Forebodings of ill, Keats's proneness to, v, 74 Fox (George), v, 25 Fragment, "Where's the Poet? show him! show him,” ii, 185 : MODERN LOVE, ii, 185 Of THE CASTLE BUILDER, ii, 186-7 "Welcome joy, and welcome sorrow," ii, 187-8 Framptons (the), v, ix, 39 Francesca da Rimini, See A DREAM Franklin (Benjamin), "a philosophical Quaker, full of mean and thrifty maxims," iv, 182 French language, Keats's dislike for the, iv, 27 Frenchmen, gallantry of some, v, 70 Friedburg, Castle of, principal scene of OTHO THE GREAT, iii, 37 Frogley (Miss), Woodhouse's cousin, iv, 194 Front parlour, watching in the, v, 148, 156 Fry, v, 100 Gadflies, Keats annoyed by, iv, 138 GADFLY (THE), poem of 1818, ii, 229-31; iv, 138-9 GALLOWAY SONG (A), 1818, ii, 223-4; iv, 132-3 GARDEN OF FLORENCE (THE), by J. H. Reynolds, ii, 36; iv, xvii Sonnets from, ii, 198; iv, 70-1 Garnett (Dr. Richard), iv, 53 (note) Gattie (-), iv, 198 Gem (The), sonnet published in, ii, 178 Stanzas published in, ii, 241 Genest, his Analysis of RICHARD DUKE OF YORK in SOME ACCOUNT OF THE ENGLISH STAGE, iii, 232-5 Genius, men of, described as lacking individuality, iv, 46 George II, portrait of, v, 178 George III., death of, v, 148 George IV. when Prince Regent, Hunt's attack on, i, 41 (note) His signal vengeance, i, 41 (note) Perhaps glanced at in THE CAP and Bells, iii, 187, 194 (note) Georgiana, See Wylie Gersa, Prince of Hungary, character in OTHO THE GREAT, iii, 37 His dejection under defeat, iii, 53 His liberation by Otho, iii, 55 Pays his addresses to Erminia, iii, 79 Getting stouter, v, 165 Gibbon, Keats reads, iv, 80 Gifford (William), advantage arising from his attack on Keats, iv, 194 A Lottery Commissioner and Government Pensioner, iv, 177 (note) Gifford (William), Extracts from Hazlitt's LETTER to, v, 29-33 SONNET TO AILSA ROCK written in the inn at, ii, 225 (note) Gisborne (John and Maria), meet Keats at Hunt's, i, xlii Gisborne (Maria), extracts concerning Keats from her journal, i, xlii; v, 179 Glasgow, Keats's letter continued at, iv, 136 Glaucus, meeting of Endymion with, i, 148; his story, i, 152-65 Gleig (Miss), Bailey's engagement to, v, 28 Gleig (the Rev. G. R.), iv, xxiii, 38, 39, 48, 62, 85, 92 (note), 115; v, 28 Gliddon (Mr.), v, 100 Glocester (Earl of), character in KING STEPHEN, iii, 147 His indulgence to Stephen, iii, 158-9 "Go to a nunnery!" v, 186 Godwin (William), Dilke compared to, v, 121 His high opinion of Keats's early poems, i, xxxii His MANDEVILLE reviewed by Shelley, iv, 53 (note) Golconda, the caves of, i, 21 Goldfinches, description of, i, 9 Gondibert (Sir) in CALIDORE, i, 19 Gonfred, character in OTHO THE GREAT, iii, 37 GRASSHOPPER AND CRICKET, SONNET ON THE (1816), i, 49 "From Gray to Gay, from Little to Shakespeare," iv, 108 Grecian Urn, See ODE ON A GRECIAN URN Greece and England, the poets of, i, 113 Greek, talk of learning, iv, 104 Talk of not learning, v, 120 Green (Mr.), demonstrator at Guy's, v, 44 Grover (Miss), v, 139 Guido contrasted with Raphael and compared with Mackenzie, iv, 202 GUY MANNERING, not read by Keats, ii, 218 (note) Gyges, an imprisoned Titan in HYPERION, ii, 143 Hackney coach, address to a, iii, 197-9 Hammond (Thomas), Keats apprenticed to, i, xxix Rupture with, i, xxx Hampshire, visit to, iv, 196; v, 8, 9, 10, 12, 22 Hampstead, Keats's residence at, i, xxxiii et seq. The parson at, "quarrelling with all the world," v, 35 Hampstead Heath, i, 7 (note) Handwritings discussed, v, 164 "Happy is England! I could be content," Sonnet, i, 50 Hart (Mr.), v, 140 Haslam (William), biographical note on, iv, xxi His obliging behaviour to Thomas Keats, iv, 175 His father's death, v, 18 Has his father's "situation," v, 39 Keats's letter to him, v, 59 His behaviour in destroying George Keats's long expected letter, v, 60 A borrower of money from George Keats, v, 116 Not a pattern lover, v, 102 "Very Beadle to an amorous sigh," v, 132 His innamorata, v, 140 Keats quits London without taking leave of him, v, 203 Does not answer George Keats's letters, v, 204 Referred to, iv, 55, 58, 185, 188, 192, 194, 197, 198, 203, 209; v, ix, 16, 23, 28, 31, 141, 143, 195, 199, 201 Haslam (Mrs.), iv, 158 Haslam (Miss) not communicative, iv, xxi Hastings, mysterious lady