NEHEMIAH MUGGS, manuscript lent by Horace Smith to Keats, iv, 75 Nereids (the), i, 168 Nerve-shaking medicine, v, 155 Neville (Mr.), copy of ENDYMION borrowed by, iv, 194 New leaf (a) to be turned over, v, 3 New Monthly Magazine (The), part of LINES WRITTEN IN THE HIGHLANDS Newport, barracks between Cowes and, iv, 11 Newton Abbot, the Marsh at, ii, 208, 209 (note); iv, 89 Nightingale, immortality of the, ii, 102. See ODE TO A NIGHTINGALE Sonnets by Shelley and Hunt on, ii, 196 (note); referred to, iv, 76 Niobe, i, 82 "Nonsense Verses," ii, 167, 173, 184, 189, 215, 220, 229, 231, 235; iii, 18, 20, North (Christopher), See Wilson (Professor) Northcote, v, 40 "Nose, paying through the," iv, 52 Notes, See Burton, Milton, Shakespeare Novello's, Keats's and Brown's sufferings at, iv, 193, 195 Novello (Mrs.), lv, 198 Now (A), DESCRIPTIVE OF A HOT DAY, article by Leigh Hunt and Keats, iii, 248-52 "O Solitude! if I must with thee dwell," Sonnet (1816), i, 43 Keats's first published poem, i, 43 (note) Oban, Keats's letters continued at, iv, 141, 152 Oberon, i, 22 Oceanus, i, 171 A fallen Titan in HYPERION, ii, 146 Sophist and sage, ii, 148 ODE ("Bards of Passion and of Mirth") Written on the blank page before Beaumont and Fletcher's Tragi-Comedy THE FAIR MAID OF THE INN, ii, 112-14 Addressed to Beaumont and Fletcher, ii, 112 (note) ODE ON A GRECIAN URN (1819), ii, 103-6 Repeated by Keats to Haydon, ii, 103 (note) First published in Annals of the Fine Arts, ii, 103 (note) Perhaps relates to an Urn at Holland House, ii, 103 (note) Referred to i, xlv ODE ON INDOLENCE (1819), iii, 13-15; referred to i, xlv, xlix; v, 63 v Rejected opening of, ii, 121 (note) ODE TO A NIGHTINGALE (1819), ii, 99-103 Story of the composition of, ii, 95-6 ODE TO A NIGHTINGALE-continued George Keats copies it, v, 141 First published in Annals of the Fine Arts, ii, 99 (note) Repeated by Keats to Haydon, ii, 95 Referred to i, xlv ODE TO APOLLO (1815), ii, 167-8 ODE TO FANNY (1819 ?) iii, 8-10 ODE TO MAIA, FRAGMENT OF AN (1 May 1818), ii, 215-16; iv, 107 Pains taken with, v, 57; referred to, i, xlix Oliver, a government spy, iv, 177 (note) Ollier (Charles), Sonnet to Keats by, i, 4 Mentioned, i, 5 (note); iv, 76, 186, 198; ▼, 24 Letter to George Keats from, on the POEMS (1817), i, 4 ON FIRST LOOKING INTO CHAPMAN'S HOMER, Sonnet (1816), i, 46 ON LEAVING SOME FRIENDS AT AN EARLY HOUR, Sonnet, i, 47 ON RECEIVING A CURIOUS SHELL AND A COPY OF VERSES, i, 21-2 Referred to, iv, xvi; v, 34 OPERA, EXTRACTS FROM AN, ii, 202-4 Opie (Mrs.), iv, 76 Ops, the Fallen Queen of the Titans in HYPERION, ii, 146, 147 OTHO THE GREAT: A TRAGEDY IN FIVE ACTS (1819), iii, 33-144 Plot of four Acts supplied by Charles Armitage Brown, i, xxxix; iii, 35 The fifth Act wholly Keats's, iii, 35 Manuscript of, iii, 36 Humorous account by Brown of the progress of, iii, 35 Dramatis personæ, iii, 37 First Act finished, v, 72 Progress in the Isle of Wight, v, 77, 79 /Four Acts completed, v, 81 Work finished, v, 84, 86; and being copied by Brown, v, 87 Keats calls himself "midwife to Brown's plot," v, 91 "A tolerable tragedy," ▼, 101 Accepted at Drury Lane, v, 136 OTHO THE GREAT-continued Negociations with Covent Garden, v, 135, 136 Referred to, i, xi Otho, Emperor of Germany, character in ОTHо THE GREAT, iii, 37 His reconciliation with his son, iii, 71 His grief for his son's madness, iii, 130 Otway (Thomas), iii, 242 Oxford, Keats's letters from, iv, 24-37 "The finest City in the world," iv, 26 OXFORD, (ON), A PARODY (1817), ii, 184; iv, 35 Pacific Ocean, discovery of the, i, 47 Paine (Thomas), v, 108 Painting, Keats's abstract idea of, iv, 98 Palate affairs, v, 26-7 Palgrave (Francis Turner), compares Keats with Chatterton, i, xlvii His estimate of LAMIA and THE EVE OF ST. AGNES, ii, 7-3 Palpitation of the heart, v, 167 Pan, pastoral superstition connected with, i, 73 Festival of, i, 75 et seq. Address of the priest of, i, 77 