Latmus, the scene of ENDYMION, i, 73 Laughter of friends, v, 183 Laurel Crown (a), See Sonnet Lawn Bank, other name of Wentworth Place, i, xxxiii Leander, i, 145 Sonnet on a Picture of, ii, 178 Leatherhead, Keats's letters posted at, iv, 43, 45 Letterfinlay, Keats's letter from, iv, 152 Letter writing, Keats's aversion to, v, 126 Letters, cannot be sent daily from Shanklin, v, 69, 72 "Libertas" (=Leigh Hunt), i, 15, 32, 36 "Life is but a day," i, 53 Lindon (Mrs.), married name of Fanny Brawne, iv, xxxiv LINES ("Unfelt, unheard, unseen "), 1817, ii, 181 LINES ON THE MERMAID TAVERN, poem of 1818, ii, 114-5 LINES ON SEEING A LOCK OF MILTON'S HAIR (1818), ii, 189-91; iv, 60-1 Lines supposed to have been addressed to Fanny Brawne (1820 ?), iii, 223 LINES WRITTEN IN THE HIGHLANDS AFTER A VISIT TO BURNS'S COUNTRY Lionel, rejected name of lover in THE EVE OF ST. AGNES, ii, 68 et seq. (notes) "Literary kings," Scott and Byron described as, iv, 199 Literary Pocket-book, Leigh Hunt's, Sonnets issued in, ii, 201, 224 Song written in a copy of, iii, 12 (note) Literary success, hopes of, v, 136 Little John, ii, 117, 118 Live pets, Keats's early fondness for, i, xxvi; v, 15 Llanos (Señor), marries Fanny Keats, iv, xiv See Keats (Fanny) Loans of Keats to various people, v, 20 Loch Awe, the beauty of, iv, 140 Loch Craignish, description of the best inn near, iv, 141 Loch Lomond, description and rough sketch of, iv, 137-8 Lockhart (John Gibson), stated to have written the "Cockney School" articles, iv, 66 (note) Lodore, fall of, iv, 117 London Coffee House, Keats goes to a dance at, iv, 58 Lorenzo, enamoured of Isabella, ii, 37 Plot of Isabella's brothers to murder, ii, 44 His murder, ii, 46 Instructs Isabella in a vision as to his burial-place, ii, 49 Its power increases with the height of the object, i, 98 The God, his jealousy of Lamia and Lycius, ii, 21 Its "little sweet" kills "much bitterness," ii, 41 The cousin of Selfishness, ii, 46 "Love doth know no fullness nor no bounds," ii, 182 One of the Shadows in the ODE ON INDOLENCE, iii, 13-15 A wonder and delight, v, 150; not a plaything, v, 181 The ridiculousness of, v, 102 Lovel (Mr.) in THE ANTIQUARY alluded to, ii, 230 LOVER'S COMPLAINT (A), Sonnet written in Shakespeare's Poems facing (1820), Lowther, "a Man in Parliament dumb-founder'd," ii, 230 Lucy Vaughan Lloyd, pen-name of Keats, iii, 187 Ludolph (Prince), character in OTHO THE GREAT, iii, 37 His remorse for his rebellion, iii, 72 Reconciliation with his father, Otho the Great, iii, 72 Discovers her guilt, iii, 122 His madness, iii, 130 His death, iii, 144 LYCIDAS, parallel passage from, i, 136 (note) Lycidas, the "pontiff-priest" of Fingal's Cave, ii, 234; iv, 151 Lycius, a youth of Corinth beloved of Lamia, ii, 14 Meets Lamia on his way from Cenchreas to Corinth, ii, 16 Swoons for love of Lamia, ii, 17 Proceeds to Corinth with her, ii, 18 Desires to show her to his friends, ii, 23 Gains his point, ii, 25 Dies at his wedding, on the disappearance of the bride under the stare of Mackenzie's Father Nicholas, melodramatic mawkishness of, iv, 202 Macmillan's Magazine, Article by Mr. Colvin in, iii, 23-6 (notes) Macready (William Charles), plays Chosroo in RETRIBUTION, iii, 241 Her prayer at the painted window, ii, 78-9 Is roused by Porphyro singing at her bedside, ii, 85 Flies from her home with Porphyro, ii, 91 Madness, considerations on, ii, 227-8 Maia, FRAGMENT OF AN ODE TO (1818), ii, 215-16; sent to Reynolds, iv, 107 Man formed by circumstances, v, 53-5 Mancur (-), v, 45 Mandeville (Sir John), among the sources of Keats's English, iii, 276 (note) Manker Mancur? iv, 208 Margate, EPISTLE TO GEORGE KEATS written at, i, 31 (note) Keats's letters from, iv, 13, 18, 22 Marginalia