met by Keats at, iv, 186; v, 27 Haydon (Benjamin Robert), biographical note on, iv, xix Sonnets to, i, 48; ii, 177 TEIGNMOUTH: "Some Doggerel," sent in a letter to, ii, 207-10; iv, 88-9 Letters to Keats from, ii, 178 (note); iv, 8 (note), 18-19 (note), 36 (note), Described as a "great spirit," i, 48 Probable influence on composition of ENDYMION, i, 65 Letter and sonnet of J. H. Reynolds to, iv, 5-6 (note) His offer to do a portrait of Keats for a frontispiece to ENDYMION, Keats discerns "a touch of Alexander" in, v, 5 (note) Unpleasantness between Hunt and, iv, 37, 57-8, 60 Quarrels with Reynolds, iv, 57-8, 60 Keats's Sunday evening with, iv, 53 Keats offers to lend him money, v, 5 Accepts Keats's proffered loan, v, 7 (note) Keats's trouble to raise money for him, v, 8, 9, 10, 14, 19, 67 Progress of his "Jerusalem" impeded by weak eyes and want of funds, v, 6-7 Haydon (Benjamin Robert)--continued On the paltriness of conversational effect, v, 9 (note) A book of Italian prints belonging to, iv, 202 His Essays on The Elgin Marbles translated into Italian, iv, 80 His Notice of the MANUSCRIT VENU DE ST. HELÈNE, iv, 21 His Recollections of Keats, i, xxv His "immortal dinner," iv, 53 Referred to, i, xi, xxv, xxx, xxxix, xli; iv, xxix, 4, 6, 7, 10, 12, 13, 34, 40, Hazlitt (William), his high opinion of Keats's early poems, i, xxxii His "depth of taste," iv, 56, 57 Keats disappointed at his treatment of Chatterton, iv, 80 Review of Southey's LETTER TO WILLIAM SMITH, ESQ., M.P., iv, 14, 15, 21 Going to play Rackets, iv, 186 Met by Keats at Haydon's, iv, 58 Keats calls on him, iv, 193 Remarks on Godwin's ST. LEON by, iv, 205 Extracts from his LETTER TO GIFFORD, v, 29-33 Referred to, iv, 7, 21, 34, 36, 40, 64, 76, 80, 99, 104, 108, 112, 198, 199 (note), 202, 205; v, 35, 98 Hazlitt (Mrs.), "and that little Nero her son," v, 23 Health and the Spring, looking forward to, v, 149 Lingering on the borders of, v, 166 Heart (the), the Mind's Bible, v, 54 Helvellyn, acrostic written at the foot of, ii, 216-17; v, 109 Henry the Fowler, iii, 84 Hermes and Argus, iii, 16 See LAMIA Hero, i, 105; ii, 179 Hesperides, i, 121 Hessey (James Augustus), biographical note on, iv, xxviii Keats's letter to, iv, 168 Referred to, iv, 116, 164; v, 192 Hessey (Mrs.), iv, 92 HIGHLANDS, LINES WRITTEN IN THE (1818), ii, 226-8; iv, 146-7 Hilton (William), R.A., message to, iv, 116 Referred to, v, 40 Hobhouse, letter in The Examiner on, iv, 208 Hodgkinson, v, 87, 107, 182 Hogarth (William), his Methodist Meeting gives Keats a horrid dream, v, 154, 163 Referred to, iv, 108, 201 Hogg (James) v. Burns, v, 36 Holingshed, Keats reads, v, 133 Holland House, ancient urn at, ii, 103 (note) Holmes (Edward), a schoolfellow of Keats, i, xxviii Holts (the), v, 23 HOMER, SONNET ON FIRST LOOKING INTO CHAPMAN's, i, 46 SONNET TO (1818), ii, 205 Hymn to Pan, iii, 261 Referred to, ii, 167; iv, 104, 144 Hone (William), trial of, iv, 49; subscriptions for, iv, 53 On a Picture of Hero and Leander, ii, 179 (note) Hood's Magazine, Sonnet published in, ii, 197 MEG MERRILIES published in, ii, 219 (note) Hood's Comic Annual, Sonnet published in, ii, 189 (note) Hood (Mrs. Thomas), See Reynolds (Jane) "Hook and I," a witticism of H. Smith's, v, 117 Hop[p]ner (young), recounts polar adventures with Captain Ross, iv, 192 Horses with wings, journey of Endymion and the Indian on, i, 184 Horwood (A. J.), ii, 198 (note) Houghton (Lord), his editions of Keats, i, x, xiv, xviii, xix, xx, xxiii; ii, 161-4; iii, vii, 35-6, 169, 187 "How many bards gild the lapses of time!" Sonnet, i, 41 Hum, a soothsayer in THE CAP AND BELLS, iii, 196 Human Nature as distinguished from Men, v, 5 HUMAN SEASONS (THE), Sonnet of 1818, ii, 201; iv, 84 Humility, the proper objects of, iv, 99 Humour superior to wit, iv, 50 Hunt (Henry), the hero of "Peterloo," v, 127 His triumphal entry into London, v, 108 Hunt (James Henry Leigh), dates of birth and death, &c., iv, xvi Reviews Keats's first book, i, 3 Dedication of Keats's first book to, i, 5 Referred to as "Libertas," i, 15, 32, 36 Sonnet written on the day he left Prison, i, 40 His way of "showing truth to flatter'd state," i, 41 (note) His criticism of the Chapman's Homer sonnet, i, 46 (note) |