to, iv, 145

American humanity can never reach the sublime, iv, 182

AMOURS (LES) DE CASSANDRE, ii, 239 (note)

Amphion, i, 171

Anacreon, "A glorious folio of," ii, 186

ANATOMY OF MELANCHOLY, Extracts from Burton's, ii, 32; v, 105-6

Notes on, iii, 266-75

Andrews (Miss), v, 141

Angela, Madeline's nurse in THE EVE OF ST. AGNES, ii, 69

Animal food, Keats leaves off, v, 131

Annals of the Fine Arts, ODE TO A NIGHTINGALE published in, ii, 99 (note)

ODE ON A GRECIAN URN published in, ii, 103 (note)

Sonnets published in, ii, 177 (note)

Apollo and Admetus, i, 75

Apollo, Clymene's story of, in HYPERION, ii, 150

"Once more the golden theme," ii, 155

Meets Mnemosyne, ii, 155

His convulsion, ii, 157

"Too effeminate and human," ii, 158

Ode to (1815), ii, 167-8

Hymn to (1815?), ii, 169-70

Apollonius, instructor of Lycius in LAMIA, ii, 19

Lamia desires his absence from her bridal, ii, 25

Comes unbidden to the wedding of Lamia and Lycius, ii, 27

Browbeats Lamia from her woman's form, ii, 30-32

Extract from Burton's ANATOMY OF MELANCHOLY, concerning the life of, ii, 32

Apollonius Rhodius, a passage in the ARGONAUTICA of, i, 82 (note)

ARABIAN NIGHTS (THE), allusion to Zobeide's story in, i, 84

Keats reads a 'tale of a very beautiful colour' from, v, 74

Arch Brook, near Teignmouth, ii, 209 (note)

Archer (-), his "abominable behaviour" to Miss Mathew, iv, 208

Referred to, iv, 193

Archer (William), iii, vii; iv, 209 (note)

Arethusa and Alpheus, episode of, i, 138-41

Argus, allusion to the story of, i, 137; iii, 16

Ariadne, a vintager, i, 121

Arion, i, 117

Ariosto, Keats reads, v, 120

As diffuse as Spenser, v, 91
Armida, i, 21

“Arrears in versifying" to be cleared, v, 164
Asia, a fallen Titaness in HYPERION, ii, 144
Associations with scenery, pleasure of, ii, 226

Athenæum (The), rejected lines of FANCY published in, ii, 109 (note)
Draft of SONNET TO SLEEP published in, iii, 11 (note)

Notes on Milton published in, iii, 256 (note)

Atlas, a fallen Titan in HYPERION, ii, 146

Auchencairn, Keats's letter from, iv, 126

Audubon (John James), considered by Keats to be dishonest, v, 100, 120

Referred to, v, 141

Audubon (Mrs.), v, 141, 143

Auranthe, character in 'OTHO THE GREAT,' iii, 37

Her intrigue with Albert glanced at, iii, 44

Her ambition, iii, 45

Her marriage with Iudolph, iii, 87

Her plot against Erminia disclosed, iii, 98

Her flight from the Castle of Friedburg, iii, 121
Her capture by Ludolph, iii, 126

Her death, iii, 143

"Authorizing" with Brown, v, 24

Autumn, the music of, ii, 120

AUTUMN (TO), poem of 1819, ii, 119-21

Probably composed at Winchester, ii, 119 (note)

Babbicombe, a "clamber over the rocks" to, iv, 100
"The finest place in the south," v, 94

Bacchus, triumph of, i, 180-2

Bag-pipe (the), See SONNETS

Bailey (Benjamin), biographical note on, iv, xxii

Keats stays at Oxford with, iv, xxiii, 24, 26, 28 (note), 31

"Scarcely ever well," iv, 30

Keats's letters to, iv, 37, 39, 41, 45, 59, 82, 111, 114, 142

Intended visit at Bath to, iv, 100

His letters about Keats in an Oxford Paper, iv, xxiii, 114

His love affairs severely criticized, v, 28-9

His marriage, iv, xxiii

His penmanship compared with Dilke's, v, 164

His pamphlet LINES ADDRESSED TO WILLIAM WORDSWORTH ESq, iv, zxiii
Referred to, iv, 44, 55, 56, 57, 87, 92 (note), 105, 110, 132

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