on Shakespeare, iii, 253-5 On Milton, iii, 256-65 On Burton, iii, 266-75 Marian (Maid), ii, 118, 119 Marino, a corruptor of Italian Poetry, i, 32 (note) Marston (John), quotation from, i, 66 Martin (John), Reynolds's first publisher, iv, xvii His career, iv, 34 (note) His wrath with Blackwood for a piracy, iv, 196 Referred to, iv, 48, 94; v, 45, 48, 75 Martin (Miss), Bailey's attentions to, v, 28 Martyrs for religion, v, 130 Mask of Keats, iv, xv Masks, Keats not "able to expurgatorize more," owing to not seeing Haydon, iv, 40 Mathew (Caroline), "abominable behaviour" of Archer to, iv, 208 Mathews (Charles), iv, xviii; v, 106 Matrimony, Keats's views on, iv, 186-7 Maud (Queen), character in KING STEPHEN, iii, 147 MAUD, Tennyson's, parallel passage from, iii, 12 (note) Maw ("the Apostate"), tragedy by, v, 23 May Day, Fragment of an Ode written on (1818), ii, 215-16 Maybole, Keats's letter from, iv, 129; letter continued at, iv, 135 Medicine, possible return to study of, iv, 106; v, 35, 61, 62, 63, 70, 174, 178 Knowledge of and unfitness for, i, xxx Medicine-continued The only, v, 157 To keep the pulse down, relinquished, v, 166 Melody, Sweetness of unheard, ii, 104 In verse, the principle of, iv, 81 (note) Mermaid Tavern, See LINES Metempsychosis, Keats's belief at one time in, i, xxxviii Midnight, "a budding morrow" in, ii, 206 Millar's or Miller's, John and George Keats dine at, v, 139 Millar or Miller (Miss Mary), an "heiress" with 7 or 8 "dying swains," iv, 192 Full account of her "ten suitors," iv, 209 Referred to, v, 47, 101, 117 Millar or Miller (Mrs.), iv, 176, 184, 185; v, 47, 101 Miller (T.), printer of ENDYMION, i, 67 Milman (Henry), Keats sees his FAZIO the first night, iv, 76 ✈ The Old Drama “damned" by, iv, 90 antara Milton, blindness of, i, 30; iii, 258 - A small debt to, i, 45 (note) LINES ON SEEING A LOCK OF MILTON'S HAIR (1818), ii, 189-91 His "exquisite passion" for "poetical luxury," iii, 256 · His indignation against kings, iii, 260 "Godlike in the sublime pathetic," iii, 261 "His stationing or statuary," iii, 264-5 His grief for his friend King, ii, 96 Milton and Salmasius, a comic narrative, iv, 92 His genius compared with Wordsworth's, iv, 109-10 Quotation from LYCIDAS, v, 156 Referred to, i, xlvii; ii, 168; iv, 104, 107, 142, 144, 180 (note), 182; v, 38 Mind, discontented and restless, v, 162 Miniature of Keats by Severn exhibited at the Royal Academy, 1819, i, xv; v, 17 Minnows, description of, i, 9 Misery, happy and miserable, v, 183 Mnemosyne, a fallen Titaness in HYPERION, ii, 144, 155-7; iii, 178 Moneta (or Mnemosyne), goddess of a titanic temple, iii, 175-7 Montagu (Basil), his high opinion of Keats's early poems, i, xxxii Endymion addresses the, i, 146 Keats's long preoccupation with mythology and poetry of the, i, xlv His song "There's not a look," v, 161 (note) Keats invited by Hunt to meet him, iv, 195 His beautiful fancies always of one colour, iv, 179 (note) TOM CRIB'S MEMORIAL TO CONGRESS, v, 144 (note); "nothing in it," v, 31 Referred to, v, 35 Morning Chronicle (The), Letters defending Keats against The Quarterly in, Mortimer Terrace, Keats stays with Hunt at, i, xlii Motto for LAMIA, ISABELLA, &c., hunting for, v, 165 Moultrie ("poor Johnny "), iv, 39 Mozart, i, 38; iii, 243 (note); iv, 181, 195, 196 Mull, Keats's letter continued in the Isle of, iv, 148 Wretched walk across, iv, 148, 159 (note) Mullingses (the), v, 10 Murray (John), jocose proposal of Keats to offer the series of love letters to, v, 168 Referred to, v, 25 ...Mase of England, address to, i, 173-4 Music, varieties of, i, 38 Delicately described, i, 117 Musical instruments, after-dinner imitation of, iv, 52 (note), 99 Naiad, Endymion is addressed by a, i, 108-9 |