Hymn to, i, 78-81 Panorama of ships at North Pole, Keats visits, v, 48 Criticizes DON GIOVANNI, a, iii, 243; iv, 51 PARADISE LOST, "a corruption of our language," v, 121 Parson (the) "the black badger with tri-cornered hat," v, 35 PARTY (A) OF LOVERS, verses of 1819, iii, 163; v, 102-3 Passion, destroyed by thought, ii, 22 Pastorella, i, 105 Patmore (Peter George), iv, 108 Paulo and Francesca, See DREAM (A) Payne (Howard), BRUTUS, a bad tragedy by, iv, 193 Payne (John), translation of the Story of Isabella by, ii, 57 (note) Peacock (Thomas Love), Satire "damned" by, iv, 90 Peachey (-), iv, 194; v, 22, 29 Peachey family (the), iv, 52 "Penetralium of mystery (the)," iv, 50 Penmanship, good and bad, v, 164 Peona, her care for Endymion, i, 84 Her lute-playing, i, 87 Meets Endymion returning from magic wanderings, i, 199 Perfectibility, Keats's views as to, v, 53 Perrin's FABLES AMUSANTES, probable reminiscence of, i, 167 (note) PETER BELL, by Wordsworth, travestied by Reynolds, iii, 248 (note) PETER BELL, A LYRICAL BALLAD, reviewed by Keats in The Examiner, iii, "Petition to the Governors of St. Luke," v, 34 Petrarch and Laura, i, 61 Petzelians (the), a murderous religious sect, iv, 14 PHARRONIDA, by William Chamberlayne, reminiscence of, i, 164 Compared with ENDYMION, i, xlvi Philadelphia, George Keats sails for, i, xxxv; iv, xiii, 161 Philosophy, Keats's strictures on, ii, 29-30 Determination to study, iv, 103, 104 PHILOSOPHY OF MYSTERY (THE), fragment of Keats's prose from, iii, 276 Phorcus, a fallen Titan in HYPERION, ii, 146, 153 PICTURE OF LEANDER, SONNET ON A, ii, 178 Picturesque, "getting a great dislike" of the, v, 83 "Pight," i, 95 (note), 106 (note) Pigmio, sovereign of Imaus in THE CAP AND BELLS, iii, 190 "Pindar (Peter)," death of, v, 148; referred to, iv, 76 Severn drinks the health of, iv, 52 Piranesi's VASI E CANDELABRI, ii, 103 (note) Pizarro, v, 52 Pleasure never at home, ii, 109, 112 Pluto, i, 145 Poem, Keats's first published, i, 43 POEMS (1817), Keats's first book, i, 3-62; described, i, 3 Dedication to Leigh Hunt, i, 5; its spontaneity, i, 5 (note) Reviewed by Hunt in The Examiner, i, 3 Mentioned in rejected preface to ENDYMION, i, 66 Letter from Messrs. C. & J. Ollier as to failure of, i, 4 Letter from Haydon on issue of, iv, 8 (note) "My first blights," v, 189 Poesy, address to, i, 52 Vision of the progress of, i, 53-4 Poesy-continued "A drainless shower of light," i, 57 One of the Shadows in the ODE ON INDOLENCE, iii, 14 Poetry, obstacles to the composition of, i, 29, 31 Its revival in England, i, 57 The philosophy of, vindicated in LAMIA, ii, 30 (note) Keats's Axioms in, iv, 81 Poetical character, its lack of identity, iv, 173 Poetry not so fine a thing as Philosophy, v, 38 .. Poets, the double life of, ii, 112-14 Poets and fanatics, iii, 171 Politics, English and European, iv, 182 A page or so of, v, 107-8 POLYMETIS, Spence's, ii, 106 (note) Pomona, Vertumnus and, i, 121 Pope, i, 56 (note) Popularity, contempt for, iv, 100; v, 84 Porphyrion, an imprisoned Titan in HYPERION, ii, 143 Is secreted by the nurse in Madeline's chamber, ii, 76 Port Patrick, Keats's letter continued at, iv, 127 Porter (Jane), Letter telling her delight with ENDYMION, iv, 195 Portrait of Keats in Haydon's "Entry of Christ into Jerusalem," iv, 20 (note) Miniature by Severn, iv, xv; v, 17 Profile of Keats by Brown mentioned, v, 66 His sister's view of the portraits and mask, iv, xV Portraits, Keats visits an exhibition of, v, 178 Portsmouth, the "Maria Crowther" returns with Keats to, i, xlii; v, 197 (note), 198 "Posterity's award" to the poet, i, 33 Posthumous and fugitive poems, ii, 165-242; iii, 3-224 POT OF BASIL (THE), See ISABELLA Potiphar, Fame described as sister-in-law to, iii, 30 Poultry (the), Keats living in, iv, 42 (note) Pregnant woman, horrid story of a, v, 135 Prices (the), v, 10 Principles of revision, i, vii et seq. Prison, a pleasant, v, 146 |